Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

Arie Smit (Dutch-Indonesian, 1916-2016) The Holy Tree image 1
Arie Smit (Dutch-Indonesian, 1916-2016) The Holy Tree image 2
Arie Smit (Dutch-Indonesian, 1916-2016) The Holy Tree image 3
Lot 50

Arie Smit (Dutch-Indonesian, 1916-2016)
The Holy Tree

29 March 2018, 16:00 HKT
Hong Kong, Six Pacific Place

Sold for HK$562,500 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our Indian, Himalayan & Southeast Asian Art specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

Ask about this lot

Arie Smit (Dutch-Indonesian, 1916-2016)

The Holy Tree
Oil on canvas, framed
Signed and dated 'Arie 67' at lower right
Painted in 1967
87 x 67 cm (34¼ x 26⅜ in).

Footnotes

Provenance:
Private Collection, New York, USA
Acquired from the above by the present owner

艾利 · 斯密特 聖樹 油彩畫布 木框 一九六七年作

簽名:Arie '67

來源:
美國紐約私人收藏
現藏家得自上述


Three words - light, poetry and mystery - sum up the works of Dutch-born, nativised Indonesian painter Arie Smit's works that emanate from efforts to portray radiance.

The Holy Tree is an early, rare and iconic work in Arie Smit's 1960s oeuvre. A keen traveller in Bali itself, Smit was known for his inclination to be near his painting subject and moved at least 40 times in more than half a century living in Bali. He was fascinated with the fecund natural environment of Bali. To him, nature, with all its wondrous elements that controlled the seasons, agrarian patterns and cultural life, was far more interesting than all the cultural manifestations of life in Bali. Against such a backdrop, Smit's paintings exalted nature.

The sacred quality of old grand trees was exactly what he sought to paint, with the banyan tree - the subject here - rising majestically in the centre of his painting. The tree towers over life and blocks out much light, and Smit emphasises this with a generally darker colour palette deployed here. Unlike his later works, where he tried to capture the riotous light in Bali, Smit paints us a convincing picture of the gigantic towering tree, solid and perpetual in its presence.

A Balinese shrine provides counterpoint at the foreground, its comparatively much smaller size bestowing a greater sense of grandeur to the tree in the middleground. Nature reigns supremacy in Balinese life, at least in the early days of the 1960s when Smit was just at the formative period of his artistic journey capturing impressions of Bali that are some of the most distinct and recognisable around.

三個形容詞──光影、詩意和神秘──總結了荷蘭裔印尼畫家艾利 · 斯密特的創作,從勤力耕耘終展現光輝。《聖樹》為其1960年代藝術生涯中,較早期、珍罕又具標誌性的作品。峇里島富饒美麗的自然環境令他為之著迷。對斯密特而言,大自然掌管四季、農業型態和文化生活的美妙元素,較峇里島諸多的生活面貌更為引人入勝、耐人尋味。在此時空背景下,斯密特的繪畫歌頌著大地。

參天古樹的神聖靈氣恰恰是他熱衷於描繪的題材。此作的焦點──榕樹──在畫面中央蒼翠挺拔,傲然矗立,如巍峨巨人,遮蔽了大部份的陽光。藝術家採用較暗的色系,巧妙凸顯《聖樹》淩空聳立,雄奇豪邁的氣勢。

Additional information

Bid now on these items

TÊTE DE BODHISATTVA EN STUC Ancienne région du Gandhara, IIIe-Ve siècle

TÊTE DE BOUDDHA EN SCHISTE Ancienne région du Gandhara, IVe siècle

STATUE DE BOUDDHA EN SCHISTE GRIS Ancienne région du Gandhara, II-IIIe siècle

TÊTE DE BOUDDHA EN STUC Ancienne région du Gandhara, IVe-Ve siècle

PANNEAU EN RELIEF EN SCHISTE GRIS REPRÉSENTANT POSSIBLEMENT LA GRANDE RENONCIATION OU L'INTERPRÉTATION DU RÊVE DE MAYA AU ROI SUDDHODANA Ancienne région du Gandhara, IIe-IIIe siècle

STATUETTE DE DIVINITÉ FÉMININE DEBOUT EN TERRE CUITE Inde, Période Maurya-Sunga, IIe-Ier siècle avant J.C.

STÈLE DE FIGURE DEBOUT TENANT UN ARC ET DES FLÈCHES EN GRÈS ROUGE Inde centrale, Madhya Pradesh, Style Khajuraho, XIe siècle

IMPORTANTE STATUE DE DÉESSE EN BRONZE Inde, Tamil Nadu, époque Vijayanagara, XVI siècle

SANCTUAIRE DE SURYA EN ALLIAGE DE CUIVRE Inde, Bengale, époque Pala, Xe siècle

STÈLE DE VISHNU EN PIERRE NOIRE Inde occidentale, Rajasthan ou Gujarat, ca. XIIe-XIIIe siècle

STÈLE EN PIERRE NOIRE REPRÉSENTANT DURGA TUANT LE DÉMON MAHISHA Bangladesh, XIe-XIIe siècle

STATUETTE DE DURGA MAHISHASURAMARDINI EN ALLIAGE DE CUIVRE AVEC TRACES DE POLYCHROMIE Inde, province d'Assam, XVIIe siècle

POIGNARD EN ACIER DAMASQUINÉ D'OR, KATAR DJAMADHAR Inde, moghole, Rajasthan, XIXe siècle

CLOCHE RITUELLE EN BRONZE Indonésie, Java, XIe siècle

RELIQUAIRE EN BRONZE Thaïlande, Sukhothai, XIVe-XVe siècle

BUSTE DE BOUDDHA COURONNÉ EN TERRE CUITE Thaïlande, Haripunjaya, XIIIe siècle

GRANDE CLOCHE DE TEMPLE EN BRONZE Datée de 1206 de l'ère birmane, ou 1844

ÉPÉE À POIGNÉE EN ARGENT NIELLO, DHA, ET SON FOURREAU Birmanie, XIXe siècle

STUPA EN ARGENT Thaïlande, époque Ayutthaya, XVIIe siècle

TÊTE DE BOUDDHA EN BRONZE Thaïlande, époque Ayutthaya, XVe-XVIe siècle

STATUETTE DE BOUDDHA MARAVIJAYA COURONNÉ EN BRONZE Nord de la Thaïlande, époque Lan Na, XVIe siècle

STATUE DE BOUDHA EN BRONZE DORÉ Thaïlande, Bangkok, XIXe siècle

STATUE DE VISHNU CHEVALANT GARUDA EN BOIS SCULPTÉ Thaïlande, XIXe siècle

STATUETTE DE MANJUSHRI AVEC SHAKTI EN ALLIAGE DE CUIVRE DORÉ Népal, XVIIe siècle