
Francesca Hickin
Head of Department
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Head of Department

Associate Specialist
Provenance:
M. Bernard Daydé (1921-1986) collection, France; gifted by King Farouk I in 1950.
Ancienne collection Bernard Daydé (1921-1986); Beaussant-Lefebvre, Paris, 17 November 2015, lot 145.
The visual depiction of the king in combination with the powerful body of a lion became prevalent during the Late Period, but the idea of the royal sphinx was particularly popular from the Ptolemaic Period onwards. The soft and rounded contours of the nemes headdress seen in the above royal head are typical of Ptolemaic carving. The queue or pigtail at the base of the headdress at the back is now missing but its position when vertical can suggest the beginning of lion shoulders. There is a similar portrayal in limestone of a Ptolemaic king, possibly from a sphinx, in the Metropolitan Museum of Art, acc. no. 41.6.1. For a red granite head from a Ptolemaic sphinx resembling the features of the above lot see Egyptian Sculpture of the Late Period, circa 700 B.C.-100 A.D., The Brooklyn Museum, 1960, p. 147, pl. 106, no. 114.
Bernard Daydé was an actor, production designer and costume designer, and was artistic director of the Théâtre Lyrique from 1971 to 1977, on the initiative of Rolf Liebermann.