Georg Baselitz (German, born 1938) Orange Eater (Kon-go) Linocut printed in turquoise and black, 1981, on wove, initialled, dated and numbered 3 in pencil, from the edition of 90, with margins, 855 x 630mm (33 5/8 x 24 3/4in)(B)
Paula Rego (British, born 1935) Unicorn Lithograph printed in colours, 2008, on Somerset wove, signed and inscribed 'Curwen Archive 2/2' in pencil, a proof from the Curwen Archive, printed at Curwen Studio, Chilford, with full margins, 610 x 845 mm (SH) (unframed)
Paula Rego (British, born 1935) Girl Reading Lithograph, 2002, on Somerset wove, signed in pencil, a proof from the Curwen Archive, aside from the numbered edition of 35, printed at the Curwen Studio, Chilford, with full margins, 700 x 540mm (27 1/2 x 21 1/4in)(SH)(unframed)
Edward Burra (British, 1905-1976) Woodcuts 1928-29 Nine woodcuts, printed in 1971, on laid, each numbered 40/45 in pencil, 'Queen of Hearts' signed in pencil, the other eight initialled 'EB' in pencil, published by Nicholas Treadwell Gallery, each with margins, 300 x 245mm (11 7/8 x 9 5/8in)(B)(and smaller)(9)(unframed)
Salvador Dali (Spanish, 1904-1989) Le Decameron (Michler and Lopsinger 552-561f) The suite of 10 drypoints printed in colours, each on Japon Nacre, each signed and inscribed 'E XXV/XXV' in pencil, aside from the edition of 150, printed by Ateliers Rigal, Paris, published by Michele Broutta and Pamela Verlag, the full sheets as issued in the paper porfolio, 453 x 323mm (17 3/4 x 12 3/4in)(overall)(10)(unframed)
Paula Rego (British, born 1935) The Baker's Wife I Etching with aquatint and hand colouring, 1989, on Somerset wove, signed and inscribed 'A/P' in pencil, a proof hand coloured by the artist aside from the numbered edition of 75 without colouring, printed by Paul Coldwell at Culford Press, London, published by the artist and Marlborough Graphics, London, with margins, 165 x 120mm (6 1/2 x 4 3/4in)(PL)
Chiho Aoshima (Japanese, born 1974) Japanese Apricot 2 Offset lithograph printed in colours, 2005, on glossy wove paper, signed and numbered 150/300 in silver ink, printed and published by Kaikai Kiki Co., Ltd, Tokyo, the full sheet printed to the edges, 775 x 550mm (30 1/2 x 21 7/8in)(SH)(unframed)
Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Circumcision in the stable Etching, 1654, New Hollstein's fourth state, with shading added to two previously unshaded areas: below the signature upper left and to the right of the upper edge and with very fine horizontal lines added to the shaded area to the left of the standing man on the right, with thread margins, 94 x 144mm (3 3/4 x 5 5/8in)(PL)(unframed)
Francisco José de Goya y Lucientes (Spanish, 1746-1828) The Little Prisoner; Blind man tossed on the horns of a bull Two etchings, both from the first edition, printed by Delatre, published in the Gazette des Beaux Arts, Paris in 1867, on laid, with margins, 110 x 85mm; 175 x 215mm(PL)(unframed)(2)next page
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