
Penny Day
Head of UK and Ireland
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Head of UK and Ireland

Head of Department

Director
Provenance
With The Redfern Gallery, London
Exhibited
London, The Redfern Gallery, Michael Ayrton, Jawlensky, Vieira Da Silva, 9 June-10 July 1959, cat.no.4
The present lot is one of several that Ayrton painted in Greece during the second of two visits he and Elisabeth made in 1958. The couple spent some time with the poet, George Katsimbalis, and Ayrton worked with film director Basil Wright on two documentaries; The Immortal Land and Greek Sculpture. Between filming sessions the Ayrtons travelled widely on the mainland and among the islands visiting many local tavernas, where they were fascinated by the complicated traditions of dance among the Greek men, whom Michael described "grouping and regrouping like figures in an archaic frieze ... slowly, always watching their feet". Three Dancers comes out of those evenings; part of the celebration of Greek culture and the continuities of past and present, history and myth which had begun for Ayrton in Cumae in 1956, and would continue for the rest of his life.
In formal terms, the monumental, solemn and self-absorbed figures can also be seen as the fore-runners of the Minotaur, although the latter never appeared in a painting, being for Ayrton entirely a creature of bronze, or the stark monochrome of drawings and prints.
We are grateful to Dr. Justine Hopkins for compiling this catalogue entry.