Ger Van Elk (Dutch, born 1941) Adieu, a double perspective Digital print in colours, 1997, on wove, signed, dated and numbered 11/100 in pen, with margins, 350 x 370mm (13 3/4 x 14 1/2in)(SH); together with 'Pulling Babies', offset lithograph printed in colours, 1980, on board, signed, dated, titled and inscribed 'AP II' in pen, an artist's proof aside from the edition of 60, the full sheet, 750 x 1000mm (29 1/2 x 39in)(SH); and 'Oranje, Blanc, Bleue', screenprint in colours, 1985, on thick wove, signed, dated, titled and numbered 75/120 in black ink, the full sheet, 1155 x 850mm (45 1/2 x 34 7/8in)(SH) 3 unframed
Sir Terry Frost R.A. (British, 1915-2003) Red, Yellow and Black Lithograph printed in colours, 1997, on Arches, signed and inscribed 'P/P' in pencil, a printer's proof aside from the numbered edition of 40, printed by Zinc Editions, London, published by the artist, Newlyn, the full sheet printed to the edges, 750 x 520mm (29 1/2 x 20 1/2in) (SH) unframed
Dame Elisabeth Frink R.A. (British, 1930-1993) Horse, from Images Series Lithograph printed in colours, 1967, on J Green mould-made, signed and numbered 3/25 in pencil, printed at Curwen Studio, London, published by Alistair McAlpine and Waddington Galleries, 778 x 594mm (30 5/8 x 23 3/8in)(SH)(unframed)
John Piper C.H. (British, 1903-1992) Stokesay Castle Screenprint in colours, 1981, on Arches, signed and numbered 9/70 in pencil, printed by Kelpra Studio, published by Marlborough Fine Art, London, with margins, 543 x 766mm (21 1/2 x 30 1/4in)(I)
Sir Eduardo Paolozzi (British, 1924-2005) Duck Farm Lithograph with extensive additions in hand colouring, 1997, on wove, signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition, with margins, 356 x 252mm (14 x 9 7/8in)(SH); together with another by the same hand 'September', lithograph printed in colours, 1998, signed and inscribed 'P/P' in pencil, a printer's proof aside from the numbered edition, with margins, 503 x 350mm (19 3/4 x 13 3/4in)(SH)(2)(unframed)
Dame Elisabeth Frink R.A. (British, 1930-1993) Horse and Rider Lithograph printed in brown, 1976, on Arches, signed and numbered 44/50 in pencil, published by Daniéle Crégut, Nimes, with margins, 658 x 450mm (26 x 17 3/4in)(SH)
Michael Craig-Martin (Irish, born 1941) Order of Appearance The complete set, 1990, comprising four screenprints in colours, each on white drafting film, each signed, dated and numbered 44/50 in pencil, each with margins, each 1200 x 835mm (47 1/4 x 32 7/8in)(SH)(4)
Victor Vasarely (Hungarian, 1906-1997) Ion The complete set, 1989, comprising seven screenprints in colours, on wove, each signed and numbered 'XIX/XXV' in pencil, together with title page and plate list, published by Falaize, within a red and black solander box, 355 x 280mm (14 x 11in)(SH), 380 x 292mm (15 x 11 1/2in)(folio); together with an additional black and white screenprint, on wove, 355 x 280mm (14 x 11in)(SH) 8 unframed
Richard Hamilton (British, 1922-2011) Five Tyres Abandoned Screenprint in colours, 1963, on cartridge paper, signed and dated '64' in pencil, aside from the numbered edition of forty, printed by Chris Prater at Kelpra Studio, London, published by The Institute of Contemporary Arts, London, included in the ICA Print Portfolio, 585 x 915mm (23 x 36in)(SH); together with 'Kent State' (L. 77), screenprint in colours, 1970, on Schoeller Durex, signed and numbered 177/5000 in pencil, printed at Dietz Offizin, published by Dorothea Leonhart, Munich, with margins, 730 x 1020mm (28 3/4 x 40 1/8in)(SH) 2 unframednext page
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