Zhang Daqian (1899-1983) Mountains and Streams
Lot 742
Zhang Daqian (1899-1983) Mountains and Streams
HK$ 2.8 million - 4.8 million
US$ 360,000 - 620,000
Lot Details
Zhang Daqian (1899-1983)
Mountains and Streams
Ink and colour on paper, framed and glazed
Inscribed and signed Yuan, with four seals of the artist
Dated [minguo] sixty-eighth year (1979)
91cm x 34cm (35¾in x 13¼in).

Footnotes

  • Published: Chang Dai-chien's Calligraphy and Painting Collection, Volume II, National Museum of History, Taipei, 1980, plate 64, p.76

    張大千 林窈清湫 設色紙本 鏡框 一九七九年作

    款識:穿連林窈下清湫,逝水秋來貫百流。行遍秋山愛幽樹,高懷惟是有巢由。[民國] 六十八年(1979)冬十一月,八十一叟爰。
    鈐印:己未、張爰之印、大千居士、摩耶精舍

    出版:《張大千書畫集,第二集》,國立歷史博物館,台北,1980年,圖版64,頁76

    註:張大千的作品於1959年首次在台北國立歷史博物館展出,此後雙方合作往來漸趨緊密。1980年起,台北國立歷史博物館陸續編印《張大千書畫集》系列叢書,至1990年止,共出版七冊,被眾多藏家視為收藏張大千書畫的重要參考資料。本幅〈林窈清湫〉錄入《張大千書畫集》第二集,現藏家於1981年購入後一直珍以重之,畫幅狀況完好,更保存原有的裝池,迄今釋出,實屬難得。

    張大千曾謂畫好山水,筆墨、意境,缺一不可。本幅取鳥瞰視角,山勢隨雲霧蜿蜒而上。留白與著色處虛實相輔,互生變化,頓生煙嵐雲氣徊盪之感,從而分出前中後三景,足見佈局用心。山石線條俐落,無刻意雕琢之氣,用色擦染亦見筆痕,可見繪此幅時,畫家運筆何其暢快。遠山石坡以分層淡墨或皴或染,中峰山脊與近景群樹以濃墨和焦墨突出強調,整體用墨輕重乾濕控制得宜,所謂墨分五色,於此有絕佳示範。綜幅觀之,畫面明淨清朗,墨調酣暢,體現了大千晚年筆墨揮灑從容的面貌。
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