A 'realgar-glass' snuff bottle Qing dynasty, 1720-1840
Lot 133
A 'realgar-glass' snuff bottle Qing dynasty, 1720-1840
Sold for HK$ 43,750 (US$ 5,639) inc. premium

Lot Details
A 'realgar-glass' snuff bottle Qing dynasty, 1720-1840 A 'realgar-glass' snuff bottle Qing dynasty, 1720-1840 A 'realgar-glass' snuff bottle Qing dynasty, 1720-1840 A 'realgar-glass' snuff bottle Qing dynasty, 1720-1840
Snuff bottles formerly in the Mary and George Bloch collection (lots 100-146)
A 'realgar-glass' snuff bottle
Qing dynasty, 1720-1840
Of opaque, variegated scarlet, orange, yellow, green, mahogany-brown, and dark brown glass, with a flat lip and flat foot.
6cm high.

Footnotes

  • Provenance 來源:
    Gerd Lester (1986)

    Illustrated 出版:
    Robert Kleiner, Yang Boda, and Clarence F. Shangraw, Chinese Snuff Bottles: A Miniature Art from the Collection of George and Mary Bloch, Hong Kong Museum of Art, 1994, no.81.
    Hugh Moss, Victor Graham and Ka Bo Tsang, A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection, Volume 5, Hong Kong, 2002, no 708

    Exhibited 展覽:
    Hong Kong Museum of Art, March-June 1994
    National Museum, Singapore, November 1994-February 1995

    This example combines some surface splashes of the customary realgar colouring with the darker range of mahogany colours. In reality, it is only the way the colours are used that is unusual. Close examination of the surface reveals all the standard realgar-glass colours, but with the visual balance shifted to the darker ones. The narrow-side vertical lines of different colour reveal that, in common with so many of this shape, it was blown into a mould. In other regards, it is formally unusual. Extremely light compared to most bottles blown into moulds, this example has an unusually wide mouth, with an interior impeccably formed to perfectly match the exterior profile.

    Another interesting feature is provided by the manner in which brighter colours were added to the surface here. Some of the colours are in discreet, angular segments, albeit swirled with other colours within the segment. It is obvious that chips or fragments of realgar-glass (cullet) have been laid on the marvering surface and rolled into the gather—the most common way of achieving such surface decoration. As a rule, the gather would again be placed in the furnace to melt the two together before it was blown and further manipulated. Where the chips retain their original sharp edges, however, it is possible that the bottle was blown before the surface fragments were rolled in. The heat from the original gather may have been sufficient to integrate them, although it might be necessary to put the whole bottle into the furnace to help this process.

    1720-1840 攪色玻璃鼻煙壺

    壺以不透亮仿雄黃玻璃製成;平唇,平底。

    本壺是用模子吹製的,可是壺壁比一般的模子製的煙壺薄。口也大,內膛和外形完全一致。一般的製法是先把玻璃液和碎玻璃在熔爐中攪拌再吹。但本壺工匠是先把碎玻璃放在玻璃滾料板上,再把吹成的壺輾轉其上,或許再插進熔爐,因此本壺色片邊界很清晰。
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