The Grosvenor School and Avant-Garde British Printmaking
16 Apr 2013, starting at 14:00 BST.

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LOTS
 of 109
1 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Venice Night (Guichard 94) Etching printed with tone, c.1922, on laid, signed in pencil, with full margins, 139 x 175mm (5 1/2 x 7in) (PL) £2,250
US$ 3,781
€2,729
2 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Quartier Latin (Guichard 91) The rare drypoint, c.1927, a velvety impression with delicate tones and strong contrasts, on handmade laid, signed in pencil, from the edition of 40, with full margins, 351 x 249mm (13 7/8 x 9 7/8in)(PL) £4,375
US$ 7,353
€5,307
3 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Waterloo Bridge from a Savoy Window Etching with drypoint printed with tone, 1925, on laid, signed in pencil, from the edition of 75, with margins, 275 x 350mm (10 3/4 x 13 3/4in)(PL) unframed £27,500
US$ 46,222
€33,361
4 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Notre Dame, les Quais de Paris Etching printed with tone, 1931, on laid, signed in pencil, from the edition of 75, with full margins, 145 x 187mm (5 3/4 x 7 1/2in)(PL) £17,500
US$ 29,414
€21,230
5 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Greenwich Reach Etching, 1928, on watermarked laid, signed and dated in pencil, with margins, 150 x 225mm (5 7/8 x 8 7/8in)(PL) £11,250
US$ 18,909
€13,647
6 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Temples of New York Drypoint, 1919, a rich impression with burr and delicate plate tone, on cream F. J. Head & Co watermarked laid, signed in pencil, from an edition not exceeding 75, with margins, 201 x 150mm (8 x 6in)(PL) unframed £10,000
US$ 16,808
€12,131
7 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Roof Gardens Mezzotint, 1919, a richly inked impression, on cream F. J. Head & Co watermarked laid, signed in pencil, from the edition of 50, with full margins, 212 x 116mm (8 1/4 x 4 1/2in)(PL) unframed £5,625
US$ 9,454
€6,823
8 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Great White Way (Leicester Galleries 54) The rare lithograph, 1920, on laid, signed in pencil, also titled in pencil in lower margin, from the edition of 25, with margins, 503 x 305mm (19 3/4 x 12in)(I) £55,250
US$ 92,865
€67,026
10 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Swooping down on a Taube (Leicester Galleries 28) Lithograph, 1917, on Holbein wove, signed, dated and numbered 58 in pencil, from the edition of 200, as included in 'Building the Aircraft', printed by Ernest Jackson, published by the Stationary Office as part of the series 'The Great War: Britain's Efforts and Ideals', with margins, 400 x 298mm (15 7/8 x 11 3/4in)(I) unframed £6,000
US$ 10,084
€7,278
11 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Banking at 4000 feet (Leicester Galleries 23) Lithograph, 1917, a crisp impression with strong contrasts, on watermarked Holbein wove, signed, dated and numbered 17 in pencil, from the edition of 200, as included in 'Building the Aircraft', printed by Ernest Jackson, published by the Stationary Office as part of the series 'The Great War: Britain's Efforts and Ideals', with margins, 402 x 315mm (16 x 12 1/2in)(I) £61,250
US$ 102,950
€74,305
12 Edward Wadsworth (British, 1889-1949) Dazzled Ship in Drydock The rare woodcut, 1918, on wove, with margins, 128 x 218mm (5 x 8 1/2in)(B) £10,000
US$ 16,808
€12,131
