Footnotes

• PROVENANCE:
  Warlayirti Artists, Wirrimanu (Balgo Hills), Western Australia (cat. no. 880-07)
  Purchased from Raft Artspace, Darwin in September 2007
  The Laverty Collection, Sydney
  
  EXHIBITED:
  Paintings from Remote Communities: Indigenous Australian Art from the Laverty Collection, Sydney, Govett Brewster Art Gallery, New Plymouth, New Zealand, 15 December 2007 - 24 February 2008; Newcastle Region Art Gallery, Newcastle, 5 July - 31 August 2008
  
  One of the major recurring themes in the latter part of her painting career is Kinyu, the ancestral Dingo. In the Dreaming Kinyu in the form of a man was attacked by intruders and defended himself by hurling sacred objects made of hair at them. These events occurred at a water soak called Midjul that Eubena would visit often to honour her ancestor. From about 2000, Eubena developed a series of architectural templates where lines of colours swirl and merge to meet along a central 'backbone' or prominent line as in Kinyu, 2007. The palette relies heavily on the reds and yellows she discovered in 1989 and that were to become a hallmark of much of her later work.
  
  Wally Caruana
  
  This painting is sold with accompanying Warlayirti Artists documentation.
  
  EUBENA NAMPITJIN
  The doyen of the women painters at Balgo, Eubena
  Nampitjin lived through one of the major diasporas
  in modern Australian history. Born at Yalantjiri, her
  country runs along the Canning Stock Route that took
  Aboriginal people to mission stations and settlements
  far from their homelands and up into the Kimberley.
  With her first husband Gimme, she drove cattle from
  Kunawarritji (Well 33) to the railhead at Wiluna
  in the south, and to Billiliuna Station in the north.
  Eubena and Gimme and their family settled at Balgo
  about 1948. When her first husband died around
  1979, Eubena married Wimmitji Tjapangarti, a
  maparn or traditional healer and a man of high ritual
  authority. Together they recorded ancestral narratives
  and ceremonies for the anthropologists Ronald and
  Catherine Berndt, and later went on to collaborate in
  paintings to become the most well known artist–couple
  from Balgo. Eubena had originally begun to paint in
  1986 for the exhibition Art from the Great Sandy Desert at
  the Art Gallery of Western Australia, and she has been
  represented in several major exhibitions in Australia
  and abroad, including Images of Power: Aboriginal art
  of the Kimberley at the National Gallery of Victoria
  in 1993, ARATJARA, Art of the First Australians, at the
  Kunstsammlung Nordrhein-Westfalen, Dusseldorf, the
  Hayward Gallery, London, and the Louisiana Museum,
  Humlebaek, Denmark, in 1993–94, and Stories: Eleven
  Aboriginal Artists, Works from The Holmes à Court Collection
  at the Sprengel Museum in Hannover, Germany, in
  1995. Eubena won the Open Painting section of the
  Telstra National Aboriginal and Torres Strait Islander
  Art Awards in Darwin in 1998. In 2010, Eubena was a
  feature artist in the exhibition Yiwarra Kuju: The Canning
  Stock Route, at the National Museum of Australia.
  
  Wally Caruana

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Category: Fine Art / Aboriginal Art

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