Manuscript miscellany, comprising letters etc., by William Morris, Kate Greenaway (to her publisher Routledge), Augustus Welby Pugin, Thomas Daniell (sending "another set of the Indian Antiquities" [i.e. the Antiquities of India, 1799-1800] and thanking his correspondent for his "elegant translation from Hafiz", 1800), Joseph Paxton (written in the year of the Great Exhibition – "The truth is the year has been to me one of great anxiety and great uncertainty of action. I let so many things into arrear in the early part of the year that an accumulation of engagements pressed so heavily upon me this autumn that I never could for two days together be certain as to my movements"), Henry Moore (regretting that he cannot do a portrait of Richard de la Mare of Faber's), Decimus Burton (to J.D. Hooker, about the use of mahogany in English house building), E.H. Shepard (regretting that he cannot illustrate a book on cricketing – "It is a keen disappointment to me as I have a great admiration for your brother's work and also most lively memories of past cricketing days, including W.G. himself"), Rex Whistler, Sir Charles Barry (about celebrations at Trentham), Walter Crane (regretting that he cannot illustrate some Greek stories which seem "written rather too much from a modern point of view"), Lionel Edwards (illustrated with a line drawing of Alnwick Castle), Henry Bone (about the loan of a portrait from which he is painting an enamel), Aubrey de Vere (to the photographer Frederick Hollyer, on hs studies of Burne-Jones and Watts), Alfred Stevens ("...Je sais que les grands artistes ont le coeur haut placé..."), Joshua Cristall (on illustrating Milton), John Inigo Richards (to Benjamin West), Cecil Aldin, Frederic Shields (illustrated, with another letter about the future V&A), Samuel Cousin (to Reynolds Solly), Sir Charles Eastlake, W.P. Frith (an early letter of 1848 expressing delight that Anna Maria Hall and her husband are pleased with Mariana – "'I think it one of the prettiest of the series that I painted, but an artist you know is no judge of his own works. I only wish it was better"), Roger Fry to Alice Jones, Leonard Woolf's assistant), C.R. Leslie, James Northcote (acknowledged receipt for payment "for the picture of his present Majesty" [George IV]), Will Rothenstein (apologising for the noisy students tat the RCA – "I am afraid any dance entails motors & the noise of farewells"), G.F. Watts, May Morris, David Roberts, Augustus John, John and Myfanwy Piper, T. Surge Moore, Henry Lamb, Laurence Housman, Byron's friend Lady Holland (to A.W. Callcott about a painting), John Strange (writing from Florence in 1759, arranging for pictures to be arranged "at the rooms of Mr Mason's", including "a large Landskip... with Architecture by Paul Brill/ a piece representing Satyrs & Lairess/... Two small Landskips – Wynants/ a small piece – Albert Durer stile"), and others (quantity)