Cyril Edward Power (British, 1872-1951) The Eight The rare linocut printed in chrome orange, permanent blue, pale chrome and Chinese blue, 1930, on buff oriental laid tissue, signed, titled and inscribed 'E.P.' and  annotated 'sc. et imp.' after the signature in pencil, an experimental proof aside from the numbered edition of 50, one of very few impressions with pale chrome printed lightly on the backs of the rowers, additionally signed, titled and annotated '£2.2' in pencil in the lower margin, with margins, 323 x 234mm (12 3/4 x 9 1/4in)(B) unframed Lill Tschudi (Swiss, 1911-2004) Tour de Suisse Linocut printed in black, 1935, an excellent, richly inked impression, printed after the decorative border was removed from the block in 1965, on thin cream oriental laid, signed, titled, numbered 20/50 and inscribed 'Handprint' in pencil, additionally signed in pencil in the lower margin, with full margins, 250 x 500mm (9 7/8 x 19 5/8in)(B)  unframed Christopher Richard Wynne Nevinson (British, 1889-1946) Loading the Ship  The rare lithograph, 1917, an excellent, crisp impression with strong contrasts, on watermarked Antique de luxe laid, signed in pencil, from the edition of 25, with full margins, 432 x 338mm (17 x 13 1/4in)(I) unframed Jean-Baptiste-Camille Corot (French, 1796-1875) La Baie de Somme 9 3/8 x 19 5/8in (24 x 50cm) Guy Rose (American, 1867-1925) At Duck Cove 29 x 24in William Morris (American, born 1957) Canopic Jar: Sable Antelope, 1995 William Morris (American, born 1957) Zhejiang Man, from the Man Adorned series, 2001 John Coplans (1920-2003); Self-Portrait (Front Hand III); Robert Mapplethorpe (1946-1989); Orchid; A blue ground brocade weave dragon robe Late Qing dynasty


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