The Grosvenor School and Avant-Garde British Printmaking
16 Apr 2013, starting at 14:00 BST.

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LOTS
 of 109
1 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Venice Night (Guichard 94) Etching printed with tone, c.1922, on laid, signed in pencil, with full margins, 139 x 175mm (5 1/2 x 7in) (PL) £2,250
US$ 3,781
€2,729
2 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Quartier Latin (Guichard 91) The rare drypoint, c.1927, a velvety impression with delicate tones and strong contrasts, on handmade laid, signed in pencil, from the edition of 40, with full margins, 351 x 249mm (13 7/8 x 9 7/8in)(PL) £4,375
US$ 7,353
€5,307
3 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Waterloo Bridge from a Savoy Window Etching with drypoint printed with tone, 1925, on laid, signed in pencil, from the edition of 75, with margins, 275 x 350mm (10 3/4 x 13 3/4in)(PL) unframed £27,500
US$ 46,222
€33,361
4 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Notre Dame, les Quais de Paris Etching printed with tone, 1931, on laid, signed in pencil, from the edition of 75, with full margins, 145 x 187mm (5 3/4 x 7 1/2in)(PL) £17,500
US$ 29,414
€21,230
5 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Greenwich Reach Etching, 1928, on watermarked laid, signed and dated in pencil, with margins, 150 x 225mm (5 7/8 x 8 7/8in)(PL) £11,250
US$ 18,909
€13,647
6 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Temples of New York Drypoint, 1919, a rich impression with burr and delicate plate tone, on cream F. J. Head & Co watermarked laid, signed in pencil, from an edition not exceeding 75, with margins, 201 x 150mm (8 x 6in)(PL) unframed £10,000
US$ 16,808
€12,131
7 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Roof Gardens Mezzotint, 1919, a richly inked impression, on cream F. J. Head & Co watermarked laid, signed in pencil, from the edition of 50, with full margins, 212 x 116mm (8 1/4 x 4 1/2in)(PL) unframed £5,625
US$ 9,454
€6,823
8 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Great White Way (Leicester Galleries 54) The rare lithograph, 1920, on laid, signed in pencil, also titled in pencil in lower margin, from the edition of 25, with margins, 503 x 305mm (19 3/4 x 12in)(I) £55,250
US$ 92,865
€67,026
10 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Swooping down on a Taube (Leicester Galleries 28) Lithograph, 1917, on Holbein wove, signed, dated and numbered 58 in pencil, from the edition of 200, as included in 'Building the Aircraft', printed by Ernest Jackson, published by the Stationary Office as part of the series 'The Great War: Britain's Efforts and Ideals', with margins, 400 x 298mm (15 7/8 x 11 3/4in)(I) unframed £6,000
US$ 10,084
€7,278
11 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Banking at 4000 feet (Leicester Galleries 23) Lithograph, 1917, a crisp impression with strong contrasts, on watermarked Holbein wove, signed, dated and numbered 17 in pencil, from the edition of 200, as included in 'Building the Aircraft', printed by Ernest Jackson, published by the Stationary Office as part of the series 'The Great War: Britain's Efforts and Ideals', with margins, 402 x 315mm (16 x 12 1/2in)(I) £61,250
US$ 102,950
€74,305
12 Edward Wadsworth (British, 1889-1949) Dazzled Ship in Drydock The rare woodcut, 1918, on wove, with margins, 128 x 218mm (5 x 8 1/2in)(B) £10,000
US$ 16,808
