Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Peter and John healing the cripple at the gate of the temple Etching with drypoint, 1659, a fine impression of New Hollstein's second state of six, with the right side of Peter's body straightened, his cloak deeply curved across his body and additional shading next to his left hand and in the lower right corner, on thick laid, with narrow margins and a partial watermark, 180 x 215mm (7 1/8 x 8 1/2in)(PL)
Salvador Dali (Spanish, 1904-1989) Saint-Jacques de Compostelle The rare lithograph printed in colours, 1958, on Arches, signed and dated in pencil, one of only 50 impressions with a pencil remarque of The Virgin & Child, printed by Manequin, Paris, published by Foret, Paris, with full margins, 750 x 549mm (29 1/2 x 21 1/2in)(SH) unframed
Andy Warhol (American, 1928-1987) Apple, from Ads Screenprint in colours, 1985, on Lennox Museum board, signed and inscribed 'E.P. 3/5' in pencil lower right, one of 5 exhibition proofs aside from the edition of 190, printed by Rupert Jasen Smith, New York, published by Ronald Feldman Fine Arts Inc., New York, the full sheet printed to the edges, 965 x 965mm (38 x 38in)(SH)
Otto Dix (German, 1891-1969) Der Selbstmörder, Plate I from Tod und Auferstehung Etching with drypoint printed with tone, 1922, the final third state, on wove, signed, numbered 47/50 and inscribed 'I' in pencil, published by the artist, with margins, 350 x 280mm (13 3/4 x 11in) (PL) unframed
Sybil Andrews CPE (British/Canadian, 1898-1992) Bringing in the Boat Linocut printed in venetian red, viridian and Chinese blue, 1933, on buff oriental laid tissue, signed, titled and numbered 12/60 in pencil, 332 x 260mm (13 1/8 x 10 1/4in)(B)
Augustus Edwin John O.M. (British, 1878-1961) Gwendolen Etching and drypoint, the fifth and final state, circa 1902, on partially watermarked laid, signed in pencil, one of 25 published impressions, with wide margins, 139 x 95mm (5 1/2 x 3 3/4in)(PL) unframed
Samuel Palmer (British, 1805-1881) The Early Ploughman, or The Morning spread upon the Mountains Etching, circa 1861, the fifth state of nine, with the top of the third cypress from the left sharply pointed, small vertical rays of light added to the clouds and brighter reflected light under the central arch, on wove, signed in pencil, with wide margins, 178 x 252mm (7 x 9 7/8in)(PL)
Joan Miró (Spanish, 1893-1983) Plate XXI, from Ubu Roi Lithograph printed in colours, 1966, on Arches, signed and inscribed 'HC' in pencil, one of twenty-five hors commerce proofs aside from the edition of 180, (there was also a portfolio edition of 75), printed by Mourlot, Paris, published by Tériade, Paris, with full margins, 410 x 625mm (16 1/8 x 24 5/8in)(I)(unframed)
Christopher Richard Wynne Nevinson (British, 1889-1946) Le Louvre Etching, on J. Whatman wove, signed in pencil, from an edition not exceeding 75, with Kenneth Guichard's rubber stamp verso, with margins, 276 x 175mm (10 7/8 x 6 7/8in)(PL)next page
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