Skip to main content

This auction has ended. View lot details

You may also be interested in

Own a similar item?

Submit your item online for a free auction estimate.

Lot 39

A pair of French Empire patinated and gilt-bronze candelabra

9 July 2015, 14:00 BST
London, New Bond Street

Sold for £11,875 inc. premium

Own a similar item?

Submit your item online for a free auction estimate.

How to sell

Looking for a similar item?

Our European Furniture and Works of Art specialists can help you find a similar item at an auction or via a private sale.

Find your local specialist

A pair of French Empire patinated and gilt-bronze candelabra

each with four candle-arms surmounted by butterflies and centred by a flambeau finial, the supports in the form of neo-classical muse figures, on domed bases, the verde antico marble pedestals with applied garlands, on monopodia feet with square plinths, 29cm wide, 17cm deep, 102cm high (11in wide, 6 1/2in deep, 40in high). (2)

Footnotes

Provenance:
The Milnes Gaskell family of Thornes House, Wakefield and thence by descent.

Exhibited:
Heaton Hall, Manchester City Art Galleries

Thornes House, Wakefield, Yorkshire was designed by John Carr (1723-1807) the predominant architect of the period in the north of England who worked chiefly in the Palladian style. Carr had calculated that the north could provide him with substantial patronage and therefore he did not need a London base. Carr's domestic commissions included Newby Hall (remodelling c.1758-60), Harewood House (1775-1781 except the decoration of the principal rooms), Wentworth Woodhouse (completion of the house and out buildings c.1760-1804) and Denton Hall (1769-1781). His largest scale work was The Hospital de Santo Antonio in Oporto, Portugal (c.1769-1843).

Thornes House was commissioned for James Milnes (1755-1805),the Yorkshire cloth exporter. Milnes added to his already substantial fortune, acquiring a £100,000 dowry on marrying one of the co-heiresses of Hans Buck, the Leeds cloth merchant, in 1778. The house was built on a good site overlooking Wakefield, Milnes had acquired the land in 1778 and the house was built 1779-1781 and the surrounding parkland was likely developed at the same time. In 1790's the house was described as:
"...backed by a pretty declining lawn, bordering on each side with the greatest variety of flowering shrubs perhaps ever collected in one spot. A fine view extends into the country from a bow window, executed in the modern taste by Mr Carr of York; and the greenhouses and other buildings combine to make this one of the completest town-houses in this county".

The house was probably the finest 18th century building in Wakefield and its contemporary reputation secured it's inclusion in the 1802 edition of Vitruvius Brittanica, the regular survey of the world's most important buildings by George Richardson.

In 1919 the Thornes estate was put up for sale and was bought by the Wakefield Corporation for £18,500. The plans were to use 20 acres and the house as a school and use the remaining 92 acres of housing. The house became a grammar school and was destroyed by fire in 1951 with new buildings erected on the site in the following years.

Additional information

Bid now on these items

A Jacobite concealed portrait snuff box18th century

A 15th century carved limestone figure of St George

A pair of mid 16th century Italian patinated and parcel gilt bronze angel candlesticks Probably Tuscan and in the manner of Domenico Becafumi (1484-1551)

A Renaissance Florentine panel woven in silks and metal threadMid 15th century, probably for a Dalmatic garment

A 16th century tapestry fragment Formerly part of a larger tapestry in Gerona Cathedral

A set of three Holkham Pottery wine jugs Third quarter 20th century

An extremely rare early 17th century Dutch black, red and gilt japanned casketProbably attributable to Willem Kick (Dutch, 1579-1647)

A carved limestone bust of a kingProbably late 14th/early 15th century, and later

A rare and impressive Charles II leaded bronze 'York' mortar Made for Roger Warde, apothecary, and dated 1684, together with a large associated cast iron pestle

A collection of four commemorative glass bowls and plates including for the Coronation of King George VI Second quarter 20th century and earlier

A late 18th/early 19th century Italian relief carved and part stained wood oval profile portrait plaque depicting a classical warrior maiden, perhaps Minerva Possibly attributable to the workshop of Giuseppe Maria Bonzanigo (Italian, 1745–1820)

Of Grand Tour interest: A collection of six trays of 19th century plaster intagliosProbably from the workshop of Pietro Paoletti (Rome, 1801-1847)

Francesco Righetti I (Italian, 1738-1819): A patinated bronze figure of the Apollo BelvedereAfter the antique, Roman, the cast dated 1787

After Pierre Lepautre (French, 1659-1744) and François Girardon (French, 1628-1714): A patinated bronze figural group of 'Aeneas carrying Anchises'French, probably first half early 19th century

A rare French gilt copper and champlevé enamel crozier finial depicting St Michael slaying the devil as a dragon Limoges, 1220-1230

A rare French gilt copper and champlevé enamel book or Evangeliary cover depicting the Crucifixion Limoges, circa 1190-1200

A white metal shell and dolphin salt given to Lady Glenconner by Princess Margaret

A French gilt copper and champleve enamel oval plaque of the angelLimoges, 19th century

A pair of mother of pearl, yellow metal and gem-set dishes given to Lady Glenconner by Imelda Marcos during a visit to the Philippines

An early 19th century satin-birch, 'mulberry wood', ebonised and mother of pearl vanity and sewing box

A French second half 19th century red stained tortoiseshell, cut brass inlaid and gilt metal mounted 'Boulle' casket Circa 1870

Sir Alfred Gilbert, M.V.O., R.A (British 1854-1934): a patinated bronze figure of 'An Offering to Hymen'