€12,131
13 Edward Wadsworth (British, 1889-1949) Modern Woodcutters 4 The rare book, 1921, comprising 14 woodcuts most likely from the original blocks, after the 1918-21 first editions, printed by the Morland Press Ltd., London, published by the Little Art Rooms, London, 258 x 192mm (10 x 7 3/4in)(overall) vol £1,250
US$ 2,101
€1,516
14 Paul Nash (British, 1889-1946) Das Rheingold Scene 1 (Postan W58) The rare woodcut, 1925, on laid japan, signed, dated, inscribed 'Gotterdämmerung' and numbered 3/12 in pencil, with full margins, 78 x 92mm (3 x 3 5/8in)(PL) £3,500
US$ 5,882
€4,246
15 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Column on the March Offset lithograph printed in colours, on thin wove, 1917, signed in pencil, published in 'Modern War: Paintings by C.R.W. Nevinson' by P.G. Konody, 148 x 182mm (5 7/8 x 7 1/4in)(I) £2,000
US$ 3,361
€2,426
16 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Banking at 4000 feet Offset lithograph printed in colours, 1918, on thin wove, signed in pencil, published in 'The Great War: Fourth Year' by J.E. Crawford Flitch, with full margins, 152 x 183mm (6 x 7 1/4in) (I) (unframed) £1,625
US$ 2,731
€1,971
19 Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) [Blanchisserie] Etching printed with tone, c.1922, a good impression, on F.J. Head & Co watermarked laid, signed in pencil, with margins, 232 x 190mm (9 1/4 x 7 1/2in)(PL) unframed £2,500
US$ 4,202
€3,032
20 Cyril Edward Power (British, 1872-1951) The Goods Siding Etching with drypoint, c. 1922, on thick wove, with rich burr and delicate plate tone, signed and inscribed 'del. et imp.' in pencil, numbered 4, further inscribed 'specimen special print' and 'No.1 Print 2 of state' in pencil, with wide margins, 150 x 225mm (5 7/8 x 8 7/8in)(PL) unframed £1,062
US$ 1,785
€1,288
21 Cyril Edward Power (British, 1872-1951) Marché au Beurre, Caen Drypoint printed with plate tone, on wove, signed, titled and numbered 13 in pencil, with margins, 251 x 225mm (10 x 8 7/8in)(PL) £625
US$ 1,050
€758
22 Cyril Edward Power (British, London 1872-1951) At Lavenham Linocut printed in black, c.1926, on buff oriental laid tissue, signed, inscribed 'sculpt et imp', titled and numbered 10/100 in pencil, with margins, 255 x 174mm (10 1/8 x 6 7/8in)(B)(unframed) £1,000
US$ 1,680
€1,213
23 Leonard Beaumont (British, 1891-1986) The Boat Express (I) Linocut printed in colours, 1934, on buff oriental laid, signed in pencil, with margins, 230 x 280mm (9 x 11in)(B) £5,250
US$ 8,824
€6,369
24 Leonard Beaumont (British, 1891-1986) To Hell With Tin Hats! Linocut printed in colours, 1934, a richly inked impression, on buff oriental laid, signed and titled in pencil, with margins, 203 x 253mm (8 x 10in)(B) £3,125
US$ 5,252
€3,791
26 Leonard Beaumont (British, 1891-1986) Marchers The rare linocut, 1932, one of only a few impressions, on thin oriental laid, signed in pencil, with margins, 126 x 90mm (5 x 3 1/2in)(B) unframed £1,125
US$ 1,890
€1,364
27 Leonard Beaumont (British, 1891-1986) Sun Bathers The rare linocut printed in red and pink, 1932, a bright and fresh impression, on white oriental laid, signed and numbered 11/14 in pencil, with full margins, 100 x 100mm (3 7/8 x 3 7/8in)(B) unframed £9,375
US$ 15,757
€11,373
29 Leonard Beaumont (British, 1891-1986) The Sower Linocut printed in colours, 1933, a good impression, one of only a few impressions, on thin oriental laid, signed in pencil, with full margins, 153 x 102mm (6 x 4in)(B) unframed £1,375
