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Eclectic Wonders: The Collection of Timothy Egert

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8^* — Saliba Douaihy (Lebanon, 1915-1994) Mar Gerges Church, Ehden

£20,000 - £30,000

9^* — Jewad Selim (Iraq, 1919-1961) Still life with Statuette

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10^* — Mamdouh Kashlan (Syria, 1929-2022) Before The Light Fades (Kabl An Yazoul Al Djaw)

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Property from the Artist's Estate

11 — Mahmoud Sabri (Iraq, 1927-2012) Study of a Rural Family

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12 — Mahmoud Sabri (Iraq, 1927-2012) Mother and Child

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Property from the Artist's Estate

13 — Mahmoud Sabri (Iraq, 1927-2012) Public Bath

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14 — Mahmoud Sabri (Iraq, 1927-2012) H20 + AG + AiR (From the Quantum Realism Series)

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15^* — Sliman Mansour (Palestine, born 1947) Woman From Bethlehem

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17^* — Saloua Raouda Choucair (Lebanon, 1916-2017) Untitled (from the Repetitive Dual series)

£30,000 - £50,000

18^*,AR — Chaouki Choukini (Lebanon, born 1946) Equation Existentielle

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19^AR — Dia Al-Azzawi (Iraq, born 1939) Al Shamr

£40,000 - £60,000

Property from the collection of the late George Touma Yacoub

20^AR — Dia Al-Azzawi (Iraq, born 1939) Arabic Image II

£30,000 - £50,000

Property from the collection of the late George Touma Yacoub

21^AR — Dia Al-Azzawi (Iraq, born 1939) Drawings Consecrated to Love

£4,000 - £6,000

Property from the collection of the late George Touma Yacoub

22^AR — Dia Al-Azzawi (Iraq, born 1939) Horse

£4,000 - £6,000

Property from the collection of the late George Touma Yacoub

23^AR — Dia Al-Azzawi (Iraq, born 1939) Composition

£4,000 - £6,000

Property from the collection of the late George Touma Yacoub

24^AR — Shafic Abboud (Lebanon, 1926-2004) Le Cafe a Gien

£2,000 - £3,000

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Lot 19^AR

Dia Azzawi
(Iraq, born 1939)
Letters

Modern and Contemporary Middle Eastern Art

26 April 2017, 15:00 BST

London, New Bond Street

Sold for £10,625 inc. premium

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Dia Azzawi (Iraq, born 1939)

Letters
acrylic on wood, framed
signed "Azzawi" in Arabic and English and dated "1984" (lower right), executed in 1984
45 x 36cm (17 11/16 x 14 3/16in).

Footnotes

Provenance:
Property of a private collection, London
Acquired in Abu Dhabi in circa 1980s

"""""Had I not moved to London, my work would without a doubt have been very different as my exile made me more aware of what I was doing and it induced me to create works that would be accepted by other cultures.

In the introduction of the exhibition catalogue of a show I had in Washington D.C. that talked about the use of calligraphy in my works, the curator wrote that he could not see Arabic calligraphy in my works but rather a series of 'signs'. That statement gave me more confidence in what I was doing. By trying to produce an art that is accesible to everyone I was not only attempting to bridge the contemporary and the ancient, but also to bridge Western and Eastern art"""""""
- Dia Azzawi

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- Modern & Contemporary Middle Eastern Art