lots

William Hogarth (British, 1697-1764) Beer Street and Gin Lane Two etchings with engraving, 1751, on laid paper, with margins, 389 x 327mm (15 1/2 x 12 3/4in)(PL)(unframed)(2)

After William Hogarth (British, 1697-1764) The Four Times of Day Engravings, 1738, various states, on various papers, 489 x 410mm (19 1/4 x 16 1/8in)(PL)(unframed)(4)

Thomas Gooch (British, active 1750-1802) The Life and Death of a Racehorse The set of six aquatints, published 1792 in London, on wove, together with the title page and essay, 290 x 335mm (11 3/8 x 13 1/3in)(PL)(7)(1 unframed)

James Gillray (British, 1757-1815) Pantagruel Etching with hand colouring, 1794, on wove, published by H. Humphrey, London, with small margins, 312 x 360mm (12 1/4 x 14 1/8in)(PL)

James Gillray (British, 1757-1815) The Union Club Etching with hand colouring, 1801, on wove, published by H. Humphrey, London, with small margins, 295 x 435mm (11 1/2 x 17 1/4in)(PL)

After Sir Joshua Reynolds (British, 1723-1792) The Marlborough Family Mezzotint, by Charles Turner, a good impression of the first state of two, with the artist's names and publication date but before the title, with a faint printed inscription lower right 'Last Impr. 4th day', published 1815 by Charles Turner, on laid, with margins, 835 x 670mm (32 7/8 x 26 3/8in)(PL)

After Gilbert Stuart General Washington Engraving by James Heath, 1800, on laid, published by the artist, London, 530 x 308mm (20 7/8 x 12 1/8in)(I)

Walter Richard Sickert ARA (British, 1860-1942) Three etchings 'The Orchestra of the Olympia, Shoreditch', c.1920, only state, on laid, only a few impressions were printed, 301 x 228mm (11 7/8 x 8 7/8in)(PL), 'The London Shoreditch', c.1920, second state, with the plate reduced and before all lettering in the lower margin, on wove, 140 x 174mm (PL), 'Dieppe, The Old Hotel Royal', 1910, hand photogravure etching, on thick brown wove, inscribed 'No 28 Limited to 50' in brown ink by an unknown hand, 110 x 170mm (PL) 3 unframed

Herbert Thomas Dicksee, R.E. (British, 1862-1942) The Boyhood of Raleigh Etching, 1901, after John Everett Millais, on vellum, signed in pencil, from an edition of 400, published by the Fine Art Society, 590 x 700mm (23 1/4 x 27 1/2in)(PL)

Paul Dalou Drury (British, 1903-1988) Hayling Island; After Work Two etchings, 1923-1926, each on laid, each signed and dated in pencil, each with margins, 90 x 185mm (3 1/5 x 7 1/4in)(and smaller)(PL)(unframed)(2)

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