US$ 2,311
€1,668
30 Leonard Beaumont (British, 1891-1986) The Communist Pen, ink and watercolour on paper, c.1921-23, titled in ink, 159 x 123mm (6 1/4 x 4 7/8in)(SH) unframed £1,125
US$ 1,890
€1,364
32 Leonard Beaumont (British, 1891-1986) A Collection 'Mountain Stream' (Dickson 56), linocut in colours, 1932, on watermarked laid, with the stamped monogram verso, 103 x 101mm (4 x 4in)(B); 'Art Deco Horses Heads'(D.85), an end paper design, linocut on green coloured paper, 1935, 149 x 115mm (6 x 4 1/2in)(SH); 'Janus'(First Version)(D.46), linocut, 1930, on tissue thin wove, 126 x 87mm (5 x 3 3/8in)(B); 'New World'(D.78), linocut, 1935, on thin card, 140 x 134mm (5 1/2 x 5 1/4in)(SH); 'Christmas Card Design', (D.92), linocut, 1937, on thin card, 189 x 367mm (7 1/2 x 14 1/2in)(SH); together with an artist's book with linocut designs on outer boards, signed and inscribed in ink on the first page 'for Joyce R Hinsworth, from the Master of the City of Sheffield Art Crafts Guild with thanks for splendid services, Leonard Beaumont', July 25th 1936' 5 unframed, 1 vol £2,250
US$ 3,781
€2,729
34 Leonard Beaumont (British, 1891-1986) Sleeping Sailor The rare linocut printed in colours, 1931, a strong, vibrant impression, on white thin oriental laid, signed in pencil, with full margins, 90 x 126mm (3 1/2 x 5in)(B) unframed £7,750
US$ 13,026
€9,401
35 Andrew-Power (Sybil Andrews & Cyril Power) (British, 1898-1993 & 1872-1951) Aldershot Tattoo Lithographic poster printed in red and black, 1934, on thin wove, printed by Waterlow & Sons Ltd, London, commissioned by London Transport, 1000 x 610mm (39 3/8 x 24in)(SH) £8,750
US$ 14,707
€10,615
36 Edward Bawden R.A. (British, 1903-1989) Life Guards Autolithograph printed in colours, 1952/53, on wove, signed and titled in pencil, from the proposed edition of 50, printed by George Devenish at the RCA for the 'Coronation Year' exhibition at the Victoria & Albert Museum in 1953, 436 x 307mm (17 1/8 x 12 1/8in)(I) unframed £2,500
US$ 4,202
€3,032
37 Iain MacNab (British, 1890-1967) Back Gardens, Lisbon (Garrett 20) Wood engraving, 1959, on thin oriental laid, signed, titled and numbered 22/50 in pencil, with margins, 155 x 219mm (6 x 8 5/8in) (B) £3,750
US$ 6,303
€4,549
38 Iain MacNab (British, 1890-1967) The Wine Cask Lithograph printed in colours, c.1940, possibly a unique impression, on tissue thin japan, signed and titled in pencil, published by Warren Johns LTD, Teddington, with full margins, 255 x 409mm (10 x 16in)(I) £3,750
US$ 6,303
€4,549
39 Robert Gibbings (Irish, 1889-1958) The Bather Wood-engaving printed in black, on oriental laid tissue, signed, titled and numbered '31/50' in pencil, with margins, 346 x 270mm (13 5/8 x 10 5/8in)(SH) unframed £1,375
US$ 2,311
€1,668
40 Edith Lawrence (British, 1890-1973) Winter in Charmouth; Near Swanage Two watercolours on paper, the first from 1931, each signed in pencil, 345 x 495mm (13 5/8 x 19 1/2in)(I) 2 £1,125
US$ 1,890
€1,364
43 Claude Flight (British, 1881-1955) Autumn Linocut printed in yellow ochre, vermilion, cobalt blue and emerald green, c.1926, on thin cream oriental laid, signed and numbered 9/50 in pencil, with margins, 245 x 296mm (9 7/8 x 11 6/8in)(B) £8,750
US$ 14,707
€10,615
45 Sybil Andrews, CPE (British/Canadian, 1898-1993) The Gale Linocut printed in permanent blue, spectrum red and black, 1930, on buff oriental laid tissue, signed, titled and numbered 20/50 in pencil, with margins, 210 x 246mm (8 1/4 x 9 7/8in) (B) £17,500
