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Hussein Bicar (Egypt, 1913-2002) The Semsemia Players image 1
Hussein Bicar (Egypt, 1913-2002) The Semsemia Players image 2
Lot 40

Hussein Bicar
(Egypt, 1913-2002)
The Semsemia Players

12 October 2016, 14:00 BST
London, New Bond Street

Sold for £47,500 inc. premium

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Hussein Bicar (Egypt, 1913-2002)

The Semsemia Players
oil on canvas, framed
signed (lower left) and dated 1990, bearing the stamp from the Alexandria Faculty of Fine Arts (on the verso) and the Egyptian Ministry of Culture
70 x 50cm (27 9/16 x 19 11/16in).

Footnotes

Provenance:
Property from a private collection, Alexandria

Literature:
For a similar version of the present work, see

As an artist, Bicar was considered a tour de force of talent; teacher, illustrator, painter, poet and musician, Bicar embraced the arts in their totality achieving renown in many of the fields he applied his trade to.
Born in 1913 in Alexandria, Egypt, He graduated from Fine Arts College in 1933, and subsequently from the Ahlia School for Painting. He taught at, and eventually headed the Painting Department of the Faculty of Arts at Qena at 1955. He was a founder of the Helwan Wax Museum.

In 1944, Bicar began his career in journalism when he became, with Ahmad Sabry, Mustapha Amin and Ali Amin, one of the founding fathers of the prestigious Akhbar el-Youm newspaper, doing drawings often accompanied by his own poetrys. His painting "The Eighth Wonder", depicting the transportation of the temple of Ramses II to Abu Simbel is widely regarded as a classic of modern Egyptian painting.

Bikar was honoured with several awards including, the Golden Medal of Honor from the Industrial and Agriculture Exhibition in 1949, the Medal of Arts and Science in 1967, Gamal Abdel Nasser Prize in 1975, the State of Merit Award in 1978, the Merit Medal in 1980, and shortly before his death in 2000, Mubarak Award.

Adept at drawing for children, Bicar also became a foreign correspondent who wrote and illustrated stories of his travels. He produced sketches of news and feature subjects when photography was not common in his homeland. In his later years, Bicar was better known for painting portraits, particularly of women. He also wrote criticism and taught for many years at Cairo's Fine Arts Academy.

Bicar's distinction as an artist lies in the economy and terseness of his compositions; his ability to apply pure and simple lines to landscape and anatomy was central to the sense enigma and quiet mystery surrounding his paintings. Stylized, and heavily influenced by his career as an illustrator, Bicar's works are imbued with a palpable mystique.

Additional information

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