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1
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Albrecht Dürer (German, 1471-1528) Christ Among the Doctors, from The Life of the Virgin Woodcut, c.1503, before the Latin text edition of 1511, with a high crown watermark, on laid, with thread margins, 298 x 210mm (11 7/8 x 8 1/4in)(PL)
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£3,250
US$ 4,924
€3,827
|
|
2
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Albrecht Dürer (German, 1471-1528) The Annunciation, from The Life of the Virgin Woodcut, c.1503, before the Latin text edition of 1511, possibly a meder b impression, with a gap in the lower border and scratches in lower shading, a high crown watermark, on laid, with narrow margins, 298 x 211mm (11 7/8 x 8 3/8in)(PL)
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£4,000
US$ 6,061
€4,710
|
|
3
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Albrecht Dürer (German, 1471-1528) The Circumcision of Christ, from The Life of the Virgin Woodcut, 1505, before the Latin edition of 1511, possibly a meder b/c impression, with a 10mm gap in lower border, a small crest watermark, on laid, 296 x 210mm (11 5/8 x 8 1/4in)(B)
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£1,875
US$ 2,841
€2,208
|
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4
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Albrecht Dürer (German, 1471-1528) The Adoration of the Magi Woodcut, 1511, possibly a meder a/b impression, with a short crack below the robe of the kneeling king, a High Crown watermark, on laid, 295 x 217mm (11 5/8 x 8 1/2in)(B)
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£6,250
US$ 9,470
€7,360
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7
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Antonio Canaletto (Italian, 1697-1768) Le Procuratie Niove e San Ziminian V Etching, the first state of two (A), c.1740, with 'A Canal f.' and the title under the image, on thick laid, with small margins, 144 x 210mm (5 5/8 x 8 1/4in)(PL), together with another by Bernardo Bellotto of a bridge, on laid, with small margins, 145 x 203mm (5 3/4 x 8in)(PL) 2
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£4,375
US$ 6,629
€5,152
|
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9
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Adoration of the Shepherds: A Night Piece Etching, c.1652, a late impression of the eighth and final state, on laid, trimmed to platemark, 149 x 198mm (5 4/5 x 7 3/4in)(PL), together with two others, 'The Tribute Money' (B68), c.1635, 73 x 103mm (PL), and 'The Stoning of St Stephen' (B97), c.1635, 95 x 85mm(PL), both later impressions, both on laid with narrow margins 3 unframed
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£1,062
US$ 1,609
€1,251
|
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10
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Strolling Musicians Etching, 1635, first state of two, on laid, trimmed to platemark, 140 x 115mm (5 1/2 x 4 1/2in)(PL)
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£2,125
US$ 3,219
€2,502
|
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11
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Christ at Emmaus: The Smaller Plate Etching, 1634, believed to be Nowell-Usticke's late impression of the second state, with fine verticals under the dog's chest and some ware under the table, on laid, with narrow margins, 102 x 73mm (4 x 2 7/8in)(PL)
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£4,375
US$ 6,629
€5,152
|
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12
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Self Portrait Drawing at a Window Etching, 1648, Nowell-Usticke's fourth state of eight, with vertical shading between the hat brim and right cheek and a fine central crease along the spine of the book, on laid, trimmed just inside margins, 158 x 125mm (6 1/8 x 4 7/8in)(SH)
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£4,000
US$ 6,061
€4,710
|
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13
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) St Jerome Kneeling in Prayer, Looking Down Etching, 1635, the only state, on laid, with thread margins, 114 x 80mm (4 1/2 x 3 1/8in)(PL)
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£3,750
US$ 5,682
€4,416
|
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14
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Self portrait with Saskia Etching, 1636, second state of three, with the slipt stroke above Saskia's eyebrow removed and with the slipt stroke across her breast, on laid, 104 x 95mm (4 1/8 x 3 3/4in)(PL)