US$ 29,414
€21,230
46 Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour Linocut printed in Chinese orange, Chinese blue and black, 1930, a vivid impression, on thin cream oriental laid, signed, titled and numbered 30/50 in pencil, with margins, 209 x 251mm (8 1/4 x 9 7/8in)(B) £20,000
US$ 33,616
€24,263
47 Claude Flight (British, 1881-1955) Street Singers The rare linocut printed in yellow ochre, cobalt blue, vermilion and black, 1925, a richly inked impression, on thin cream oriental laid, signed and numbered 10/50 in pencil, additionally inscribed and annotated '£3.30' in pencil on a label pasted to sheet in lower margin, with margins, 312 x 262mm (12 3/8 x 10 3/8in)(B) £79,250
US$ 133,204
€96,142
48 Claude Flight (British, 1881-1955) Speed Linocut printed in cobalt blue, yellow ochre, vermilion and Prussian blue, 1922, on off-white oriental laid tissue, signed and numbered 28/50 in pencil, inscribed 'Peggy Owen from Claude Flight May 21.27' in pencil on the reverse of the frame, 226 X 288mm (8 7/8 x 11 3/8in)(B) £12,500
US$ 21,010
€15,164
49 Cyril Edward Power (British, London 1872-1951) Whence & Whither? Linocut printed in Chinese orange, viridian, permanent blue and dark blue, c.1930, on buff oriental laid tissue, signed, titled and numbered 16/50 in pencil, with margins, 310 x 240mm (12 1/8 x 9 3/8in)(B) £97,250
US$ 163,459
€117,978
50 Cyril Edward Power (British, London 1872-1951) Tube Station (Coppel CEP 32) Linocut printed in yellow ochre, spectrum red, permanent blue, viridian and Chinese blue, c.1932, a good impression, on buff oriental laid tissue, signed, titled and numbered 60/60 in pencil, with margins, 258 x 295mm (10 x 11 5/8in)(B) £61,250
US$ 102,950
€74,305
53 Sybil Andrews, CPE (British/Canadian, 1898-1993) Skaters Linocut printed in spectrum red, viridian, permanent blue and ivory black, 1953, on buff oriental laid, signed, titled and numbered 52/60 in pencil, with margins, 204 x 380mm (8 x 15in)(B) £20,000
US$ 33,616
€24,263
54 Lill Tschudi (Swiss, 1911-2001) Ice Hockey Linocut printed in black, green and greyish beige, 1933, a strong and vibrant impression, on off-white oriental laid, signed, numbered 41/50 and inscribed 'Handprint' in pencil, with margins, 260 x 280mm (10 1/4 x 11in)(B) £15,000
US$ 25,212
€18,197
55 Lill Tschudi (Swiss, 1911-2001) Just Off, or The Start of the Race Linocut printed in brown, orange and beige, 1932, a richly inked impression, on oriental laid tissue, signed, titled and numbered 17/50 in pencil, with margins, 200 x 260mm (7 7/8 x 10 1/4in)(B)(unframed) £9,375
US$ 15,757
€11,373
57 Lill Tschudi (Swiss, 1911-2001) Chinese Jugglers (Coppel LT 36) The rare linocut printed in viridian, yellow ochre and light brownish purple, 1934, an excellent impression, one of only a few colour variants within the edition of 50, on thin off-white oriental laid, signed and numbered 27/50 in pencil, with margins, 230 x 331mm (9 x 13in)(B) £15,000
US$ 25,212
€18,197
58 Cyril Edward Power (British, London 1872-1951) Tennis Linocut printed in permanent blue, c.1933, on buff oriental laid tissue, a trial proof from the first block before the published edition of 60 printed in chrome yellow, spectrum red and permanent blue, with margins, 182 x 266mm (7 1/4 x 10 1/2in)(B) £6,000
US$ 10,084
€7,278
