Attributed to Qiu Ying (ca.1494-1552) Lifting the Overturned Alms-bowl
Lot 220
Attributed to Qiu Ying (ca.1494-1552) Lifting the Overturned Alms-bowl
Sold for HK$ 137,500 (US$ 17,727) inc. premium

Lot Details
Attributed to Qiu Ying (ca.1494-1552) Lifting the Overturned Alms-bowl Attributed to Qiu Ying (ca.1494-1552) Lifting the Overturned Alms-bowl Attributed to Qiu Ying (ca.1494-1552) Lifting the Overturned Alms-bowl
Attributed to Qiu Ying (ca.1494-1552)
Lifting the Overturned Alms-bowl
Ink and colour on silk, handscroll
Bearing one seal of the artist and four seals of the collectors
Frontispiece 26cm x 63.5cm (10¼in x 25in),
Painting 27.5cm x 104cm (10¾in x 41in) and
Colophon 28cm x 95cm (11in x 37¼in).

Footnotes

  • Provenance: private collection, Hong Kong

    明 仇英(傳) 揭鉢圖 設色絹本 手卷

    鈐印:仇英之印
    藏印:用弧私印、梁用弧印、佽侯、祖香過眼

    引首:揭缽圖
    鈐印:文點
    藏印:江上笪氏圖書印、滕花亭玩古之章

    跋尾:
    〈文嘉〉
    揭鉢圖,李公麟伯時所造,云有二本,一白描一著色。白描本,聞天曆時入內府。著色本,曾入天全翁收藏,後歸石田先生處。先待詔每過有竹居,必索觀為賞,嘖嘖稱羨弗置。此卷係實父真蹟,設色布置,經營慘淡,奇奇怪怪,各臻其妙。尚卿兄出示,真洞心駭目,非近時畫工所能得其髣髴也。雖龍瞑復生,無以踰此。又恨先待詔不及一見之也。隆慶三年(1569)元旦,焚香盥手謹書。文嘉休承甫記。
    是日有禁,不得賀節,明窗淨几,展玩數四甚樂。嘉又記。
    鈐印:文嘉之印、文氏休承、停雲
    藏印:用觚、此口祗宜飲酒

    〈吳三錫〉
    揭鉢圖摹本極多。曾於沈清臣家,見錢舜舉白描本。又於王貽上案頭,見朱璧設色摹本,乃其友人徐介園所藏,貽上題古詩一首,余亦跋數語於後。此卷乃仇實父真跡,神彩飛動,毫髮不苟,真妙品也。向藏錢秋田家,秋田官淮上,攜以自隨。余入都往訪之,出此卷相示。值暮秉燭展玩良久,舟子促解維,不果題識。茲來錢唐,簣山同年忽出此卷索題,余奇而詢之,乃知簣山與秋田為中表至戚,簣山好此,以文待詔《烹茶圖》與秋田易得者。昔米顛嘗以書畫與人相易,使案頭改觀,簣山與秋田可謂同此癖矣。
    順治丁酉(1657)秋八月之望,槜李吳三錫識於西湖昭慶寺。
    鈐印:吳三錫印、小樓船書屋

    〈秦鴻、陳奕禧等人〉
    無錫秦鴻同、海寧陳奕禧、天台阮學海、山陰何焜,觀於西湖舟次,時康熙甲午(1714)暮春九日。

    〈鄔湜〉
    康熙辛丑(1721)穀日,廬陵鄔湜觀於泉州旅舍。
    鈐印:明順
    藏印:順德梁大、藤花亭鑑藏書畫之章、馮建昌印、梁用弧印、黃祖香號花奴

    〈陳用光、林則徐等人〉
    嘉慶丙子(1816)十二月十九日新城陳用光、長樂梁章鉅、陽湖劉嗣綰、吳縣董國華、順德黃玉衡、侯官林則徐、莆田郭尚先同觀。

    〈郭尚先〉
    越八年(1824),拜坡公生日,於小雪浪齋獲觀重記,郭尚先。

    來源:香港私人收藏

    註:
    文嘉(1501-1583),字休承,號文水,明湖廣衡山人,文徵明仲子,吳門派代表畫家。
    吳三錫(清),字師中,號秋邨,無錫(今江蘇蘇州)人。少從鄭迂谷廷陽學,遂以書名,尤工小楷。購藏漢、唐碑版及名人遺跡甚多。載《中國美術家人名辭典》,上海人民美術出版社,2006年,頁275。
    梁用弧(1874-1918後),字次侯,順德人,光緒戊戌翰林。

Saleroom notices

  • 註:浙江省博物館藏元代朱玉〈揭缽圖卷〉(白描本),與拍品220的構圖和尺幅均十分相似,具體可參考《浙江省博物館典藏大系:丹青萬象》,浙江古籍出版社,2008年,頁83-86。
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