
Penny Day
Head of UK and Ireland
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£30,000 - £50,000
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Head of UK and Ireland

Head of Department

Director
PROVENANCE:
Acquired by Mr. Keith Steadman in the late 1950s
Thence by family descent to the present owner
Private Collection, U.K.
Until the mid 1960s Feiler's primary concern was the faithful representation of his selected landscape. His romantic engagement with his environment echo's that of his countryman Caspar David Friedrich. However he would often select unconventional views such as that dictated by a window frame or partly obscured by objects. He favoured elevated or unfamiliar aerial perspectives, resulting in compositions which although recognisable are somewhat disconcerting in their reading. Although Feiler's eye was often focused on the craggy Atlantic coast of Cornwall he relished the opportunity to look further afield.
As 1954 drew to a close, Feiler travelled to the Italian lakes painting in Gandria and on Isola Bella then onto the cities of Florence and Venice, which he had first visited seven years earlier. Here he produced a number of works, a selection of which he would show at his 1956 exhibition at the Redfern Gallery. As is apparent in Italian Town, Spring, Feiler reacted to the Alpine and northern Italian light by employing warm and soft hues that are not so prevalent in his Atlantic works.