59 Lill Tschudi (Swiss, 1911-2001) Ski-joring Linocut printed in black, conceived 1937, from the second edition printed in 1992 to accompany the deluxe edition of the catalogue 'Linocuts of the Machine Age', signed, titled, inscribed 'Handprint' and numbered 'XVIII/XXX' in pencil, with full margins, 318mm (12 3/8in)(B diameter), the print loose as issued in the original black linen-covered portfolio, together with a copy of the catalogue raisonné 'Linocuts of the Machine Age: Claude Flight and the Grosvenor School' by Stephen Coppel, published in 1995 by Scolar Press, the book signed by Lill Tschudi in blue ink, additionally signed by Stephen Coppel and numbered 'XVIII/XXX' in black felt-tip pen unframed & Vol £1,875
US$ 3,151
€2,274
60 Various Artists Three Volumes 'Linocuts of the Machine Age: Claude Flight and the Grosvenor School' by Stephen Coppel, a catalogue raisonné published in 1995 by Scolar Press, with the original dustcover; 'The Art of Lino Cutting and Printing' by Claude Flight, published in 1934 by Batsford; 'Linocuts, Cyril Edward Power 1872-1951, Catalogue X', an exhibition catalogue published in 1989 by the Redfern Gallery 3 £437
US$ 735
€530
61 Gary Ratushniak (Canadian, born 1957) Protest March Linocut printed in colours, 2012, on japanese mulberry, signed, titled and numbered 7/80 in pencil, additionally signed, titled, numbered and inscribed 'Hand Print' in lower margin, with margins, 213 x 278mm (8 3/8 x 10 7/8in) (B) (unframed) £1,125
US$ 1,890
€1,364
62 Gary Ratushniak (Canadian, born 1957) Swimmers Linocut printed in colours, 2012, on japanese mulberry, signed, titled, numbered 22/80 and inscribed 'Hand Print' in pencil, with margins, 328 x 140mm (12 7/8 x 5 1/2in) (B) (unframed) £1,625
US$ 2,731
€1,971
63 Gary Ratushniak (Canadian, born 1957) High Dive Linocut printed in colours, 2012, on japanese mulberry, signed, titled, numbered 3/80 in pencil, additionally signed, titled, numbered and inscribed 'Hand Print' in left margin, with margins, 390 x 211mm (15 3/8 x 8 3/8in) (B) (unframed) £1,750
US$ 2,941
€2,123
64 Gary Ratushniak (Canadian, born 1957) Umbrellas Linocut printed in colours, 1996, on japanese mulberry, signed, titled and numbered 33/60 in pencil, additionally signed, titled, numbered and inscribed 'Hand Print' in lower margin, with margins, 372 x 271mm (14 5/8 x 10 5/8in) (B) (unframed) £5,625
US$ 9,454
€6,823
65 Sybil Andrews, CPE (British/Canadian, 1898-1993) Deposition Linocut printed in raw sienna, spectrum red, cobalt blue and Chinese blue, 1932, a good impression, on buff oriental laid tissue, signed, titled and numbered 12/60 in pencil, with margins, 123 x 350mm (4 7/8 x 13 3/4in)(B) £6,000
US$ 10,084
€7,278
66 Sybil Andrews, CPE (British/Canadian, 1898-1993) Jesus Falls the First Time: Station III Linocut printed in brown, viridian, Payne's grey and ivory black, 1962, on buff oriental laid tissue, signed and numbered 7/60 in pencil, with margins, 307 x 295mm (12 x 11 5/8in)(B) £3,750
US$ 6,303
€4,549
67 Cyril Edward Power (British, 1872-1951) Monseigneur St Thomas Linocut printed in light yellow ochre, transparent golden ochre, spectrum red, permanent blue and Chinese blue, 1931, an early impression, on buff oriental laid tissue, signed, titled and numbered 10 in pencil, from the edition of 60, with margins, 354 x 280mm (14 x 11in)(B) £8,750
US$ 14,707
€10,615
