Christopher Richard Wynne Nevinson (British, 1889-1946) Returning to the Trenches Drypoint, 1916, a good impression with rich burr and delicate tones, on partially watermarked F. J. Head & Co. hand-made laid, signed and dated in pencil, from the edition of 75, with full margins, 152 x 202mm (6 x 8in) (PL)
Gary Ratushniak (Canadian, born 1957) Umbrellas Linocut printed in colours, 1994, a very good impression with vibrant colours, on japanese mulberry, signed, titled and numbered 35/60 in pencil, additionally titled, dated, numbered and inscribed 'Hand Print' in pencil in the lower margin, with full margins, 372 x 271mm (14 5/8 x 10 5/8in)(B) unframed
Dorrit Black (Australian, 1891-1951) The Eruption The rare linocut printed in black, blue, green and red, circa 1929-30, an excellent impression, on buff oriental laid, an unsigned proof impression aside from the proposed edition of 50, with margins, 254 x 187mm (10 x 7 3/8in) (B)
Sybil Andrews CPE (British/Canadian, 1898-1992) Indian Dance Linocut printed in raw sienna, spectrum red, alizarin crimson and permanent blue, 1951, on oriental laid tissue, signed, titled and numbered 3/75 in pencil, with margins, 222 x 211mm (8 3/4 x 8 1/4in)(B) unframed
Cyril Edward Power (British, 1872-1951) The Eight The rare linocut printed in chrome orange, permanent blue, pale chrome and Chinese blue, 1930, on buff oriental laid tissue, signed, titled and inscribed 'E.P.' and annotated 'sc. et imp.' after the signature in pencil, an experimental proof aside from the numbered edition of 50, one of very few impressions with pale chrome printed lightly on the backs of the rowers, additionally signed, titled and annotated '£2.2' in pencil in the lower margin, with margins, 323 x 234mm (12 3/4 x 9 1/4in)(B) unframed
Christopher Richard Wynne Nevinson (British, 1889-1946) Le Port Lithograph, 1919, on laid, an excellent impression with delicate tonal variation, signed in pencil, from the edition of 25, with margins, 510 x 393mm (20 x 15 1/2in) (I)
Claude Flight (British, 1881-1955) Spring Linocut printed in yellow ochre, vermilion, mauve, emerald green and cobalt blue, 1926, a good impression, on thin cream oriental laid, signed and numbered 9/50 in pencil, with margins, 247 x 296mm (9 7/8 x 11 3/4in)(B)
Margaret Barnard (British, 1900-1992) Untitled Linocut printed in colours, on oriental laid tissue, signed and numbered 1/50 in pencil, 273 x 334mm (10 3/4 x 13 1/8in)(B); together with another by the same hand, an unsinged impression, 175 x 258mm (B) and 'The Water Hole' by Julia Mavrogordato, linocut printed in colours, on oriental laid tissue, signed in pencil, 204 x 134mm (B) 3next page
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