Georges Braque (French, 1882-1963) La Théière aux Raisins Aquatint printed in colours, c.1950, on wove, signed and numbered 109/200 in pencil, printed by Lacourière, Paris, published by Maeght, Paris, 340 x 595mm (13 3/8 x 23 3/8in)(PL)
Georges Braque (French, 1882-1963) Still Life with Lemons and Pipe Collotype printed in colours, c.1950, on Arches, signed and numbered 257/300 in pencil, published by Guy Spitzer, Paris, with his blindstamp, 463 x 575mm (18 1/4 x 22 5/8in)(SH) unframed
Joan Miró (Spanish, 1893-1983) The Foreign Woman (L'Etrangère) Lithograph printed in colours, 1958, on Arches, signed and numbered 57/75 in pencil, printed by Mourlot, Paris, published by Maeght, Paris, with margins, 605 x 435mm (34 3/4 x 17 1/8in)(I)
Salvador Dali (Spanish, 1904-1989) Group of Dali Prints Five lithographs printed in colours: 'A Miserable Flat' from the series 'Three Plays by the Marquis de Sade', 1969, numbered XII/XC, a proof aside from the edition of 160, 'La Femme Cheval' from the series 'Les Chevaux Daliniens', 1970-72, inscribed 'EA', a proof aside from the edition of 250, three from the Carmen series, 1970, 'Harpist, Symbol of Carmen's Love', numbered X/CXXV, 'Lillas Pastia's Tavern', numbered X/CXXV, 'Smugglers' Meeting', numbered X/CXXV, proofs aside from the edition of 125, all on Arches, each signed and numbered in pencil, 650 x 530mm (25 5/8 x 20 7/8in)(SH) 5 unframed
Various Artists Derrière le Miroir- Nos 133-4, 154, 158-159 & 162 Four portfolios, 1963-1967, on Rives and Lana, containing lithographic reproductions after Bacon, Kandinsky, Toulouse-Lautrec, Vuillard, Bonnard, Seurat and others, text and justification pages, each variously numbered from the deluxe edition of 150, volume 158-159 from the deluxe edition of 250, published by Maeght Editeur, Paris, loose as issued in original boards and slipcase, each 380 x 280mm (15 x 11in)(vol)
Alexander Calder (American, 1898-1976) Derrière le Miroir- Nos 141, 156, 173, 201 & 221 Five portfolios, 1963-1976, on various wove papers, containing 30 lithographs and lithographic reproductions, text and justification pages, four volumes signed in pencil on the justification, each variously numbered from the deluxe edition of 150, published by Maeght Editeur, Paris, loose as issued in original boards and slipcase, each 380 x 280mm (15 x 11in) 5 vol
David Hockney R.A. (British, born 1937) White Porcelain, from the 'Moving focus' Series Lithograph, etching and aquatint printed in colours, 1985-86, on handmade paper, signed and dated in pencil, a proof aside from the edition of 80, published by Tyler Graphics, Los Angeles, with their blindstamp, with full margins, 476 x 559mm (18 3/4 x 22in)(SH) unframed
Richard Hamilton (British, 1922-2011) Bronze by Gold Aquatint printed in colours, 1985-87, on BFK Rives, signed, titled and numbered 115/120 in pencil, published by Waddington Graphics, London, 525 x 430mm (20 5/8 x 16 7/8in)(PL)
After Andy Warhol (American, 1928-1987) Greta Garbo: The Kiss - Midnight - The Divine The complete set of six screenprints in colours, 1989, each on wove, each signed by the printer 'Rupert Jasen Smith' and numbered 7/125 in pencil, printed by Rupert Jasen Smith, New York, published by Galerie Börjeson, Malmö, each with full margins, 1009 x 865mm (43 x 34in)(SH)(6)
Gerhard Richter (German, born 1932) Seestück (Gegenlicht) Offset lithograph printed in colours, 1991, on thin wove, signed in pencil, published by Achenbach Art Editions, Düsseldorf, 899 x 700mm (35 3/8 x 27 1/2in)(SH)(unframed)next page
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