Gary Hume RA (British, born 1962) Michael Screenprint in colours, 2002, on wove, signed, titled, dated and numbered 49/80 in pencil, published by White Cube Editions, London, with full margins, 1527 x 764 mm (60 1/8 x 30 1/8 in)(SH)
Various Artists Other Men's Flowers The complete portfolio, 1994, comprising fifteen works of various media, on various papers, with title and justification pages, signed in pencil or ink by the participating artists and numbered from the edition of 100 on the justification, the full sheets, loose as issued, in original blue solander box with title printed on the uppers, overall 620 x 490mm (23 1/2 x 19 1/4in) 15 folio
Samuel Palmer (British, 1805-1881) Collection of Three Etchings 'The Herdsman's Cottage', 1850, final second state, with the initials 'SP' lower left, possibly a proof with pencil annotation in the artist's hand below, before publication in 'The Portfolio' in 1872, on india paper attached to wove, 124 x 102mm (4 7/8 x 4in)(PL), 'The Sleeping Shepherd', final fourth state with the printed signature and number 5 in lower margin, as published in 'Etchings for the Art Union of London by the Etching Club' in 1857, on chine appliqué, 125 x 105mm (4 7/8 x 4 1/8in)(PL), 'The Morning of Life', final seventh state, with letters 'Samuel Palmer.The Morning of Life.13' in the lower margin, as published in 'Etchings for the Art Union of London by the Etching Club' in 1872, on chine appliqué, with wide margins, 145 x 215mm (5 3/4 x 8 1/2in)(PL)(3)(unframed)
Samuel Palmer (British, 1805-1881) Collection of Four Etchings 'The Weary Ploughman', 1858, fifth state of eight, with two lines of cloud across the left edge of the moon and vertical shading above it, on chine appliqué, 190 x 260mm (7 1/2 x 10 1/4in)(PL), 'The Early Ploughman', 1861, fifth state of nine, with the third cypress sharply pointed and the patch of white on the ploughman's head now shaded, on cream laid with a red outside edge, as issued in 'Etching and Etchers' in 1868, 172 x 252mm (6 3/4 x 10in)(SH), 'The Herdsman's Cottage', 1850, final second state with the initials 'SP' lower left, as published in 'Etching and Etchers' in 1880, on thick laid with wide margins, 124 x 102mm (4 7/8 x 4in)(PL), 'The Lonely Tower', probably an impression taken after the restoration of the cancelled plate, showing minor alterations, on laid, with margins, 135 x 190mm (5 3/8 x 7 1/2in)(PL)(4)(3 unframed)
Salvador Dali (Spanish, 1904-1989) Three Plates, from Much Ado about Shakespeare Three etchings with drypoint printed in colours, 1970, on BFK Rives, each signed and numbered 155/250 in pencil, printed by Ateliers Rigal, published by Editions Graphiques Internationales, each with margins, each 170 x 120mm (6 3/4 x 4 1/4in)(PL) 3 unframed
Joan Miró (Spanish, 1893-1983) Sobreteixims I Escultures Lithograph printed in colours, 1972, on wove, signed and numbered 28/150 in pencil, published by Sala Gaspar, Barcelona, the full sheet, 568 x 380mm (15 x 22 1/2in)(SH) unframed
Marc Chagall (Russian/French, 1887-1985) Lithographe I-IV Four volumes, 1960-1974, comprising 28 lithographs printed in colours, volume I with text in German, Volumes II, III and IV with text in French, printed by Mourlot Frères, Paris, bound in boards, in the original lithographed paper wrappers, two in cardboard slipcases, overall 325 x 250mm (12 3/4 x 9 3/4in) 4 vols
Salvador Dali (Spanish, 1904-1989) Fourteen Plates, from Tristan et Iseult Fourteen etchings printed in colours, 1970, from the set of twenty-one, on Arches, the frontispiece signed in pencil, the other plates initialled in pencil, contained within text pages, with justification page, numbered 106 from the French edition of 115, with the OGC blindstamp, printed by Ateliers Rigal, Paris, 400 x 265mm (15 3/4 x 10 3/8in)(PL)(14)(unframed)
John Byrne (British, born 1940) Boogie Woogie & Downtown Two lithographs printed in colours, each on wove, each signed, titled and numbered 3/10 in pencil, with margins, 380 x 260mm (15 x 10 1/4in)(I)(and smaller) 2next page
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