
Mark Rasmussen
International Director
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US$60,000 - US$80,000
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International Director
The illustrated text of the Rasamanjari is centered upon the many aspects of love: longing, separation, rejection... Here the mature heroine (nayika) drowns her longing in wine. Sensitive to the pangs, her consumption is excessive contrasted with the accompanying maiden who practices moderation, raising her hand to refuse another glass.
In discussion of the poem's themes, Archer writes:
"The text in question is a treatise on poetics illustrating how romantic situations should best be treated in Sanskrit poetry—the conduct of mature mistresses, experienced lovers, sly go-betweens, clowns or jokers being all subjected to analysis..." (The Loves of Krishna in Indian Painting and Poetry, London, 1960, p. 106.)
Stylistically, Basolhi Rasamanjaris are noted for their contrasting fields of solid color, lyrical figures, and applied lustrous green beetle wings, and the jewel-like raised dots of shell-lime. Archer, again:
"...This series of illustrations is in some ways a turning point in Indian painting for not only was it to serve as a model and inspiration to later artists, but its production brings to a close the most creative phase in Basohli art". (ibid., p. 105)
Four other pages, all bearing a similar distressed condition, are in the Lahore Museum (see Aijazuddin, Pahari Paintings and Sikh Portraits, London, 1977, nos. 3(i-iv). Also see, Archer, Indian Paintings From The Punjab Hills, Delhi, 1973, nos. 15(i-v).
Provenance:
Doris Wiener, New York, before 1981
Bonhams, New York, 11 Sep 2012, lot 83
Private Collection, USA