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Lorenzo Bartolini, Italian (1777-1850) Three framed and glazed Florentine Neo-classical drawings for sculpture image 1
Lorenzo Bartolini, Italian (1777-1850) Three framed and glazed Florentine Neo-classical drawings for sculpture image 2
Lorenzo Bartolini, Italian (1777-1850) Three framed and glazed Florentine Neo-classical drawings for sculpture image 3
Lorenzo Bartolini, Italian (1777-1850) Three framed and glazed Florentine Neo-classical drawings for sculpture image 4
Lot 32

Lorenzo Bartolini, Italian (1777-1850)
Three framed and glazed Florentine Neo-classical drawings for sculpture

Sculpture
15 April 2008, 14:00 BST
London, New Bond Street

Sold for £2,160 inc. premium

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Lorenzo Bartolini, Italian (1777-1850)
Three framed and glazed Florentine Neo-classical drawings for sculpture

one double-sided and all signed: a wall-tomb of a lady, in blue ink, with a sarcophagus and portrait-bust within a niche L. BARTOLINI, 32 x 21.5 cm.; another similar, with a figure of Virtue standing beside a classical altar and looking upwards towards a radiant cross, with a mourning putto resting on a shield at the lower right, all within a niche, signed in pencil below, with on its verso two sketches in black chalk for monuments to a bearded man, with a portrait-bust atop an inscribed column, 24 x 15 cm.; and a pencil drawing for a martial-political frieze, with horsemen, officials and people being armed with halberds and muskets, inscribed at the top in red chalk Firenze (Florence) and signed L. Bartolini, with a collector’s mark ER, 13.5 x 27.5 cm., (3)

Footnotes

Provenance:
Christie’s, Rome, 10 May 1983, lot 120

Literature:
C. Cinelli in A. Boström ed., The Encyclopedia of Sculpture, New York/London, 2004, I, pp. 134-35

Bartolini was the most distinguished Italian sculptor of the generation succeeding Canova and combined his idealised, Grecian style with a fresh look at Florentine renaissance sculpture. In the two ink drawings here, Bartolini is experimenting with variations on the type of wall-tomb within a niche that was invented and favoured during the fifteenth century (e.g in Santa Croce, Florence). Indeed, one of his most his most famous sculptures is just such a tomb, for Princess Sophia Czartoryski, in that church (1837-44).

Additional information

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