lots

Lucian Freud (British, 1922-2011) Pluto Aged Twelve Etching printed with tone, 2000, initialled and numbered 12/46 in pencil, printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, with full margins, 432 x 596mm (17 x 23 1/2in)(PL)

Various Artists Pax Britannica The complete portfolio, 2004, comprising 22 prints of various media, on various papers, each signed, from the edition of 100, published by Aquarium Gallery, London, in the original black portfolio box, overall 235 x 325mm (9 1/4 x 12 3/4in) 22 folio

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Peter and John healing the cripple at the gate of the temple Etching with drypoint, 1659, a fine impression of New Hollstein's second state of six, with the right side of Peter's body straightened, his cloak deeply curved across his body and additional shading next to his left hand and in the lower right corner, on thick laid, with narrow margins and a partial watermark, 180 x 215mm (7 1/8 x 8 1/2in)(PL)

Salvador Dali (Spanish, 1904-1989) Saint-Jacques de Compostelle The rare lithograph printed in colours, 1958, on Arches, signed and dated in pencil, one of only 50 impressions with a pencil remarque of The Virgin & Child, printed by Manequin, Paris, published by Foret, Paris, with full margins, 750 x 549mm (29 1/2 x 21 1/2in)(SH) unframed

Dame Eileen Mayo (British, 1906-1994) Water Carrier The rare linocut printed in colours, on oriental laid, signed, titled and numbered 5/30 in pencil, with margins, 304 x 225mm (12 x 8 7/8in)(B)

Andy Warhol (American, 1928-1987) Apple, from Ads Screenprint in colours, 1985, on Lennox Museum board, signed and inscribed 'E.P. 3/5' in pencil lower right, one of 5 exhibition proofs aside from the edition of 190, printed by Rupert Jasen Smith, New York, published by Ronald Feldman Fine Arts Inc., New York, the full sheet printed to the edges, 965 x 965mm (38 x 38in)(SH)

Otto Dix (German, 1891-1969) Der Selbstmörder, Plate I from Tod und Auferstehung Etching with drypoint printed with tone, 1922, the final third state, on wove, signed, numbered 47/50 and inscribed 'I' in pencil, published by the artist, with margins, 350 x 280mm (13 3/4 x 11in) (PL) unframed

Sybil Andrews CPE (British/Canadian, 1898-1992) Bringing in the Boat Linocut printed in venetian red, viridian and Chinese blue, 1933, on buff oriental laid tissue, signed, titled and numbered 12/60 in pencil, 332 x 260mm (13 1/8 x 10 1/4in)(B)

Augustus Edwin John O.M. (British, 1878-1961) Gwendolen Etching and drypoint, the fifth and final state, circa 1902, on partially watermarked laid, signed in pencil, one of 25 published impressions, with wide margins, 139 x 95mm (5 1/2 x 3 3/4in)(PL) unframed

Samuel Palmer (British, 1805-1881) The Early Ploughman, or The Morning spread upon the Mountains Etching, circa 1861, the fifth state of nine, with the top of the third cypress from the left sharply pointed, small vertical rays of light added to the clouds and brighter reflected light under the central arch, on wove, signed in pencil, with wide margins, 178 x 252mm (7 x 9 7/8in)(PL)

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