Stanley William Hayter (British, 1901-1988) L'Escoutay Engraving, soft-ground etching and scorper printed in colours, 1951, on wove, signed, dated and numbered 111/200 in pencil, published by International Graphic Arts Society, New York, with their blindstamp, with margins, 376 x 495mm (14 3/4 x 19 5/8in)(SH)(unframed)
Sir Terry Frost R.A. (British, 1915-2003) Untitled (Three Graces) Linocut, 1952, on wove, signed and dated in pencil, a rare trial proof, there was no published edition, printed by the artist, St Ives, with irregular margins, 128 x 158mm (5 x 6 1/4in)(B)
Henry Moore O.M., C.H. (British, 1898-1986) Six Reclining Figures Lithograph printed in colours, 1957, on Arches, signed and numbered 40/60 in pencil, printed by Mourlot Frères, Paris, published by Berggruen & Cie, Paris, for the Henry Moore exhibition at the Berggruen Gallery, 432 x 349mm (17 x 13 3/4in)(I)
Victor Pasmore RA (British, 1908-1998) Linear Motif in Three Movements Etching with screenprint, 1974, on wove, signed, dated and numbered 9/60 in pencil, printed by White Ink Ltd., London, published by Marlborough Graphics, London, with margins, 380 x 375mm (15 x 15 3/4in)(PL)
Sir Terry Frost R.A. (British, 1915-2003) Development of a Square within a Square The complete set of four screenprints in colours, 2000, each on heavy wove, each signed and numbered variously from the edition of 150, printed by Coriander Studios, London, published by CCA Galleries, Tilford, the full sheets printed to the edges, 1170 x 1170mm (46 x 46in)(SH)(overall)
Sidney Nolan (1917-1992) Ned Kelly Screenprint in colours, on wove, signed and inscribed 'proof' in pencil, additionally inscribed with a quotation from Victor Hugo's 'Gautier's Grave' in pencil, with margins, 725 x 605mm (28 1/2 x 23 7/8in)(I)
Adriaen van Ostade (Dutch, 1610-1685) The Anglers Etching, c.1653, the fifth state of six, with fine shading under the ramp and fine horizontal lines still visible in the sky, on laid, trimmed just inside platemark, 113 x 163mm (4 1/2 x 6 3/8in)(PL)
Jacques Callot (French, 1592-1635) Vue du Pont-Neuf; Les Supplices Two etchings, on wove, the first c.1630, possibly a fourth state with an 'Israel Silvestre' inscription rubbed out lower left, 165 x 340mm (6 1/2 x 13 3/8in)(PL); the second c.1634, a second state, trimmed to platemark, 115 x 220mm (4 1/2 x 8 5/8in)(PL) 2 1 unframed
Francisco José de Goya y Lucientes (Spanish, 1746-1828) Two plates from Los Caprichos 'There is plenty to suck' (pl.45: Mucho hay que chupar), 205 x 150mm (9 7/8 x 5 7/8in)(PL); 'There it goes' (pl.66: Alla va eso), two etchings with aquatint, on wove, probably the third edition, 205 x 165mm (8 1/8 x 6 1/2in)(PL)(unframed)(2)
Samuel Curtis (Publisher) (1779-1860) 'Ranunculus' and 'Tulips', two plates from 'The Beauties of Flora' Aquatints with stipple engraving, 1820, printed in colours, each with hand colouring, each on wove, by J.Hopwood and FC.Lewis after T.Baxter, published by S.Curtis, London, 465 x 370mm (18 1/4 x 14 1/2in)(PL)(2)next page
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