An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890
Lot 59
An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890
Sold for HK$ 125,000 (US$ 16,115) inc. premium

Lot Details
An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890 An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890 An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890 An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890 An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle Yangzhou, 1870-1890
An inscribed cinnabar-red and turquoise-blue glass overlay 'Zhong Kui' snuff bottle
Yangzhou, 1870-1890
Sold with accompanying watercolour by Peter Suart
6.3cm high.

Footnotes

  • Treasury 5, no. 1023

    藍地套漆紅玻璃鍾馗出巡圖鼻煙壺
    揚州, 1870~1890

    A cinnabar-red glass-overlay 'Zhong Kui' snuff bottle

    Opaque cinnabar-red and translucent turquoise-blue glass; with a flat lip and recessed, slightly convex foot surrounded by a protruding flattened footrim; carved as a single overlay with a continuous procession scene with Zhong Kui seated on a donkey holding a folding fan, beside Laozi on a water buffalo, with seven demons, one playing a trumpet, two carrying a shoulder-pole between them from which hang two stacked baskets, another carrying a mirror on a stand, one with what appears to be a flower growing out of the top of his head, another holding a covered box, while the last carries a lantern on a pole; inscribed in relief seal script Li shi Yunting zuo ('made by Yunting of the Li family')
    Yangzhou, 1870 – 1912
    Height: 6.3 cm
    Mouth/lip: 0.60/1.49 cm
    Stopper: carnelian; vinyl collar

    Condition: Small nibbles to inner lip, one tiny chip to outer lip; some minor wear to the cinnabar red on the demon on one side; footrim with chip in outer edge about 2 mm square

    Illustration: watercolour by Peter Suart

    Provenance:
    Gerd Lester (1986)

    Published:
    Kleiner, Yang, and Shangraw 1994, no. 132
    Treasury 5, no. 1023
    Moss and Sargent 2011, p. 25, fig. 37, right middle

    Exhibited:
    Hong Kong Museum of Art, March-June 1994
    National Museum, Singapore, November 1994-February 1995

    The writing of the courtesy name Yunting here is the form that caused this patron to be called 'Li Junting' in our earlier publications on the Yangzhou school of glass overlay. See Sale 3, lot 92 for the standard way of writing his courtesy name. We now know that Yunting was the courtesy name of Li Peisong, who moved from his native Dantu to Yangzhou around 1870 and, with his brother Li Peizhen (Weizhi), had several glass-overlay snuff bottles made bearing dates (when dated) from 1877 to 1881. Li Peisong was an official (perhaps by purchase), a businessman, and a philanthropist. He was not a glassmaker; the inscription here indicates that he caused the bottle to be made. For details on the Li brothers, see Moss and Sargent 2011.

    While standard for a wide range of Yangzhou carvings of the painterly relief style, this bottle falls below the standards set by the finest the bottles made for Li Peisong. Interestingly, the bottle illustrated by Perry 1960, p. 50, no. 19, and dated 1882, only three years after Sale 1, lot 119, is not only very similar in style and quality, but of the same colour combination as this one. (Note that in our commentary to that bottle, we still had not realized that Li Yunting and Li Weizhi were not the same person. By the time we wrote the commentary to Sale 2, lot 141, the distinction had been discovered.)

    Having been mildly disparaging about this obvious masterpiece, let us turn our attention to its many finer points. The subject matter, although not unique for the school, is rare and quite delightful, featuring a team of well-trained demons performing menial tasks for their master, Zhong Kui. Another sign of the high quality of this bottle is reasonably good control of the overlay colour on the footrim, which, while appearing faultless on the outside, bleeds into the foot inside the footrim. The footrim here is also well controlled, but not to the same degree as the best made for the Li brothers (see Sale 2, lot 76). The composition is well balanced and powerful, with confident use of a strong contrast in colours, and employing demons to replace the usual handles is a delightful feature.

    藍地套漆紅玻璃鍾馗出巡圖鼻煙壺

    透光綠松石藍色地套不透亮漆紅料;平唇、微凸斂底,突出弄平的圈足; 刻通體鍾馗 、老子、鬼一列行進,壺腹下部有"李氏均亭作"篆款
    揚州, 1870 – 1912
    高﹕ 6.3 厘米
    口徑/唇徑: 0.60/1.49 厘米
    蓋﹕ 紅白玉髓; 乙烯基座

    狀態敘述:唇內沿呈細小咬痕,外沿有一微小缺口,一面的漆紅鬼呈現微不足道的損耗,圈足外緣有平方2毫米的缺口

    帶有彼德小話 (Peter Suart) 水彩畫

    來源:
    Gerd Lester (1986)

    文獻﹕
    Kleiner, Yang, and Shangraw 1994, 編號 132
    Treasury 5, 編號 1023
    Moss and Sargent 2011, 頁 25, 圖 37, 右中

    展覽﹕
    香港藝術館,1994年3月~6月
    National Museum of Singapore,1994年11月~1995年2 月

    均,韻古字也,韻亭,丹徒人李培松之字。李培松和他的兄弟李培楨(維之)約1870年遷居揚州,兩人1877年~1881年間使人作套料鼻煙壺,大概是在揚州作的。參見第三場拍賣會,拍賣品號 92 。及 Moss and Sargent 2011。
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