Yun Shouping (1633-1690) Landscapes After Ancient Masters (10)
Lot 221
Yun Shouping (1633-1690)
Landscapes After Ancient Masters
HK$ 2,500,000 - 3,500,000
US$ 320,000 - 450,000

Lot Details
A MAGNIFICIENT YUN SHOUPING ALBUM FROM AN AUSTRALIAN COLLECTION
澳洲私人珍藏惲壽平《擬宋元山水冊》
LOT 221
Yun Shouping (1633-1690)
Landscapes After Ancient Masters
Ink and colour on silk, album of ten leaves
Each inscribed and signed Yun Shouping, Yuanke, Shouping, Nantianke Shouping, Nantian, Nantian Shouping, or Yunxi Shouping, with a total of twelve seals of the artist, and thirty-seven collectors' seals
34cm x 24.5cm (13⅜in x 9⅝in) each. (10).

Footnotes

  • Provenance:
    Australian private collection. Gifted by a relative in the 1940s, and thence by descent
    Collection of Yang Jizhen(1820-1901)
    Collection of Yin Shubai (1769-1847)

    惲壽平 擬宋元山水冊 設色絹本 冊頁十開

    款識:
    (一)法倪高士萬橫香雪。惲壽平。
    (二)湖灘踈柳,略得元人逸韻,因題句以鑒賞音。平灘煙樹影模糊,一片秋聲落葉圖。獨向毫端窺秘趣,墨林如草笑人無。園客。
    (三)桃紅水綠,細柳新蒲,江南春景也。壽平。
    (四)黃鶴山樵得董源之鬱密,追輞川之風範,摽暎一時,擅長千古。此圖略師丹臺春曉遺意。南田客壽平。
    (五)惠崇野田小景,絕似趙松雪《水村圖》。荒荒率率,使人有遠塵之想,大都係戀人處,俱在筆墨之外。南田壽平。
    (六)莫是花城苑路東,拖煙綰月自玲瓏。風泳只愛靈和殿,常在君王顧矃中。
    畫柳在得勢,然昔人猶戞戞難之。宋元諸家尤多變體,不相蹈襲,而畫法屢變益奇,可謂極妍盡態矣。惠崇、大年時出新意,此圖倣之。南田。
    (七)南山圖。惲壽平製
    (八)徐幼文溪山行旅,蒼秀之色飛越帋上。烏目山樵最所稱許,每一戲臨,暢然神遊象外矣。壽平。
    (九)寫雲林不似雲林,而瀟落之致自合。惲壽平。
    (十)燕文貴溪山積雪圖。雲溪壽平仿古。

    鈐印:壽平、正叔、叔子(四鈐)、壽平(四鈐)、壽(二鈐)、南田、惲正叔(二鈐)、壽、南田(二鈐)、叔子、壽平、南田小隱(二鈐)

    藏印:又雲齋、龍尾山樵、繼振秘玩、楊石生鑒藏書畫之印、鳳(九鈐)、書畫傳(十鈐)、二泉山人、又雲秘笈、楊、黃氏去塵(十鈐)、星堂、宏農楊氏世家、楊繼振印、叔重珍賞,漪園珍藏(二鈐),殷樹柏印(二鈐)、曼卿(二鈐)、又雲長物(九鈐)、又雲考藏、何時一樽酒重與細論文(二鈐)、繼振、隔千里而共明月(六鈐)、又雲、亦憂誰能解斷、繼振、江南第一風流公子、天藤漫仕、玉翁弟子、蓮公、希古(二鈐)、辛卯、又雲、 樹柏、韻蘭心賞、雲翁、綠江楊氏繼振珍藏書畫印記、月嫣妾徐所掌

    來源:
    澳洲私人珍藏。上世紀四十年代獲贈家族長輩,寶藏至今
    殷樹柏舊藏
    楊繼振舊藏

    註:殷樹柏(1769-1847),字曼卿,號雲樓、西疇桑者,晚號嫩雲,齋名一多廬。浙江秀水(今嘉興)貢生,多才,精繪事,工書法、填詞,兼善竹刻 。《嘉興誌》謂其「畫法宗明陳道復及清惲壽平」,尤擅小幅,「下筆恬靜,無煙火氣」,與南田畫風可謂暗合。

    楊繼振(1832-1897),字幼雲,一作又雲,號蓮公、星風堂主人、齊軒道人等。漢軍鑲黃旗人,官至工部侍郎。富藏弆,有書數十萬卷,不獨金石古泉也。家藏數種《紅樓夢》,以「脂稿本」和「夢稿本」最為珍貴,是紅學研究不可或缺的資料。其藏畫則世人所知不多,僅從各大博物館藏、及市場偶而釋出的私人收藏中略觀大概。紐約大都會博物館藏有王鑑仿古山水圖十八開冊,即鈐有楊氏「繼振」、「又雲長物」等多枚藏印,皆與本冊所鈐相符。極為巧合的是,大都會此冊,也曾為殷樹柏舊藏,亦鈐有「樹柏」、「曼卿」、「殷樹柏印」三方藏印。

    另有楊氏舊藏徐枋《天平泉石》一卷,有王同愈題跋,又雲「銘心絕品必令妾徐氏章之」,反觀此冊,鈐印集楊氏妻韻蘭及妾黃去塵、徐月嫣三人於一,其寶愛之情自不待言。又,本冊鈐年款印「辛卯」,即西曆一八九一年,大都會所藏王鑑冊上亦有鈐蓋,或為入藏時間,或為清點時間,暫無可考矣。

    南田山水,浸淫宋元諸家。每於荒率秀潤之間,逸韻天成。此山水冊十幀,出入古人而得己意,一山一壑,一树一石,或幽或宏,亦澹亦妍,筆致瀟灑沈著,清逸靈動,得湖山勝趣,真可謂南田山水之銘心絕品也。

    參考:徐枋《天平泉石》卷見《墨韻—羅伊與瑪麗蓮.派普夫婦珍藏中國繪畫》,鳳凰城藝術博物館,1994年,圖錄編號12,頁40-44
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