70 Sybil Andrews CPE (British/Canadian, 1898-1992) The Winch Linocut printed in Chinese orange, viridian, and dark blue, 1930, a vivid impression, on buff oriental laid tissue, signed, titled and inscribed 'E.P.5' in pencil, an experimental proof before the numbered edition of 50, with margins, 184 x 284mm (7 1/4 x 11 1/4in)(B) £22,500
US$ 37,818
€27,295
71 Sybil Andrews, CPE (British/Canadian, 1898-1993) Sledgehammers (Coppel SA 26) Linocut printed in spectrum red, viridian and Chinese blue, 1933, a richly inked impression, on buff oriental laid tissue, signed, titled and numbered 24/60 in pencil, with margins, 202 x 228mm (8 x 9in) (B) £27,500
US$ 46,222
€33,361
73 Sybil Andrews, CPE (British/Canadian, 1898-1993) Hauling (Coppel SA 50) Linocut printed in raw sienna, alizarin crimson, permanent blue and ivory black, 1952, on buff oriental laid tissue, signed, titled and numbered 7/60 in pencil, with margins, 265 x 316mm (10 1/2 x 12 1/2in)(B) unframed £9,375
US$ 15,757
€11,373
74 Sybil Andrews, CPE (British/Canadian, 1898-1993) Day's End Linocut printed in raw sienna, crimson, permanent blue, Chinese blue and ivory black, 1961, on oriental laid tissue, signed and numbered 42/60 in pencil, additionally signed and inscribed 'T.P.3' in pencil in lower margin, with a larger triangular compositional element in the ivory black block at upper right, with margins, 275 x 260mm (10 3/4 x 10 1/4in)(B) £8,125
US$ 13,656
€9,856
75 Sybil Andrews, CPE (British/Canadian, 1898-1993) Market Day Linocut printed in ochre, spectrum red, viridian, permanent blue and Chinese blue, 1936, on buff oriental laid tissue, signed, titled and numbered 24/60 in pencil, with margins, 280 x 336mm (11 x 13 1/4in)(B) £11,250
US$ 18,909
€13,647
76 Sybil Andrews, CPE (British/Canadian, 1898-1993) Flower Girls (Coppel SA 28) Linocut printed in chrome yellow, spectrum red, permanent blue and Chinese blue, 1934, on oriental laid tissue, signed, titled and numbered 14/60 in pencil, with margins, 240 x 218mm (9 1/2 x 8 1/2in) (B) £12,500
US$ 21,010
€15,164
77 Sybil Andrews CPE (British/Canadian, 1898-1992) In Full Cry Linocut printed in Chinese orange, spectrum red and Prussian blue, 1931, a richly inked impression with a dense application of Prussian blue, on oriental laid tissue, signed, titled and numbered 46/50 in pencil, with margins, 290 x 420mm (11 3/8 x 16 1/2in)(B) £15,000
US$ 25,212
€18,197
78 Sybil Andrews CPE (British/Canadian, 1898-1992) Steeplechasing (Coppel SA 10) Linocut printed in Chinese orange, alizarin purple madder and Prussian blue, 1930, on buff oriental laid tissue, signed, titled and numbered 32/50 in pencil, with margins, 175 x 272mm (6 7/8 x 10 3/4in)(B) £12,500
US$ 21,010
€15,164
79 Sybil Andrews, CPE (British/Canadian, 1898-1993) Racing (Coppel SA 32) Linocut printed in Chinese orange, spectrum red, viridian and Chinese blue, 1934, on buff oriental laid tissue, signed, titled and numbered 17/60 in pencil, with margins, 260 x 343mm (10 1/4 x 13 1/2in) (B) £46,850
US$ 78,746
€56,836
80 Sybil Andrews, CPE (British/Canadian, 1898-1993) Speedway Linocut printed in raw sienna, Venetian red, permanent blue, Chinese blue, 1934, a good impression, on cream oriental laid, signed, dated and numbered 24/60 in pencil, with margins, 326 x 233mm (12 3/4 x 9 1/8in)(B) £79,250
US$ 133,204
€96,142
81 Cyril Edward Power (British, London 1872-1951) Speed Trial Linocut printed in viridian, permanent blue and Chinese blue, a strong and vibrant impression, on buff oriental laid tissue, signed, titled and numbered 7/60 in pencil, additionally signed in lower margin, with margins, 196 x 375mm (7 3/4 x 14 3/4in)(B) £73,250