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£6,500
US$ 9,849
€7,655
|
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15
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James Gillray (British, 1757-1815) Disciples Catching the Mantle - The Spirit of Darkness Overshadowing the Priests of Baal Etching with engraving and hand colouring, 1808, on wove, published June 25th by H. Humphrey, London, 397 x 341mm (15 7/8x 13 3/8in)(PL)
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£1,187
US$ 1,799
€1,398
|
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16
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James Gillray (British, 1757-1815) Lilliputian - Substitutes Etching with hand colouring, 1801, on wove, laid down onto a pale blue album page, published May 28th by H.Humphrey, London, 250 x 360mm (9 3/4 x 14 1/8in)(SH) unframed
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£1,187
US$ 1,799
€1,398
|
|
17
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James Gillray (British, 1757-1815) Political- Dreamings!- Visions of Peace!- Perspective Horrors! Etching with hand colouring, 1801 on wove, laid down onto a pale blue album page, published November 9th by H.Humphrey, London, 262 x 365mm (10 1/4 x 14 1/4in)(SH) unframed
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£1,187
US$ 1,799
€1,398
|
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18
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James Gillray (British, 1757-1815) Farmer Giles and His Wife Shewing off Their Daughter Betty to Their Neighbours Etching with hand colouring, 1809, on wove, laid down onto a pale blue album page, published January 1st by H. Humphrey, London, 314 x 470mm (12 3/8 x 18 1/4in)(SH)
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£1,250
US$ 1,894
€1,472
|
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20
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William Blake (British, 1757-1827) Then Went Satan Forth from the Presence of the Lord, from Illustrations of the Book of Job Engraving, 1825, on wove, with wide margins, from the edition of 215, published by the artist and J. Linnell, London, 218 x 172mm (8 5/8 x 6 3/4in)(PL)
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£1,500
US$ 2,272
€1,766
|
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21
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William Blake (British, 1757-1827) And Smote Job with Sore Boils from the Sole of his Foot to the Crown of his Head, from Illustrations for the Book of Job Engraving, 1825, on wove, with wide margins, from the edition of 215, published by the artist and J. Linnell, London, 218 x 170mm (8 5/8 x 6 5/8in)(PL)
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£1,250
US$ 1,894
€1,472
|
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22
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William Blake (British, 1757-1827) The Wood Engravings of William Blake for Thornton's Virgil 1821 The complete set of 17 wood engravings, a later edition produced in 1977 by the British Museum, numbered 19 in ink out of 135 on the interior of the box and in the Introduction booklet, (the total edition was 150 but 15 were not for sale), each print on Japanese Hosho paper and inserted loose into a card folder printed with text relating to each image, together with a Prospectus booklet, printed by Iain Bain and David Chambers at the British Museum, published by British Museum Publications Ltd, London, within a brown cloth-covered folding box, 120 x 150mm (4 3/4 x 5 7/8in)(each sheet); 305 x 198mm (12 x 7 7/8in)(Box)
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£2,000
US$ 3,030
€2,355
|
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23
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Samuel Palmer (British, 1805-1881) The Herdsman's Cottage, or Sunset Etching, 1850, the second final state, with Palmer's etched initials in the lower left margin, as published in 'The Portfolio', 1872, with wide margins, on laid, 124 x 100mm (4 7/8 x 4in)(PL)
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£1,125
US$ 1,704
€1,324
|
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24
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Samuel Palmer (British, 1805-1881) The Early Ploughman, or The Morning Spread Upon the Mountains Etching, c.1861, the fifth state of nine, on wove, signed in pencil lower right, 130 x 198mm (5 1/8 x 7 3/4in)(PL)
