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Fine Books and Manuscripts Including the World of Hilary Knight

5 December 2018 | starting at 10:00 EST
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299 lots available

A GROUP OF CORRESPONDENCE TO CLAYTON AND KATHERINE STURGES KNIGHT. EARHART, AMELIA, et al. Typed Letter Signed ("Amelia"), 1 p,

FOUJITA, TSUGUHARU. 1886-1968. Original lithograph, Chat, c.1927, on japan,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "ANGEL IN THE WINGS." A portrait of Elaine Stritch (1925-2014) performing in "Civilization" in a costume designed by Hilary Knight in 1947,

AN ORIGINAL HILARY KNIGHT OIL PAINTING, "SEA WITCH." Oil on masonite panel, 240 x 190 mm, 1950s, matted and framed.

VICKREY, ROBERT. 1920-2011. Painting of a masked boy in front of a wall of crumbling posters,

An original Hilary Knight watercolor, "Snake Glove." Watercolor on paper, 240 x 240 mm, early 1950s, a sketch of the Kiss Me Kate star Lisa Kirk (1925-1990) performing with her serpent glove in the Wedgewood Room of the Waldorf-Astoria Hotel in 1950,

A COLLECTION OF ELEVEN HILARY KNIGHT PEN-AND-INK ILLUSTRATIONS FOR HOUSE & GARDEN.

A HILARY KNIGHT CRAYON ILLUSTRATION OF DAME EDITH SITWELL (1887-1964), "Ah! The Literary Life." For an article by Frederic Prokosch, "The Nightmare of Literary Life," Harper's Magazine, published March 1953, black crayon,

AN ORIGINAL HILARY KNIGHT WATERCOLOR DEPICTING KAY THOMPSON PERFORMING AT "THE PERSIAN ROOM 1954." Black and color ink, color pencil and watercolor, 265 x 220 mm, illustration for the Plaza Hotel magazine, 2000,

ELOISE, THE PRESENTATION COPY, INSCRIBED BY KAY THOMPSON TO HILARY KNIGHT. KNIGHT, HILARY, illus. Kay Thompson's Eloise. New York: Simon and Schuster, 1955.

Hilary Knight's ORIGINAL Plaza Hotel portrait of ELOISE. Tempera on board, 54 x 37 inches (1371 x 934 mm), framed: 59 x 42 inches (1500 x 1053 mm),

AN ORIGINAL HILARY KNIGHT WATERCOLOR OF "Kay rehearsing 'Clap Yo' Hands.'" Watercolor and ink over pencil, 260 x 240 mm, an illustration for Marie Brenner's "The Story of Eloise" in The Absolutely Essential Eloise (New York: Simon and Schuster, 1999).

AN YVES ST. LAURENT PENCIL SKETCH FOR A PARTY DRESS FOR ELOISE. Pencil on paper, after Christian Dior for Eloise in Paris (1956),

A CHAIR GIVEN BY KAY THOMPSON TO HILARY KNIGHT. A Rococo-style wooden chair, decorated by Hilary Knight, in red-and-gilt and upholstered by him in star-decorated velour with gold brocade border,

A LARGE HILARY KNIGHT FOUR-PANEL PAINTED SCREEN, "A VISIT TO KAY THOMPSON'S SUITE." Acrylic on wooden panels, hinged with plated piano hinges, with mirror and shelf,

A COMPLETE SET OF LIMITED SIGNED ELOISE BOOKS. Thompson, Kay; Knight, Hilary, illus. Consisting of all five quarto volumes, in publisher's cloth, slipcases:

A COLLECTION OF SIGNED ELOISE BOOKS. THOMPSON, KAY. 1909-1998. KNIGHT, HILARY illus. Consisting of nine volumes, all signed and dated by the illustrator, including:

ARCHIVE OF ORIGINAL ART FOR AN UNREALIZED HILARY KNIGHT COLLABORATION WITH TRUMAN CAPOTE, CAN A PIG FLY? Capote, Truman. 1924-1984. Knight, Hilary, illus. Eight original artworks by Knight for an unpublished picture book in the Random House "Beginner Books" series,

WARHOL, ANDY. 1928-1987. Original watercolor, Iced Lemon Delight (cat version),

SEARLE, RONALD. 1920-2011. A series of three original watercolors, "Commercial Christmas," "Office Parties," and "Giftmanship," unused illustrations for the article "Christmas Lifemanship," Holiday Magazine, c.1960,

A PAIR OF HILARY KNIGHT FASHION PORTRAITS. Two original watercolors, finished designs submitted by Mr. Knight for a job as women's fashion artist,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "THE JAGUAR SPHINX OF JAKARTA." Watercolor and intaglio paint, an illustration for an unrealized book of imaginary beings conceived with his mother, Katharine Sturges Knight,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "BLACK SPHYNX." Watercolor and ink with silver paint,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "BENITO (JAGUAR MAN)." Watercolor, dyes, gesso, gilt and clear lacquer,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "FLOWER FAIRY." Watercolor and pencil, an illustration for an unrealized book of imaginary beings conceived with his mother, Katharine Sturges Knight,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "CHI'LIN. CHINESE UNICORN." Watercolor, ink, pencil and gold paint,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "THE MERMAID." Watercolor, pencil and silver paint,

A HILARY KNIGHT LARGE THREE-PANEL HAND-PAINTED SCREEN, "THE GRAND EMIR OF BONGLADORE'S PET PANTHERS." Acrylic with gold paint and added pearl and metallic glitter varnish on wooden panels,

SENDAK, MAURICE. 1928-2012. Where the Wild Things Are. New York: Harper & Row, 1963.

