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Granville Redmond(1871-1935)Antelope Valley 20 3/8 x 25in overall: 27 x 32in
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Granville Redmond (1871-1935)
signed 'Granville Redmond' (lower left)
oil on canvas
20 3/8 x 25in
overall: 27 x 32in
Footnotes
Provenance
Spanierman Gallery, New York, New York (as 'Valley in Flower').
Joan Irvine Smith Fine Arts, Laguna Beach, California.
Sale, Bonhams, Los Angeles and San Francisco, California and American Paintings and Sculpture, April 8, 2008, sale 16073, lot 122.
Private collection, Beverly Hills, California.
Exhibited
Prescott, Prescott's Phippen Museum of Western Art, Landscapes of the West, August 20 - November 11, 1993, (as 'Valley in Flower')
Irvine, The Irvine Museum, Peaceful Awakening, Spring in California, January 20 – May 12, 2007.
Literature
Robert Stragnell, M.D., Landscapes of the West, Prescott, Prescott's Phippen Museum of Western Art, 1993, np.
Granville Redmond is one of only a few California artists, who in spite of challenging life circumstances, worked prolifically in the artistic centers of San Francisco, Monterey, and Los Angeles to great acclaim. In his late twenties, he attended the California School for the Deaf in Berkeley, California, where he first began his formal artistic training. Following graduation, he was awarded a scholarship to study at the California School of Design, the school founded by the San Francisco Art Association. His teachers there included the Tonalist painters Arthur Mathews and Amédée Joullin. In 1893, Redmond first traveled to France to study at the Académie Julian, and over the next four years, he studied in Paris, on the Brittany coast, and Moret near Fontainebleau. He fell in love with the French landscape and was determined to exhibit at the Paris Salon. Had he not received an urgent call to return home from his family, Redmond would have remained there longer. In 1898, Redmond returned to California and settled in Los Angeles, which was the start of his career in the Southland. He continued to exhibit in San Francisco, but soon embraced the Southern California landscape, conceding that its 'scenery excels that of France.' He often painted scenes in and around Laguna Beach, Catalina Island, and San Pedro. By 1905, Redmond was receiving considerable recognition as a leading landscape painter and bold colorist throughout the state.
Granville Redmond was best-regarded then, as he is today, for his verdant wildflower landscapes, and the present work is a prime example depicting a vigorous bloom of poppies, lupine, and mustard. The Antelope Valley is known throughout all of California for its showy desert blooms, and Redmond painted this historic locale on several occasions. The spectacularly sunlit and dappled landscape suited Redmond's technique well, where his meticulous brushwork activates the foreground. As a compositional technique, Redmond favored the rule of thirds, where either the sky or foreground would offer a visual release. In the present work, the looser brushwork in the sky provides a welcome respite to the dazzling display below.





















