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A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case Meiji Period image 1
A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case Meiji Period image 2
A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case Meiji Period image 3
A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case Meiji Period image 4
A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case Meiji Period image 5
Lot 186*

A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case
Meiji Period

Fine Japanese Art
11 November 2010, 14:30 GMT
London, New Bond Street

£16,000 - £18,000

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A gold lacquer five-tier jubako (cake box and cover) with a black lacquer portable case

Meiji Period
The exterior of the five stacking confectionery boxes (jubako) decorated principally in gold hiramakie and mother-of-pearl on a brilliant nashiji ground; the sides of each tier embellished with a different design, the top with fenced chrysanthmums inspired from the writing box owned by the Tsuruoka Hachimangu in Kamakura, the middle with chrysanthemum roundels and Autumnal plants modelled after a box held in the Suntory Museum, the last with a design of wheels half-submerged in a stream and tomo-e medallions copied after a design of a 12th century Heian tebako held at the Bunkacho, unsigned; the outer carrying case showing stylised butterflies and birds inlaid in raden scattered on the roiro ground, fitted on top with a silvered metal loop handle and two removable pierced side panels, with double wood storage boxes. The outer case 24.6cm x 18.6cm x 17.8cm (9 5/8in x 7¼in x 7in). (4).

Footnotes

籬菊図蒔絵螺鈿重箱　無銘　明治時代

It is fascinating to note that the lacquer decoration on each of the tiered boxes derives from designs on classical models of lacquer boxes dating from the Heian and Kamakura period designated as 'National Treasures' in Japan. The workmanship and high quality of this piece is reminiscent of the work of Ogawa Shomin (1847-1891), a leading lacquer artist who played an active and influential role in reviving scholarly and public-interest classical lacquers and in legitimizing the craft as an art form.

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