13 Edward Wadsworth (British, 1889-1949) Modern Woodcutters 4 The rare book, 1921, comprising 14 woodcuts most likely from the original blocks, after the 1918-21 first editions, printed by the Morland Press Ltd., London, published by the Little Art Rooms, London, 258 x 192mm (10 x 7 3/4in)(overall) vol £1,250
US$ 2,101
€1,516
14 Paul Nash (British, 1889-1946) Das Rheingold Scene 1 (Postan W58) The rare woodcut, 1925, on laid japan, signed, dated, inscribed 'Gotterdämmerung' and numbered 3/12 in pencil, with full margins, 78 x 92mm (3 x 3 5/8in)(PL) £3,500
US$ 5,882
€4,246
15 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Column on the March Offset lithograph printed in colours, on thin wove, 1917, signed in pencil, published in 'Modern War: Paintings by C.R.W. Nevinson' by P.G. Konody, 148 x 182mm (5 7/8 x 7 1/4in)(I) £2,000
US$ 3,361
€2,426
16 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Banking at 4000 feet Offset lithograph printed in colours, 1918, on thin wove, signed in pencil, published in 'The Great War: Fourth Year' by J.E. Crawford Flitch, with full margins, 152 x 183mm (6 x 7 1/4in) (I) (unframed) £1,625
US$ 2,731
€1,971
19 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) [Blanchisserie] Etching printed with tone, c.1922, a good impression, on F.J. Head & Co watermarked laid, signed in pencil, with margins, 232 x 190mm (9 1/4 x 7 1/2in)(PL) unframed £2,500
US$ 4,202
€3,032
20 Cyril Edward Power (British, 1872-1951) The Goods Siding Etching with drypoint, c. 1922, on thick wove, with rich burr and delicate plate tone, signed and inscribed 'del. et imp.' in pencil, numbered 4, further inscribed 'specimen special print' and 'No.1 Print 2 of state' in pencil, with wide margins, 150 x 225mm (5 7/8 x 8 7/8in)(PL) unframed £1,062
US$ 1,785
€1,288
21 Cyril Edward Power (British, 1872-1951) Marché au Beurre, Caen Drypoint printed with plate tone, on wove, signed, titled and numbered 13 in pencil, with margins, 251 x 225mm (10 x 8 7/8in)(PL) £625
US$ 1,050
€758
22 Cyril Edward Power (British, London 1872-1951) At Lavenham Linocut printed in black, c.1926, on buff oriental laid tissue, signed, inscribed 'sculpt et imp', titled and numbered 10/100 in pencil, with margins, 255 x 174mm (10 1/8 x 6 7/8in)(B)(unframed) £1,000
US$ 1,680
€1,213
23 Leonard Beaumont (British, 1891-1986) The Boat Express (I) Linocut printed in colours, 1934, on buff oriental laid, signed in pencil, with margins, 230 x 280mm (9 x 11in)(B) £5,250
US$ 8,824
€6,369
24 Leonard Beaumont (British, 1891-1986) To Hell With Tin Hats! Linocut printed in colours, 1934, a richly inked impression, on buff oriental laid, signed and titled in pencil, with margins, 203 x 253mm (8 x 10in)(B) £3,125
US$ 5,252
€3,791
26 Leonard Beaumont (British, 1891-1986) Marchers The rare linocut, 1932, one of only a few impressions, on thin oriental laid, signed in pencil, with margins, 126 x 90mm (5 x 3 1/2in)(B) unframed £1,125
US$ 1,890
€1,364
27 Leonard Beaumont (British, 1891-1986) Sun Bathers The rare linocut printed in red and pink, 1932, a bright and fresh impression, on white oriental laid, signed and numbered 11/14 in pencil, with full margins, 100 x 100mm (3 7/8 x 3 7/8in)(B) unframed £9,375
US$ 15,757
€11,373
29 Leonard Beaumont (British, 1891-1986) The Sower Linocut printed in colours, 1933, a good impression, one of only a few impressions, on thin oriental laid, signed in pencil, with full margins, 153 x 102mm (6 x 4in)(B) unframed £1,375
US$ 2,311
€1,668
