The Grosvenor School and Avant-Garde British Printmaking
16 Apr 2013, starting at 14:00 BST.

Auction information

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact customer services.


lots

Edward Wadsworth (British, 1889-1949) Dazzled Ship in Drydock The rare woodcut, 1918, on wove, with margins, 128 x 218mm (5 x 8 1/2in)(B)

Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour Linocut printed in Chinese orange, Chinese blue and black, 1930, a vivid impression, on thin cream oriental laid, signed, titled and numbered 30/50 in pencil, with margins, 209 x 251mm (8 1/4 x 9 7/8in)(B)

Ethel Spowers (Australian, 1890-1947) Swings (Coppel ES 22) Linocut printed in yellow ochre, viridian, reddish brown and cobalt blue, 1932, on buff oriental laid tissue, signed, titled, dated and numbered 23/50 in pencil, 236 x 261mm (9 1/4 x 10 1/4in)(B)

Claude Flight (British, 1881-1955) Autumn Linocut printed in yellow ochre, vermilion, cobalt blue and emerald green, c.1926, on thin cream oriental laid, signed and numbered 9/50 in pencil, with margins, 245 x 296mm (9 7/8 x 11 6/8in)(B)

Margaret Barnard (British, 1900-1992) Sun Bathers Linocut printed in colours, on oriental laid tissue, signed and numbered 15/50 in pencil, with margins, 220 x 250mm (8 5/8 x 9 7/8in)(B)

Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Venice Night (Guichard 94) Etching printed with tone, c.1922, on laid, signed in pencil, with full margins, 139 x 175mm (5 1/2 x 7in) (PL)

Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Temples of New York Drypoint, 1919, a rich impression with burr and delicate plate tone, on cream F. J. Head & Co watermarked laid, signed in pencil, from an edition not exceeding 75, with margins, 201 x 150mm (8 x 6in)(PL) unframed

Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Quartier Latin (Guichard 91) The rare drypoint, c.1927, a velvety impression with delicate tones and strong contrasts, on handmade laid, signed in pencil, from the edition of 40, with full margins, 351 x 249mm (13 7/8 x 9 7/8in)(PL)

Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Waterloo Bridge from a Savoy Window Etching with drypoint printed with tone, 1925, on laid, signed in pencil, from the edition of 75, with margins, 275 x 350mm (10 3/4 x 13 3/4in)(PL) unframed

Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Notre Dame, les Quais de Paris Etching printed with tone, 1931, on laid, signed in pencil, from the edition of 75, with full margins, 145 x 187mm (5 3/4 x 7 1/2in)(PL)

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Auction information

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact customer services.

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