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£2,750
US$ 4,166
€3,238
|
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25
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Robin Tanner (British, 1904-1988) Christmas Etching, 1929, on wove, signed in pencil, from the edition of 50, from the Penn Print Room edition, published in 1974 by McDonald & Nicholson, with margins, 332 x 275mm (13 x 10 3/4in)(PL)
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£3,500
US$ 5,303
€4,122
|
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27
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Paul César Helleu (French, 1859-1927) La Duchesse de Marlborough, Consuelo Vanderbilt Drypoint, c.1901, a rich impression, on white wove, signed in pencil, 535 x 335mm (21 1/8 x 13 1/4in) (PL)
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£5,625
US$ 8,523
€6,624
|
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29
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James Jacques Joseph Tissot (French, 1836-1902) Berthe Etching and drypoint, 1883, on wove, from an unknown edition size, signed in pencil lower left, with the artist's red blindstamp, 362 x 279mm (14 1/4 x 11in)(PL)
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£1,875
US$ 2,841
€2,208
|
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30
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Mary Cassatt (American, 1845-1926) Margot Wearing a Bonnet (No.1) Drypoint with hand colouring, c.1902, on wove, with wide margins, 233 x 165mm (9 1/4 x 6 1/2in)(PL)
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£1,750
US$ 2,651
€2,061
|
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32
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James Jacques Joseph Tissot (French, 1836-1902) Les Deux Amis Etching and drypoint, 1882, on watermarked Van Gelder laid, from the edition of approximately 100, with the printed date and signature lower right, with hand-coloured American and British flags inscribed in the lower margin, 590 x 257mm (23 1/4 x 10 1/8in)(PL)
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£1,875
US$ 2,841
€2,208
|
|
33
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James Abbott McNeill Whistler (American, 1834-1903) The Wine Glass Etching, 1858, a good impression of the second and final state, with wide margins, 84 x 56mm (3 1/4 x 2 1/4in) (PL) (unframed)
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£4,375
US$ 6,629
€5,152
|
|
34
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Muirhead Bone (British, 1876-1953) The Trevi Fountain, Rome Drypoint, 1913-28, a rich impression of the 19th state, on simili-japan, signed in pencil, one of thirty-four impressions in this state, the full sheet, 405 x 260mm (16 x 10 1/4in)(PL) unframed
|
£937
US$ 1,420
€1,104
|
|
35
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Muirhead Bone (British, 1876-1953) A Spanish Good Friday (Ronda) Drypoint, 1925, a rich, velvety impression of the 18th state of 29, on simili-japan, signed in pencil, the full sheet, 425 x 307mm (16 3/4 x 12in) (SH) (unframed)
|
£3,125
US$ 4,735
€3,680
|
|
37
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Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Haycarts The rare drypoint, c.1924, a good impression, on wove, signed in pencil, with margins, 280 x 447mm (11 x 17 1/2in)
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£6,250
US$ 9,470
€7,360
|
|
38
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Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Waterloo Bridge from a Savoy Window (Guichard 49) Etching with drypoint, 1925, on J. Whatman laid, signed in pencil, from an edition of 75, with margins, 275 x 350mm (10 3/4 x 13 3/4in)(PL)
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£31,250
US$ 47,351
€36,803
|
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39
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Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Houses of Parliament from the Embankment (Guichard 50) Drypoint, 1926, a rich, velvety impression, signed in pencil, from the edition of 75, with margins, 270 x 348mm (10 5/8 x 13 5/8in)(PL)
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£4,375
US$ 6,629
€5,152
|
|
40
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Paul Nash (British, 1889-1946) Promenade Woodcut, 1920, on japan, signed, titled, dated and inscribed 'proof for Denis' in pencil, 115 x 145mm (4 1/2 x 5 3/4in)(B)
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£2,500
US$ 3,788
€2,944
|
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41
