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THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 1
THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 2
THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 3
THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 4
THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 5
THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 6
THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 7
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 1
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 2
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 3
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 4
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 5
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 6
Thumbnail of THE LARGEST KNOWN MUGHAL PORTRAIT A MAGNIFICENT LIFE-SIZE  PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617 image 7
Lot 322
THE LARGEST KNOWN MUGHAL PORTRAIT: A MAGNIFICENT LIFE-SIZE PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE
Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617
5 April 2011, 10:30 BST
New Bond Street

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THE LARGEST KNOWN MUGHAL PORTRAIT: A MAGNIFICENT LIFE-SIZE PAINTING IN WHICH THE EMPEROR JAHANGIR (reg. 1605 - 1627), THE 'WORLD-SEIZER', LAYS CLAIM TO SPIRITUAL AND TEMPORAL POWER ON A GLOBAL STAGE
Attributed to Abu'l Hasan, Nadir al-Zaman painted at Mandu and dated AH 1026/AD 1617

gouache heightened with gold leaf on a fine woven cotton canvas, the Emperor shown seated on a European-style throne with relief decoration formed from raised red pigment, possibly lead, his head surrounded by a radiating nimbus and wearing an embroidered floral tunic over a patka and striped pyjama, with applied plaster jewellery, the circular pendant around the Emperor's neck set with mica, with jade and glass vessels at his side and carpet under his feet, the border with 26 cartouches of fine nasta'liq inscription, secondary and tertiary support backings replaced and areas of restoration, framed
including calligraphic border 210 x 141 cm.; the image within calligraphic border 197 x 128.5 cm.

Footnotes

[From top right:]
God is Great.
When he sees his lustrous likeness,
It is as if the excellent king is looking at a mirror.
(This royal distich which [is] written, was spoken
extempore by His Majesty Jahangir Padshah)
Virtue becomes a king more than his appearance,
The portrait of Shah Jahangir, son of Shah Akbar Padshah.
His visage is World-illuminating, and his virtues...
Which other king had such a visage and virtue?
If a hundred kings like Alexander came to the World.
They would all prostrate themselves a hundred times at a
glimpse of his face,
Whoever sees his image becomes an image-worshipper,
Whether a dervish who cultivates virtues, or a king.
Look at the kingly virtues in his face which is
The mirror of virtues of Akbar Padshah.
A hundred thousand praises be upon the pen of the painter,
Who through skill made this likeness of the justice-dispensing king.
Just to cast their eyes on King Jahangir's face,
The kings of Rum [Turkey] and China wait at the gate.
In his likeness, the painter has created much magic,
It is as if the king had scattered gems from a ruby treasure chest.
Whoever sees his soul-nourishing appearance will say:
It is as if the king is moving gracefully with magnificence,
grandeur and shining majesty.
The image of victory and triumph is made up by his name,
Oh Lord, may the king be eternal over the seven climes.
It was completed during the year of the victory over the
Deccan, in Mandu, the regnal year 12, corresponding to
the year 1026.
May the World be filled with the light of such a World-illuminating one,
As long as the crown of kingship is lit with the light of the Sun.
The work of the most humble... [corresponding roundel at bottom left missing].

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Skelton, R. 'Europe and India', Europa und die Kunst des Islam, 15. bis 18. Jahrhundert, 5, XXV, International Congress of Art History, Vienna, 1983, 33-42

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