Anonymous, A Portrait of a Royal Lady 19th century
Lot 8136
Anonymous, A Portrait of a Royal Lady
19th century
Sold for US$ 269,000 inc. premium
Auction Details
Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century Anonymous, A Portrait of a Royal Lady 19th century
Lot Details
Property of a Private American Collection
Anonymous, A Portrait of a Royal Lady
19th century
Hanging scroll, ink and color on silk.
70 1/4 x 41in (178.4 x 104cm)

Footnotes

  • 無款 清朝皇室肖像 設色絹本 立軸

    Provenance:
    acquired in China by an American missionary family before 1945 and thence by descent to the present through a private family collection

    Although the identity of the sitter is currently not known, numerous clues in the painting point to an individual of high status within the imperial lineage. Wearing the full court dress and jewelry of a titled lady, she is dressed in her winter robes, with the shoulder cape, collar, cuffs, hem and hat trimmed with strips of sea otter fur. The hat is further adorned with three gold filigree and kingfisher feather phoenix decorated with pearls denoting her status as a princess or consort. The three earrings in each ear point to her being a bannerwoman, and whitened face and dot of red on the lower lip are typical of the make-up trends of elite women within the court. Around her neck is a torque (lingyue), inlaid with coral and Manchurian pearls, an accessory of Manchu women. The torque has five visible pearls of a presumptive seven, less than the eleven that would have been worn by a full empress. Over the lavishly painted robes are the required three strands of her court necklace, crossing at center front, likely made of coral and jade beads. The long green kerchief (caishui) here with a floral motif, was an essential part of formal court regalia as dictated by the Huangchao liqi tushi first written in 1759, and another aspect of her clothing that points to the sitters position within the inner circles of the palace.
Activities
Contacts
  1. Bruce MacLaren
    Specialist - Chinese Works of Art
    Bonhams
    Work
    580 Madison Avenue
    New York, 10022
    United States
    Work +1 917 206 1677
    FaxFax: +1 212 644 9007
  2. Nicholas Rice
    Specialist - Chinese Works of Art
    Bonhams
    Work
    580 Madison Avenue
    New York, 10022
    United States
    Work +1 917 206 1622