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Cyril Edward Power (British, London 1872-1951) The Runners Linocut printed in Venetian red and viridian, c.1930, on buff oriental laid tissue, signed, titled and numbered 4/50 in pencil, with margins, 174 x 350mm (6 7/8 x 13 3/4in)(B) unframed
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£10,000
US$ 15,152
€11,777
|
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42
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Lill Tschudi (Swiss, 1911-2001) Just Off, or The Start of the Race Linocut printed in brown, orange and beige, 1932, on oriental laid tissue, signed and numbered 27/50 in pencil lower right, also titled, signed and numbered in pencil in lower margin, 200 x 260mm (7 7/8 x 10 1/4in)(B) unframed
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£3,500
US$ 5,303
€4,122
|
|
43
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Ethel Spowers (Australian, 1890-1947) Gust of Wind (Coppel ES 15) Linocut printed in red, viridian, yellow ochre and cobalt blue, 1930-31, a richly inked impression, on buff oriental laid tissue, signed, titled, dated and numbered 19/50 in pencil, with margins, 218 x 164mm (8 5/8 x 6 1/2in) (B)
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£67,250
US$ 101,900
€79,201
|
|
44
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Edward Bawden R.A. (British, 1903-1989) Liverpool Street Station Linocut printed in colours, 1960, on wove, signed, titled, dated and inscribed '13/40 A/P' in pencil, with margins, 600 x 1506mm (23 5/8 x 59 1/4in)(B)
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£8,750
US$ 13,258
€10,305
|
|
45
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Edward Bawden R.A. (British, 1903-1989) Lindsell Church Linocut printed in colours, 1964, on wove, signed, dated, titled and numbered 45/50 in black ink, with margins, 610 x 1550mm (24 x 61in)(B)
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£4,000
US$ 6,061
€4,710
|
|
46
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Edward Bawden R.A. (British, 1903-1989) Brighton Pier - First Edition Linocut printed in colours, 1958, on wove, signed, dated and inscribed 'Artist's Proof 25/40' in pencil, with margins, 532 x 1450mm (21 x 57 1/8in)(B)
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£8,750
US$ 13,258
€10,305
|
|
47
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John Piper C.H. (British, 1903-1992) Brighton Aquatints The rare set of twelve aquatints hand-coloured by the artist, 1939, on handmade F.J. Head watermarked paper, signed and numbered 39/55 in pen on the title page, together with text and page dividers in blue paper, hand printed by A. Alexander and Sons, the text published by Curwen Press, London, published by Duckworth, London, in the original binding, 212 x 290mm (8 1/3 x 11 1/2in)(PL and smaller), 257 x 397mm (10 x 15 1/2in)(Vol)
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£10,625
US$ 16,099
€12,513
|
|
48
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John Piper C.H. (British, 1903-1992) Rheims Cathedral The rare aquatint with hand-colouring in yellow and ochre gouache by the artist, 1972, on TH Saunders, signed and inscribed 'artist's proof' in pencil, one of only six hand-coloured proofs aside from the edition of 50, printed at Burleighfield House, London, published by Pallas Gallery, London, with margins, 840 x 661mm (33 1/8 x 26in)(PL)
|
£3,750
US$ 5,682
€4,416
|
|
49
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John Piper C.H. (British, 1903-1992) Eglise de Vernon, Normandy The rare aquatint with hand-colouring in ochre and blue-grey gouache by the artist, 1972, on TH Saunders, signed and inscribed 'artists proof' in pencil, one of only six hand-coloured proofs aside from the edition of 50, printed at Burleighfield House, London, published by Pallas Gallery, London, with margins, 840 x 661mm (33 1/8 x 26in)(PL)
|
£2,750
US$ 4,166
€3,238
|
|
50
|
Ben Nicholson O.M. (British, 1894-1982) 5 Circles Woodcut, 1934, on heavy japan, signed and dated in pencil, from the edition of 50, with a dedication "for Rhoda", written in pencil lower right, possibly by the artist. Commissioned by Anatole Jakovski as part of the album "23 Gravures" published by Editions G. Orobitz, Paris, printed by the artist, the full sheet with deckle edges, 160 x 200mm (6 1/4 x 7 7/8in)(B), 210 x 275mm (8 1/4 x 10 3/4in)(SH)
|
£3,125
US$ 4,735
€3,680
|
|
52
|
