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David Hockney R.A. (British, born 1937) Grey Blooms Home-made print executed on an office colour copy machine, 1986, on two sheets of Arches Text paper, signed, dated and numbered 19/50 in pencil, printed and published by the artist, with his blindstamp, the full sheet, framedSheet 356 x 431mm (14 x 17in)

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David Hockney R.A. (British, born 1937) Illustrations for Six Fairy Tales from the Brothers Grimm, Edition A The complete set of 45 etchings, including 39 bound and six loose (as issued), 1969, the book signed and inscribed 'Ed A 99/100' in pencil on the justification page, the six loose etchings signed in pencil recto and inscribed 'Grimm Ed A. 99/100' in sepia ink verso (total edition includes 15 artist's proof sets), on Hodgkinson handmade wove paper, with title, text, table of contents and justification, published by Petersburg Press in association with the Kasmin Gallery in 1970, London, contained in the original blue leather-covered portfolio box, boards and slipcase (45 prints), housed in the original wooden crate, further titled and numbered in black inkEach Loose Sheet 452 x 315mm (17 3/4 x 12 3/8in)(6)Overall 478 x 324 x 46mm (18 3/4 x 12 3/4 x 1 3/4in)(Portfolio)

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Andy Warhol (American, 1928-1987) After the Party Screenprint in colours, 1979, on Arches 88 wove paper, numbered 493/1000 in pencil (there were also 30 artist's proofs), printed by Rupert Jasen Smith, with their blindstamp, published by Grosset and Dunlap, Inc., New York, with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts ink stamps verso, inscribed 'T.J.H.' in pencil (Tim Hunt, Andy Warhol Foundation) verso, the full sheet, framedSheet 546 x 775mm (21 1/2 x 30 1/2in)

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Pablo Picasso (Spanish, 1881-1973) Femme du barbu stamped and marked 'Edition Picasso/Madoura Plein Feu/Edition Picasso' (underneath)white earthenware ceramic pitcher, partially engraved, with colored engobe and glazeHeight 380mm (15in)Conceived on 10 July 1953 and executed in an edition of 500

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Andy Warhol (American, 1928-1987) Mao Screenprint in colours, 1972, on Beckett High White paper, signed and inscribed 'a.p 39/50' in pencil verso, (an artist's proof aside from the numbered edition of 250), printed by Styria Studio, Inc., co-published by Castelli Graphics and Multiples, Inc., New York, with the artist's and printer's copyright inkstamp verso, framedSheet 913 x 913mm (36 x 36in)

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Roy Lichtenstein (American, 1923-1997) Entablature II, from Entablature Series Screenprint, lithograph and collage with embossing in colours, 1976, on Rives BFK wove paper, signed, dated and numbered 20/30 in pencil, printed and published by Tyler Graphics Ltd., Bedford, with their blindstamp, with the workshop number in pencil verso, the full sheet, unframedImage 502 x 965mm (19 3/4 x 38in)Sheet 740 x 1140mm (29 1/8 x 44 7/8in)

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Lot offered by Bukowskis, part of the Bonhams network

David Shrigley (British, born 1968) Leap into the void Screenprint in colours, 2023, on Somerset wove paper, signed with the initials, dated and numbered 9/125 in pencil verso, printed and published by Jealous Gallery & Print Studio, London, the full sheetSheet 550 x 550mm (21 5/8 x 21 5/8in)

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Laurence Stephen Lowry R.A. (British, 1887-1976) Going to the Match Offset lithograph in colours, 1972, on wove paper, signed in pencil, from the edition of 300, printed by Max Jaffé, Vienna, published by the Medici Society, London, with the Fine Art Trade Guild blindstamp, with full margins, framedImage 531 x 686mm (20 7/8 x 27in)Sheet 643 x 786mm (25 1/4 x 30 7/8in)

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Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Fillette au chat Lithograph, 1927, on Japon paper, signed and numbered X 10/10 in blck ink, one of ten proofs aside from the edition of 50, published by Éditions Artistiques Apollo, Paris, with margins, framedImage 300 x 240mm (11 7/8 x 9 1/2in)Sheet 570 x 450mm (22 1/2 x 17 3/4in)

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Louis Marcoussis (Polish/French, 1878-1941) Viareggio Drypoint, 1926, on Ingres d'Arches MBM wove paper, a very good impression of the second (final) state, printing with rich burr and a strong plate tone, signed and numbered 48/50 in pencil (there were also a few artist's proofs), published by Jeanne Bucher, Paris, the full sheet, framedPlate 278 x 217mm (11 x 10 7/8in)Sheet 505 x 330mm (19 7/8 x 13in)

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Margaret Jordan Patterson (American, 1867-1950) Coast Cedars Woodcut in colours, circa 1915-20, on Japon paper, double signed, titled and numbered 3/100 in pencil, with margins, framedBlock 183 x 260mm (7 1/4 x 10 1/4in)Sheet 220 x 275mm ( 8 5/8 x 10 3/8in)

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After Henri Matisse (French, 1869-1954) La Vierge et l'Enfant Lithograph in colours, 1949, on wove paper, signed in black ink, from the edition of 60, the full sheet, framedImage 217 x 395mm (8 7/8 x 15 1/2in)Sheet 235 x 395mm (9 1/4 x 15 1/2in)

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John Piper C.H. (British, 1903-1992) Gaddesby, Leicestershire: medieval stonework, Plate III from A Retrospect of Churches Lithograph in colours, 1964, on wove paper, signed and numbered 5/70 in pencil (there were also five copies maked 'A-E'), printed by Curwen Studio, published by Marlborough Fine Art, London, with full margins, framedImage 672 x 472mm (26 7/16 x 18 9/16in)Sheet 820 x 595mm (32 1/4 x 23 3/8in)

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Sybil Andrews CPE (British/Canadian, 1898-1992) Manoir de Formeville, Lisieux; St. Jacques, Lisieux Two drypoint etchings, circa 1922-1923, on heavy laid paper, each signed and titled in pencil, two proof impressions aside from the editions of 40 and 55, respectively, with margins, unframedPlate 225 x 300mm (8 7/8 x 11 3/4in)Plate 275 x 200mm (10 7/8 x 7 7/8in)

£500 - £700

Lot offered by Bukowskis, part of the Bonhams network

1682172 — Hans Bellmer, Utan titel.

SEK2,500

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Lot 4

Luigi Schiavonetti
(1765-1810) after Frederick Tatham
Her Royal Highness the Princess Caroline of Wales various sizes, all unframed.

The Contents of the Old Rectory, Banningham, Norfolk

22 – 24 March 2004, 10:00 GMT

Norwich

Sold for £352.50 inc. premium

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