US$ 123,120
€88,863
82 Cyril Edward Power (British, London 1872-1951) The Giant Racer Linocut printed in viridian, light cobalt blue, spectrum red and dark blue, c.1930, on buff oriental laid tissue, signed, titled and numbered 24/50 in pencil, with margins, 275 x 195mm (10 7/8 x 7 5/8in)(B) £25,000
US$ 42,020
€30,328
83 Lill Tschudi (Swiss, 1911-2001) Rumba Band I Linocut printed in dark crimson, black brown and pink, 1935, an early, richly inked impression, on thin cream oriental laid, signed and numbered 6/50 in pencil, additionally titled an inscribed 'Handdruck' in pencil in lower margin, with margins, 256 x 303mm (10 x 12in) (B) (unframed) £34,850
US$ 58,576
€42,278
84 Lill Tschudi (Swiss, 1911-2001) Rumba Band II Linocut printed in dark blue, red and orange beige, 1936, a richly inked and crisp impression, on white oriental laid, signed, numbered 22/50 and inscribed 'Handdruck' in pencil, additionally titled in pencil in lower margin, with margins, 258 x 278mm (10 1/8 x 10 7/8in) (B)(unframed) £15,000
US$ 25,212
€18,197
85 Lill Tschudi (Swiss, 1911-2001) Concert II The rare linocut printed in black, violet, light brown and grey, 1948, a richly inked impression, on thick oriental, signed, numbered 14/50 in pencil and inscribed 'Handdruck' in white pencil, additionally signed, titled and dated in pencil in lower margin, 310 x 250mm (12 1/4 x 10in)(B)(unframed) £25,000
US$ 42,020
€30,328
86 Lill Tschudi (Swiss, 1911-2001) Musicians Linocut printed in black, yellow and purple, 1949, a good early impression, on thin off-white oriental laid, signed and numbered 8/50 in pencil, with margins, 220 x 318mm (8 5/8 x 12 1/2in) (B) £5,000
US$ 8,404
€6,065
88 Lill Tschudi (Swiss, 1911-2001) The Flirt (Coppel LT 14) Linocut printed in light burnt sienna, mauve and yellow, 1930, one of only a few known existing proofs, on oriental laid tissue, signed and numbered 1/50 in pencil, further titled and inscribed 'Meine Schwester, best' in pencil in the lower margin, with margins, 188 x 162mm (7 3/8 x 6 3/8in)(B) £6,250
US$ 10,505
€7,582
89 Lill Tschudi (Swiss, 1911-2001) Waiters (Coppel LT 47) Linocut printed in dark blue, light blue and reddish brown, 1936, a strong and vibrant impression, on thin white oriental laid, signed and numbered 22/50 in pencil, with margins, 278 x 262mm (10 7/8 x 10 1/4in)(B) £18,750
US$ 31,515
€22,746
90 Lill Tschudi (Swiss, 1911-2001) Village Fair II (Coppel LT 79) Linocut printed in crimson, cerulean blue, black and grey, 1948, on buff oriental laid tissue, signed and numbered 18/50 in pencil, additionally signed, titled and inscribed in German in lower margin, with margins, 345 x 180mm (13 1/2 x 7in)(B)(unframed) £11,250
US$ 18,909
€13,647
91 Dame Eileen Mayo (British, 1906-1994) Ice Cream Cart Linocut printed in colours, c.1930, on oriental tissue, signed, titled and numbered 3/30 in pencil, with margins, 307 x 212mm (12 1/8 x 8 3/8in)(B) unframed £2,250
US$ 3,781
€2,729
92 Margaret Barnard (British, 1900-1992) Sun Bathers Linocut printed in colours, on oriental laid tissue, signed and numbered 15/50 in pencil, with margins, 220 x 250mm (8 5/8 x 9 7/8in)(B) £875
US$ 1,470
€1,061
94 Ursula Fookes (British, 1906-1991) Building on a river Linocut printed in black, on tissue thin japan, signed in pencil, with margins, 145 x 190mm (5 3/4 x 7 1/2in) (B); together with the preparatory pencil study, on tracing paper, inscribed in pencil, 175 x 225mm (7 x 9in)(SH)(2) unframed £1,250
