A rare Wedgwood & Bentley 'encaustic' plaque circa 1770
Sold for £5,040 inc. premium
Looking for a similar item?
Our British Ceramics specialists can help you find a similar item at an auction or via a private sale.
Find your local specialistA rare Wedgwood & Bentley 'encaustic' plaque
In black basalt and of upright rectangular form, painted in iron red and white with a scantily draped classical lady, possibly at the Wedgwood and Bentley decorating studio in Chelsea, with wooden frame, 28.6cm x 21.6cm, unmarked (some small flakes to the enamel)
Footnotes
The so-called 'encaustic' painting style was developed by Wedgwood and patented in 1769. The aim was to imitate the matt surface of Greek and Italian vases. According to the 1779 Wedgwood and Bentley catalogue, the 'encaustic' colours had 'all the Advantages of Enamel, without its essential defects'. As this lot is unmarked, it is likely to have been made prior to 1772 and thus will have been painted at Chelsea. Another Wedgwood and Bentley 'encaustic' plaque, from the Lord Hirst of Witton Collection, was sold in these rooms on 6 June 2007, lot 167. For related decoration on a vase, see Diana Edwards, Black Basalt (1994), colour plate 7, p 14
Saleroom notices
The figure on the plaque is copied after wall paintings in III Pompeian style that decorated the triclinium of the so-called "Villa di Cicerone" in Pompeii (now in the Museo Archeologico Nazionale" in Naples).