This auction has ended. View lot details
You may also be interested in
Lot 6228
HUGHES, LANGSTON. 1902-1967. Typed manuscript and typescript carbons with coversheet signed ("Langston"), 21 pp, c.1952, 4to, fold at center, a few minor wrinkles, with original transmittal envelope.
17 February 2013, 09:00 PST
Los AngelesSold for US$1,000 inc. premium
Looking for a similar item?
Our Books & Manuscripts specialists can help you find a similar item at an auction or via a private sale.
Find your local specialistHUGHES, LANGSTON. 1902-1967.
Typed manuscript and typescript carbons with coversheet signed ("Langston"), 21 pp, c.1952, 4to, fold at center, a few minor wrinkles, with original transmittal envelope.
Provenance: estate of William Marshall.
A collection of poems sent by Hughes to African-American actor, orator, and opera singer William Horace Marshall, stapled together with a typed cover sheet reading, "Poems for Bill Marshall / Margaret is thinking of making a suite of songs for bass voice, so I've sent her these poems to select from. Some of them might do for reciting, also," and signed "Langston." Poems include "Bad Man," "Fire," "Six-Bits Blues," "Railroad Avenue," and others. All but one of the poems are carbon copies; "I Don't Mind Dying" is an original typescript. "Margaret" is composer Margaret Bonds, who set a number of Hughes' poems to music. An interview with Marshall in The Black Scholar for July/August 1985 lists among Marshall's credits The Poetry and Music of the Negro, a collaboration with Hughes and Bonds.
Provenance: estate of William Marshall.
A collection of poems sent by Hughes to African-American actor, orator, and opera singer William Horace Marshall, stapled together with a typed cover sheet reading, "Poems for Bill Marshall / Margaret is thinking of making a suite of songs for bass voice, so I've sent her these poems to select from. Some of them might do for reciting, also," and signed "Langston." Poems include "Bad Man," "Fire," "Six-Bits Blues," "Railroad Avenue," and others. All but one of the poems are carbon copies; "I Don't Mind Dying" is an original typescript. "Margaret" is composer Margaret Bonds, who set a number of Hughes' poems to music. An interview with Marshall in The Black Scholar for July/August 1985 lists among Marshall's credits The Poetry and Music of the Negro, a collaboration with Hughes and Bonds.



![ADVERTISING POSTERfor 'The Suffragette' newspaper, [c.1913-1914]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-06%252F25%252F25680656-116-1.jpg%26width%3D650&w=2400&q=75)
![ILLUMINATED ADDRESS – CLARA CODD Illuminated printed address signed by Emmeline Pankhurst, [1909]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-06%252F25%252F25680656-32-1.jpg%26width%3D650&w=2400&q=75)
![MUSIC & RECORDINGS – ETHEL SMYTH Collection of printed music, song sheets and records, [c.1911-1912]](/_next/image.jpg?url=https%3A%2F%2Fimg1.bonhams.com%2Fimage%3Fsrc%3DImages%252Flive%252F2025-10%252F09%252F25680656-99-1.jpg%26width%3D650&w=2400&q=75)