30 Leonard Beaumont (British, 1891-1986) The Communist Pen, ink and watercolour on paper, c.1921-23, titled in ink, 159 x 123mm (6 1/4 x 4 7/8in)(SH) unframed £1,125
US$ 1,890
€1,364
32 Leonard Beaumont (British, 1891-1986) A Collection 'Mountain Stream' (Dickson 56), linocut in colours, 1932, on watermarked laid, with the stamped monogram verso, 103 x 101mm (4 x 4in)(B); 'Art Deco Horses Heads'(D.85), an end paper design, linocut on green coloured paper, 1935, 149 x 115mm (6 x 4 1/2in)(SH); 'Janus'(First Version)(D.46), linocut, 1930, on tissue thin wove, 126 x 87mm (5 x 3 3/8in)(B); 'New World'(D.78), linocut, 1935, on thin card, 140 x 134mm (5 1/2 x 5 1/4in)(SH); 'Christmas Card Design', (D.92), linocut, 1937, on thin card, 189 x 367mm (7 1/2 x 14 1/2in)(SH); together with an artist's book with linocut designs on outer boards, signed and inscribed in ink on the first page 'for Joyce R Hinsworth, from the Master of the City of Sheffield Art Crafts Guild with thanks for splendid services, Leonard Beaumont', July 25th 1936' 5 unframed, 1 vol £2,250
US$ 3,781
€2,729
34 Leonard Beaumont (British, 1891-1986) Sleeping Sailor The rare linocut printed in colours, 1931, a strong, vibrant impression, on white thin oriental laid, signed in pencil, with full margins, 90 x 126mm (3 1/2 x 5in)(B) unframed £7,750
US$ 13,026
€9,401
35 Andrew-Power (Sybil Andrews & Cyril Power) (British, 1898-1993 & 1872-1951) Aldershot Tattoo Lithographic poster printed in red and black, 1934, on thin wove, printed by Waterlow & Sons Ltd, London, commissioned by London Transport, 1000 x 610mm (39 3/8 x 24in)(SH) £8,750
US$ 14,707
€10,615
36 Edward Bawden R.A. (British, 1903-1989) Life Guards Autolithograph printed in colours, 1952/53, on wove, signed and titled in pencil, from the proposed edition of 50, printed by George Devenish at the RCA for the 'Coronation Year' exhibition at the Victoria & Albert Museum in 1953, 436 x 307mm (17 1/8 x 12 1/8in)(I) unframed £2,500
US$ 4,202
€3,032
37 Iain MacNab (British, 1890-1967) Back Gardens, Lisbon (Garrett 20) Wood engraving, 1959, on thin oriental laid, signed, titled and numbered 22/50 in pencil, with margins, 155 x 219mm (6 x 8 5/8in) (B) £3,750
US$ 6,303
€4,549
38 Iain MacNab (British, 1890-1967) The Wine Cask Lithograph printed in colours, c.1940, possibly a unique impression, on tissue thin japan, signed and titled in pencil, published by Warren Johns LTD, Teddington, with full margins, 255 x 409mm (10 x 16in)(I) £3,750
US$ 6,303
€4,549
39 Robert Gibbings (Irish, 1889-1958) The Bather Wood-engaving printed in black, on oriental laid tissue, signed, titled and numbered '31/50' in pencil, with margins, 346 x 270mm (13 5/8 x 10 5/8in)(SH) unframed £1,375
US$ 2,311
€1,668
40 Edith Lawrence (British, 1890-1973) Winter in Charmouth; Near Swanage Two watercolours on paper, the first from 1931, each signed in pencil, 345 x 495mm (13 5/8 x 19 1/2in)(I) 2 £1,125
US$ 1,890
€1,364
43 Claude Flight (British, 1881-1955) Autumn Linocut printed in yellow ochre, vermilion, cobalt blue and emerald green, c.1926, on thin cream oriental laid, signed and numbered 9/50 in pencil, with margins, 245 x 296mm (9 7/8 x 11 6/8in)(B) £8,750
US$ 14,707
€10,615
45 Sybil Andrews, CPE (British/Canadian, 1898-1993) The Gale Linocut printed in permanent blue, spectrum red and black, 1930, on buff oriental laid tissue, signed, titled and numbered 20/50 in pencil, with margins, 210 x 246mm (8 1/4 x 9 7/8in) (B) £17,500
US$ 29,414
€21,230

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