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Modern British and Irish Art

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Lot 114^*,AR,W

Victor Pasmore R.A.
(British, 1908-1998)
Golden Ochre 123.3 x 123.3 cm. (48 5/8 x 48 5/8 in.) (including the frame)

28 May 2014, 14:00 BST

London, New Bond Street

Sold for £37,500 inc. premium

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Victor Pasmore R.A. (British, 1908-1998)

Golden Ochre
signed with initials 'VP.' (verso)
oil on plywood relief on painted Formica in artist's frame
123.3 x 123.3 cm. (48 5/8 x 48 5/8 in.) (including the frame)
Executed in 1964

Footnotes

Provenance
With Marlborough Fine Art, London
William Lescaze Estate, U.S.A.
Thence by descent to the present owner
Private Collection, U.S.A.

Exhibited
London, Marlborough New London Gallery, Victor Pasmore, 1964 (as Golden Brown 2)

Literature
Alan Bowness & Luigi Lambertini, Victor Pasmore; A Catalogue Raisonné of Paintings, Constructions and Graphics 1926-1979, Thames & Hudson, London, 1980, cat.no.140, (ill.b&w, and col.ill p.132)

In Golden Ochre, and other works from this period, Pasmore is practicing abstract methodology in its purest form. The work consists of just four simple elements; a white Formica shell within a hardwood frame, a quadrilateral plywood panel, a brown oil shield-like form and five glossy black lines painted exactingly with the aid of masking tape. Pasmore's constructs from this date are the culmination of over fifteen years contemplation of the abstract cause, a pursuit rewarded with a Tate Gallery retrospective the following year. The ambitions of these works are best summarised by the artist himself in an introduction to article published in 1961; The new manifestation of painting and sculpture, in terms of complete autonomy of form, is an evolution without precedent in the visual arts. For the first time a means of development has been achieved which is altogether independent of imitative techniques, literary associations and decorative functions. In abstract form, painting and sculpture have attained an objective status analogous to that of music. (Victor Pasmore, What is Abstract Art, The Sunday Times, 5 February 1961, p.21)

A similar work, Brown Development No 2 (Private Collection), was produced the same year.

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