
Penny Day
Head of UK and Ireland
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Head of UK and Ireland

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Provenance
Acquired by the present owner from the 1998 exhibition
Private Collection, U.K.
Exhibited
Edinburgh, Art Aid 1998, cat.no.43
From the late 1980s and throughout the 1990s Riley reintroduced diagonal forms to her painting in order to disrupt and animate the vertical stripes that had so strongly characterised her immediately preceding works. Known as 'lozenge' compositions, Riley began to utilise a single visual plane in these works. This practice allowed for colour theory, a long standing principle in the artist's work, to occupy an even more significant part of her methodology. In the present work, and in large number of oils and gouaches from this period, Riley selected candy dominated harmonies. These tones are deeply reminiscent of some of her earliest pictorial oils, for example Pink Landscape (1960, Private Collection) and Copy after Le Pont de Courbevoie (1959, Private Collection), works which were executed in direct dialogue with the pointillist artists Seurat and Signac.
Les Baasacs is a village in the south of France where Riley has a studio.