
Jeff Olson
Director
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Director

Senior Vice President, US Head, Asian Art Group
The joined hands of this bronze Buddha seem to be an anomaly; but raised hands do appear on carved wood attendant figures such as the arhats in the Yongmun-sa Buddha assembly, dated 1684; and the upper row of standing bodhisattvas and attendants in the Silsang-sa Buddha assembly, dated 1782 (see Youngsook Pak and Roderick Whitfield, Handbook of Korean Art: Buddhist Sculpture, Seoul, 2002, nos.105 and 105-1, pp. 442-446). These wood figures from the late seventeenth and eighteenth century also have in common an enlarged head with youthful features on a small body, although less exaggerated than this cast bronze image.
Also of interest for the exaggerated proportion of the heads to bodies, as well as varied hand gestures, are the four small gilt bronze Buddhas surviving from a group of 23 commissioned by Queen Inmok in 1628 (see Pak and Whitfield, no. 102, pp. 432-433) Of note is the Vairocana, the largest Buddha (11.7cn high), with raised hands held in the diamond fist gesture. See also the Candraprabha, Bhaisajyaguru and Suryaprabha from the same set included in the exhibition Treasures from Korea, Arts and Culture of the Joseon Dynasty, 1392-1910, Philadelphia, 2014, cat. nos. 4-23, 4-24 and 4-25, p. 264; the Vairocana is photographed (fig. F-11) and discussed on p. 61.