US$ 2,101
€1,516
95 Ursula Fookes (British, 1906-1991) Shakespeare Memorial Theatre 1930 Linocut printed in black, 1930, on tissue thin wove, signed in pencil, with margins, 135 x 165mm (5 3/8 x 6 1/2in)(B); together with the original pencil preparatory drawing and the watercolour study, each inscribed in pencil, various sizes (3) unframed £1,750
US$ 2,941
€2,123
96 Ursula Fookes (British, 1906-1991) Alpine Village Linocut printed in dark purple, pink, lilac and blue, c.1930, on japan, signed and numbered 3/25 in pencil, with margins, 277 x 178mm (10 7/8 x 7in)(B) £2,750
US$ 4,622
€3,336
97 Ursula Fookes (British, 1906-1991) Poplar Trees and Telegraph Poles Linocut printed in blue, brown, dark green and light green, on oriental tissue, signed in pencil, with margins, 205 x 153mm (8 1/8 x 6in)(B) unframed £2,250
US$ 3,781
€2,729
98 Ursula Fookes (British, 1906-1991) Liner The rare linocut printed in blue, green and purple, a richly inked trial proof, on oriental laid tissue, with margins, 140 x 140mm (5 1/2 x 5 1/2in)(B) £37,250
US$ 62,610
€45,189
100 Ursula Fookes (British, 1906-1991) Waiters Watercolour and pencil on paper, a study for the linocut, inscribed in pencil, with margins, 270 x 185mm (10 5/8 x 7 1/4in)(SH) £1,250
US$ 2,101
€1,516
102 Ursula Fookes (British, 1906-1991) Viaduct Linocut printed in yellow, green and dark blue, on tissue thin japan, signed in pencil, with margins, 235 x 165mm (9 1/4 x 6 1/2in) (B); together with two preparatory studies in watercolour and pencil, each inscribed in pencil, various sizes (3) unframed £4,750
US$ 7,983
€5,762
104 Ethel Spowers (Australian, 1890-1947) The Island of the Dead Linocut printed in blue-green, greyish blue, green, black and reddish brown, 1927, a richly inked impression, on thin white oriental laid, signed, titled 'The Island' and dated in pencil, with the artist's tablet monogram, with margins, 190 x 275mm (7 1/2 x 9 3/4in)(B) £31,250
US$ 52,525
€37,910
105 Ethel Spowers (Australian, 1890-1947) The Rain Cloud Linocut printed in yellow ochre, viridian, black and mauve, 1931, on buff oriental laid tissue, signed, titled, dated and numbered 20/30 in pencil, with margins, 207 x 266mm (8 1/8 x 10 1/2in)(B) £49,250
US$ 82,780
€59,747
107 Ethel Spowers (Australian, 1890-1947) The Junior Red Cross Works in Every Land Offset lithograph printed in colours, after a linocut, 1941, on wove, from the edition of 300, printed by McLaren & Co, Melbourne, commissioned by the Australian Red Cross Society, Melbourne, with full margins, 251 x 418mm (9 1/2 x 16 1/2in)(I) £625
US$ 1,050
€758
109 Ethel Spowers (Australian, 1890-1947) The Giant Stride (Coppel ES 23) The rare linocut printed in yellow ochre, reddish brown, viridian and cobalt blue, 1932-3, an early impression with strong colours, on buff oriental laid tissue, signed, dated '1933' and numbered 2/50 in pencil, with margins, 260 x 353mm (10 1/4 x 14in)(B) £85,250
US$ 143,289
€103,421
109A Ethel Spowers (Australian, 1890-1947) Wet Afternoon Linocut printed in grey, reddish brown, emerald green and cobalt blue, 1929, a good impression, on buff oriental laid, signed, titled dated and numbered 13/50 in pencil, with margins, 238 x 203mm (9 3/8 x 8in)(B) £34,850
US$ 58,576
€42,278

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