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David Hockney R.A. (British, born 1937) Grey Blooms Home-made print executed on an office colour copy machine, 1986, on two sheets of Arches Text paper, signed, dated and numbered 19/50 in pencil, printed and published by the artist, with his blindstamp, the full sheet, framedSheet 356 x 431mm (14 x 17in)

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Andy Warhol (American, 1928-1987) Mao Screenprint in colours, 1972, on Beckett High White paper, signed and inscribed 'a.p 39/50' in pencil verso, (an artist's proof aside from the numbered edition of 250), printed by Styria Studio, Inc., co-published by Castelli Graphics and Multiples, Inc., New York, with the artist's and printer's copyright inkstamp verso, framedSheet 913 x 913mm (36 x 36in)

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Lot offered by Bukowskis, part of the Bonhams network

David Shrigley (British, born 1968) Leap into the void Screenprint in colours, 2023, on Somerset wove paper, signed with the initials, dated and numbered 9/125 in pencil verso, printed and published by Jealous Gallery & Print Studio, London, the full sheetSheet 550 x 550mm (21 5/8 x 21 5/8in)

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Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Fillette au chat Lithograph, 1927, on Japon paper, signed and numbered X 10/10 in blck ink, one of ten proofs aside from the edition of 50, published by Éditions Artistiques Apollo, Paris, with margins, framedImage 300 x 240mm (11 7/8 x 9 1/2in)Sheet 570 x 450mm (22 1/2 x 17 3/4in)

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Louis Marcoussis (Polish/French, 1878-1941) Viareggio Drypoint, 1926, on Ingres d'Arches MBM wove paper, a very good impression of the second (final) state, printing with rich burr and a strong plate tone, signed and numbered 48/50 in pencil (there were also a few artist's proofs), published by Jeanne Bucher, Paris, the full sheet, framedPlate 278 x 217mm (11 x 10 7/8in)Sheet 505 x 330mm (19 7/8 x 13in)

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Margaret Jordan Patterson (American, 1867-1950) Coast Cedars Woodcut in colours, circa 1915-20, on Japon paper, double signed, titled and numbered 3/100 in pencil, with margins, framedBlock 183 x 260mm (7 1/4 x 10 1/4in)Sheet 220 x 275mm ( 8 5/8 x 10 3/8in)

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After Henri Matisse (French, 1869-1954) La Vierge et l'Enfant Lithograph in colours, 1949, on wove paper, signed in black ink, from the edition of 60, the full sheet, framedImage 217 x 395mm (8 7/8 x 15 1/2in)Sheet 235 x 395mm (9 1/4 x 15 1/2in)

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John Piper C.H. (British, 1903-1992) Gaddesby, Leicestershire: medieval stonework, Plate III from A Retrospect of Churches Lithograph in colours, 1964, on wove paper, signed and numbered 5/70 in pencil (there were also five copies maked 'A-E'), printed by Curwen Studio, published by Marlborough Fine Art, London, with full margins, framedImage 672 x 472mm (26 7/16 x 18 9/16in)Sheet 820 x 595mm (32 1/4 x 23 3/8in)

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Sybil Andrews CPE (British/Canadian, 1898-1992) Manoir de Formeville, Lisieux; St. Jacques, Lisieux Two drypoint etchings, circa 1922-1923, on heavy laid paper, each signed and titled in pencil, two proof impressions aside from the editions of 40 and 55, respectively, with margins, unframedPlate 225 x 300mm (8 7/8 x 11 3/4in)Plate 275 x 200mm (10 7/8 x 7 7/8in)

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Lot offered by Bukowskis, part of the Bonhams network

1682172 — Hans Bellmer, Utan titel.

SEK2,500

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Lot 7

After Benjamin Constant
(1845-1902)
Queen Victoria on the throne 75 x 46.5cm (29½ x 18¼in), in a gilt gesso frame surmounted by a crown.

The Contents of the Old Rectory, Banningham, Norfolk

22 – 24 March 2004, 10:00 GMT

Norwich

Sold for £305.50 inc. premium

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