Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Old Man shading his eyes with his hand Etching with drypoint, c.1639, a good impression of the only state, with touches of burr on the hat, on laid, with narrow margins, with a partial watermark of a crest with a lion, 138 x 115mm (5 3/8 x 4 1/2in)(PL)
Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Student at a table by candlelight Etching, c.1642, Nowell-Usticke's second state of three, with light spots appearing above and below the candle and the candle outlined, before the addition of mezzotint, on laid, watermarked with a coat of arms and initials 'CR', 147 x 133mm (5 3/4 x 5 1/4in)(PL)(unframed)
Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Triumph of Mordecai Etching with drypoint, c.1641, a good later impression, still printing with burr lower left, on thick laid, 174 x 215mm (6 7/8 x 8 1/2in)(PL)
Jan van de Velde II (Dutch, circa 1593-1641) Daybreak, Noon, Evening, Night The set of four etchings with engraving, c.1620, fine impressions on laid, two with a crest and crown watermark, published by Cornelius Visscher, each with margins, 92 x 167mm (3 5/8 x 6 1/2in)(PL)(4)
Adriaen Jansz. van Ostade (Dutch, 1610-1685) Dance under the Trellis Etching, 1652, the fifth state of seven, with the diagonal lines of shading on the doorway and on the gable of the house above the dancing couple, before the final reworkings, on laid, watermarked with the Coat of Arms of Amsterdam, trimmed to the platemark, 128 x 175mm (5 x 6 7/8in)(PL)(unframed)
Giovanni Battista Piranesi (Italian, 1720-1778) A Collection of twenty-three Views of Rome Etchings, 1751-1773, comprised of 8 first states: Palazzo di Monte Citorio (H23), Arch of Titus (H55), Temple of the Sibyl, Tivoli (H61), Ponte Molle (H64), Baths of Caracalla (H76), Small Waterfall and Rapids at Tivoli (H92), Arch of Septimus Severus (H99), Villa d'Este, Tivoli (H105), 7 second states: Fontana dell'Acqua Paola (H21), Palazzo Barberini (H35), Temple of Bacchus (H48), Villa of Maecenas, Tivoli (H73), Grotto of Egeria (H80), Temple of Bacchus, Interior (H81), Temple of Hercules (H91), 6 third states: Harbour and Quay (H27), Theatre of Marcellus (H33), S.Costanza (H37), Roman Arches, SS.Giovanni e Paolo (H43), Egyptian Obelisk (H53), Colosseum, Interior (H78), 2 fifth states: Trajan's Column (H51), Column of Marcus Aurelius (H52), on laid, most with wide margins, 19 laid down on board, 780 x 540mm (30 3/4 x 21 1/4in)(SH) 23 unframed
After John Constable, R.A., by David Lucas (1802-1881) Various Subjects of Landscape, Characteristic of English Scenery, from Pictures painted by John Constable The complete set of 22 mezzotints, with etching, roulette and drypoint, including the frontispiece and vignette, 1830-32, with title page, introduction, text, list of plates and text pages to accompany the plates Old Sarum, Stoke by Neyland and Spring, published by the artist in 1833, very good velvety impressions of mostly first and second states, on chine appliqué, with wide margins, with the original binding holes, bound in brown paper-covered boards with leather spine and title in gold, 177 x 250mm (average plate size), 288 x 426mm (Vol), together with two volumes of "English Landscape Scenery", published by Henry Bohn in 1855, each containing 40 mezzotints, with title, introduction and list of plates, on thick wove paper, bound in gilt-tooled red morocco boards with gold title on the spine, 440 x 290mm (Vol) 3 Volumes
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Boulogne Etching printed with tone, c.1922, on thin wove, an unsigned proof, with margins, 252 x 352mm (9 7/8 x 13 3/4in) (PL) (unframed)
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Sacré Coeur (Guichard 59) The rare etching printed with delicate plate tone, 1927, on laid, an unsigned impression aside from the edition not exceeding 75, with margins, 177 x 138mm (6 7/8 x 5 1/2in)(PL)next page
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