After Andrea Mantegna (Italian, 1431-1506) Triumph of Caesar: Soldiers Carrying Trophies (version without pilaster) Engraving, circa 1495, a later impression, on laid, no watermark, 275 x 262mm (10 7/8 x 10 3/8in)(SH)
Albrecht Dürer (German, 1471-1528) Patron Saints of Austria Woodcut, 1515, a later impression of the second state, with the two additional saints on the right, possibly meder e, where the upper right border is lacking and there are gaps in the haloes of saints Severinus, Coloman, Leopold and Poppo, on laid, with margins, 177 x 362mm (6 7/8 x 14 1/4in)(B) unframed
Albrecht Dürer (German, 1471-1528) Witch riding backwards on a goat Engraving, circa 1500, a late impression, on laid, trimmed along the platemark, without a watermark, 115 x 70mm (4 1/2 x 2 3/4in)(PL); together with 'Christ before Herod' (B32), woodcut from the Small Passion series, 1509, a late impression, on wove, unevenly trimmed inside the right platemark, 127 x 94mm (5 x 3 7/8in)(PL) 2
Albrecht Dürer (German, 1471-1528) Christ before Caiaphas; Christ Crowned with Thorns Two engravings from The Engraved Passion, 1512, both probably meder b, on laid, trimmed just inside the platemark, 116 x 73mm (4 5/8 x 2 7/8in)(PL) 2
Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Pancake Woman Etching, 1635, the second state of seven, with additional shading in several areas including the womans' hat and dress, the cat and basket, cross-hatching on the skirt of the woman holding the baby, before the cross-hatching that was added to the small area of foul biting on the basket lower right, on thick laid, trimmed along or just inside the platemark, 108 x 77mm (4 1/4 x 3in)(SH)(unframed)
Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Circumcision in the stable Etching, 1654, New Hollstein's fourth state of five, with shading added to two previously unshaded areas: below the signature upper left and to the right of the upper edge and with very fine horizontal lines added to the shaded area to the left of the standing man on the right, on thick laid, with small margins, 92 x 144mm (3 7/8 x 5 5/8in)(PL)
Jacob van Ruisdael (Haarlem circa 1628-1682) The Little Bridge Etching, circa 1650, a later impression, with the drypoint on the lower clouds to the right worn out, on laid, 184 x 268mm (7 1/4 x 10 1/2in)(I) unframednext page
A successful bidder at this sale will be required to pay Bonhams 1793 Limited ("Bonhams") a premium calculated as follows:
20% from £50,001 to £1,000,000 the Hammer Price
12% from £1,000,001 of the Hammer Price
VAT at 20% will be payable on the amount of the premium.
Payment in advance: by cash, check with banker's card, credit card, bank draft or traveler's cheque.
Payment at collection: by credit or debit card.
|AR||Artists Resale Right|
Goods subject to Artists Resale Right Additional Premium.
VAT at the prevailing rate on Hammer Price and Buyer's Premium.
|*||Import low rate|
VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.
|||Exempt from tax|
Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.