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ILLUMINATED MANUSCRIPT BOOK OF HOURS, use of Sarum, Holland (perhaps Utrecht) third quarter of the fifteenth century.
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ILLUMINATED MANUSCRIPT
Footnotes
A handsome and intriguing Dutch Book of Hours of the Use of Sarum, clearly destined for the British market, with British saints in the calendar and an early British (and perhaps Scottish) provenance.
COLLATION: A-B14, C9 (of 10, one leaf excised between ff. 18 and 19), D-H8, I10, J-L8, M8(?), N8(?), O8 (though obvious disturbance in the penultimate 2 gatherings with 2 leaves excised, between ff. 94 and 95; 105 and 106, so the structure unverified). The three excised leaves potentially bore significant illumination, perhaps full-page miniatures.
TEXT: f.[1] ruled blank with later annotations and wax seal of Nicholas Stuart, 1-12 Calendar (with saints Edward Confessor, Cuthbert, Dunstan, Aldhelm, Augustine, Edith, and Thomas whose name has not been defaced); 13 Prayer to the Holy Trinity; 14-47 Hours of the Virgin, Use of Sarum; 48-60v Penitential Psalms; 61-68 Litany and prayers; 69-70 'Illumina oculus meos'; 71-102 Office of the Dead; 103-4 Memorials of Sts Anne and Barbara; 105 blank; 106-112v Passional Psalms, 113 'Domine Deus omnipotent pater et filius'.
PROVENANCE: Some early marginal annotation in Latin; early seventeenth-century initials 'A.S' to first calendar leaf (together with an unidentified later inkstamp), seal of Nicholas Stuart of Hartley-Mauditt, Hants (1616-1709, a descendant of Alexander Stuart and the Lords High Stewards of Scotland) to paper slip pasted to verso of first leaf, with manuscript caption 'Ex Andrea Seniscallo'; 'Liber Sam. Woodford, empt. 1665' to first leaf, with note recording its earlier Nicholas Stuart provenance. Initials to binding 'A.S.' perhaps added later.
A modern inserted note makes a comparison with Royal Library, Hague MS 131 G4, (described by the KB as Utrecht, c.1470, illuminated by the Master of the Boston City of God). The same note suggests incorrectly that the manuscript is apparently complete (it obviously lacks 3 leaves, probably illuminated), and another note questions a direct link with Stuart royalty and suggests the binding has been sophisticated with its initials altered (and the manuscript 'put in proper order' by Rivière).





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