
Penny Day
Head of UK and Ireland
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Head of UK and Ireland

Head of Department

Director
Provenance
With The Alwin Gallery, London, 28 June 1990, where acquired by the present owner
Private Collection, Monaco
Exhibited
London, Fischer Fine Art, Elisabeth Frink; Recent Sculpture and Drawings, 5 October-9 November 1989, cat.no.17 (another cast)
Glasgow, Compass Gallery, Elisabeth Frink; Sculpture, Drawings, Etchings, 4-31 August 1990 (another cast)
Washington D.C., The National Museum of Woman in the Arts, Elisabeth Frink; Sculpture and Drawings 1950-90, 1990 (another cast)
Salisbury, Salisbury Cathedral & Close, Elisabeth Frink; A Certain Unexpectedness, 1997 (another cast)
Dorset, Bournemouth University, Elisabeth Frink...This Fleeting World, 2011-12 (another cast)
Literature
Edward Lucie-Smith (ed.), Elisabeth Frink; Sculpture Since 1984 and Drawings, Art Books International, London, 1994, p.188, cat.no.SC47 (ill.b&w, another cast)
Annette Ratuszniak (ed.), Elisabeth Frink; Catalogue Raisonné of Sculpture 1947-93, Lund Humphries, Farnham, 2013, p.181, cat.no.376 (ill.b&w, another cast)
Another cast of Chinese Horse III (Standing) is currently held in the collection of The New Art Gallery, Walsall.
Although surrounded by racing horses at her home in Wolland, Frink instead turned to primitive depictions of horses for the majority of her sculptures from this period. Drawing inspiration from her time spent with the horses of Camargue, Frink here displays the steady, stocky reliability reminiscent of the cave paintings at Lascaux. As seen in her Water Buffalo sculptures, here too we are able to see Frink turning to Chinese art as a source of inspiration, drawing on numerous depictions as well as terracotta models of horses in varying positions.