SENDAK, MAURICE. 1928-2012. Nutshell Library. New York: Harper & Row, [1962].

TWO HILARY KNIGHT WATERCOLORS FOR AN ALBUM COVER, "COME NEAR, I WANT TO LOVE YOU." Watercolor, ink and pencil with gold paint on thin paper, for an album cover for "Tony Mottola Guitar: A Latin Love-In"

GROUP OF ORIGINAL HILARY KNIGHT ARTWORK FOR "THE GOLDEN PICTURE DICTIONARY." Comprising three watercolors and one ink drawing with three color sketches for the cover of Lucille Ogle and Tina Thoburn, The Golden Picture Dictionary,

AN ORIGINAL HILARY KNIGHT WATERCOLOR, "CARMEN." watercolor and crayon over pencil with black paper border, a preliminary portrait of Carmen Miranda for an unpublished poster,

THREE ORIGINAL HILARY KNIGHT WATERCOLORS, DESIGNS FOR AN UNREALIZED MUSICAL COMEDY BASED ON THE SHANGHAI GESTURE. Including:

INTERIOR ART BY HILARY KNIGHT FOR ROBERT KRAUS'S THE GOOD MOUSEKEEPER. Archive of seventeen double-page interior drawings for Robert Kraus's The Good Mousekeeper

NEARLY COMPLETE BOOK ART BY HILARY KNIGHT FOR HIS CINDERELLA. Archive of 21 watercolors (including one unused cover design) for Cinderella

An original Hilary Knight watercolor, "A Night with Mae West." Two sketches on one sheet of the legendary sex symbol in the "Belle of the Nineties" number in a fantasy appearance at Radio City Music Hall, watercolor, crayon and pencil highlighted with rhinestones, 460 x 305 mm, signed and dated lower left, Hilary Knight 1979," framed.

PENE DU BOIS, RAOUL. 1914-1985. Original gouache, "Banjo Man," costume design for the Broadway musical Sugar Babies, 1979,

A PAIR OF HILARY KNIGHT WATERCOLORS OF ANN MILLER, "I'M STILL HERE." Watercolor, ink, crayon and pencil,

TWO ORIGINAL HILARY KNIGHT WATERCOLORS FOR STEPHEN SONDHEIM'S 1998 FOLLIES. 1. "Can That Boy Fox Trot," watercolor, ink and crayon, 225 x 160 mm, "in acetate covered gold border, with circular label from Hilary Knight affixed.

AN ARCHIVE OF HILARY KNIGHT ILLUSTRATIONS FOR THE OWL AND THE PUSSYCAT. Sixteen finished double-page watercolors for Hilary Knight's The Owl and the Pussy-Cat (New York: Simon & Schuster, 1983), based on Edward Lear, watercolor, tempura, ink and color pencil, each 315 x 500 mm;

AN ORIGINAL HILARY KNIGHT UNUSED POSTER DESIGN FOR BROADWAY, LA CAGE AUX FOLLES.

AN ORIGINAL HILARY KNIGHT UNUSED POSTER AND CARD DESIGN, "THE BUTTERFLY PRINCE." Gouache and gold paint, 330 x 390 mm, n.d.,

NEARLY COMPLETE SET OF HILARY KNIGHT BOOK ART FOR THE BEST LITTLE MONKEYS. Twenty-five finished double-page watercolors (including rejected frontispiece and title page)

A HILARY KNIGHT WATERCOLOR OF PHOEBE LEGERE. Original watercolor, "Songs of the Blue Angel," unused poster design for Legere's cabaret act, 1991, drybrush and watercolor, 315 x 185 mm, signed and dated in white paint lower left: "Hilary Knight '91,"

A HILARY KNIGHT WATERCOLOR OF PHOEBE LEGERE, GOOD CLEAN FUN. Original poster design for a new musical at The China Club, New York City, 1998,

A HILARY KNIGHT SKETCHBOOK, "Fashion Diary for Vanity Fair Nov '96." Original autograph sketchbook, for Fashion Week, October 25-November 1, 1996,

A SUITE OF ORIGINAL HILARY KNIGHT PENCIL AND INK DRAWINGS OF BROOKE ASTOR FOR VANITY FAIR. Archive of eight drawings (six finished and two preliminary)

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