Ben Nicholson O.M. (British, 1894-1982) Siena (Large Version) Etching with drypoint, 1965, on Zerkal, the full sheet with a deckle to the lower sheet edge, signed, dated and numbered 37/50 in pencil, printed by the Lafranca Studio, with their blindstamp lower left, 320 x 275mm (12 5/8 x 10 7/8in)(PL)
|
£1,500
US$ 2,272
€1,766
|
|
54
|
Sir Terry Frost R.A. (British, 1915-2003) Composition in Red and Black (Kemp 27) Lithograph printed in red and black, 1957, on wove, signed, dated and numbered 23/25 in pencil, printed by John Watson at the Central School of Arts and Crafts, London, published by St. George's Gallery, London, with margins, 400 x 530mm (15 3/4 x 20 3/4in)(I)
|
£2,125
US$ 3,219
€2,502
|
|
55
|
Dame Barbara Hepworth (British, 1903-1975) Three Forms Ascending, Plate 7 from Europäische Graphik VI Lithograph printed in colours, 1968, on japan, signed and inscribed 'XI/XXXV' in pencil, an artist's proof aside from the edition of 65, published by Editions Galerie Wolfgang Ketterer in cooperation with Felix H. Man, Munich with their blindstamp, with full margins, 700 x 595mm (27 1/2 x 19 1/2in)(SH)
|
£1,875
US$ 2,841
€2,208
|
|
56
|
William Scott R.A. (British, 1913-1989) Blue, Black and White Composition The rare lithograph printed in hues of blue and black, 1952, on wove, signed, dated 1953 and numbered 5/60, printed at the Bath Academy of Art, Corsham, published privately, with margins, 380 x 475mm (15 x 18 3/4in)(SH)
|
£6,250
US$ 9,470
€7,360
|
|
57
|
William Scott R.A. (British, 1913-1989) Iona Lithograph printed in colours, 1961, on wove, signed, dated and numbered 197/300 in pencil, published by Galerie Wolfgang Ketterer, Munich, 503 x 620mm (19 5/8 x 24 3/8in)(SH) unframed
|
£2,250
US$ 3,409
€2,649
|
|
60
|
William Scott R.A. (British, 1913-1989) Still Life with Frying Pan Lithograph printed in colours, 1973, on wove, signed, dated and numbered 20/250 in pencil, printed at Kelpra Studios, London, published by CCA Galleries, London, with their blindstamp, with full margins, 675 x 888mm (26 1/2 x 35in)(SH)
|
£3,500
US$ 5,303
€4,122
|
|
61
|
William Scott R.A. (British, 1913-1989) Pan and Bowl, Blues on Green Screenprint in colours, 1970, on wove, signed, dated and numbered 14/100 in pencil, printed at Kelpra Studio, London, published by Waddington Press, London, with margins, 590 x 775mm (23 1/4 x 30 1/2in)(I)
|
£2,750
US$ 4,166
€3,238
|
|
68
|
Alberto Giacometti (Swiss, 1901-1966) Diego Lithograph, 1963, on Arches, signed and numbered 53/100 in pencil, published by Giulio Einaudi, Torino, 550 x 410mm (21 5/8 x 16 1/8in)(SH)
|
£2,750
US$ 4,166
€3,238
|
|
69
|
Alberto Giacometti (Swiss, 1901-1966) Auto-Portrait Lithograph, 1965, on BFK Rives, the full sheet, signed and numbered 5/75 in pencil, published by Maeght, Paris, 650 x 505mm (25 x 19 7/8in)(SH) unframed
|
£2,750
US$ 4,166
€3,238
|
|
70
|
Henri Matisse (French, 1869-1954) Jeune Fille en Robe Fleurie au Col d'Organdi Lithograph, 1923, on chine, signed and numbered 17/50 in pencil, with full margins, 380 x 287mm (15 x 11 1/4in)(SH)(unframed)
|
£4,375
US$ 6,629
€5,152
|
|
72
|
Marc Chagall (Russian/French, 1887-1985) Elie Touché par un Ange, from the Bible Series Etching with hand colouring, 1958, on Arches, initialled and numbered 44/100 in pencil, published by Tériade Éditeur, Paris, 245 x 262mm (9 5/8 x 10 1/4in)(PL)
|
£1,750
US$ 2,651
€2,061
|
|
73
|
Marc Chagall (Russian/French, 1887-1985) Exhibition Poster Lithograph printed in colours, 1967, on Arches, signed and numbered 30/150 in pencil, published by Maeght, Paris, for an exhibition at the Maeght Foundation, 640 x 480mm (25 1/4 x 18 7/8in)(I)
|
£5,250
US$ 7,955
€6,183
|
|
78
|
Marc Chagall (Russian/French, 1887-1985) Couple with a Fan Lithograph printed in colours, 1963, on Arches, signed and numbered 31/50 in pencil, published by Maeght, Paris, with full margins, 760 x 530mm (29 7/8 x 20 7/8in)(SH)
|
£6,875
US$ 10,417
€8,096
|
|
79
|
Pablo Picasso (Spanish, 1881-1973) Le Viol Sous la Fenêtre, from La Suite Vollard Etching with aquatint and drypoint, 1933, on Montval laid, with the Picasso watermark, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by Vollard, Paris, with margins, 278 x 198mm (10 7/8 x 7 3/4in)(PL)
|
£2,750
US$ 4,166
€3,238
|
|
80
|
Pablo Picasso (Spanish, 1881-1973) Au Bain: Femme Assise au Chapeau à Fleurs et Femme Debout Drapée dans une Serviette, from La Suite Vollard Etching, 1934, on Montval laid, with the Picasso watermark, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by Ambroise Vollard, Paris, 275 x 195mm (10 7/8 x 7 5/8in)(PL)
|
£7,500
US$ 11,364
€8,832
|
|
81
|
Pablo Picasso (Spanish, 1881-1973) Accord Entre les Guerriers de Sparte et d'Athènes, from Lysistrata Etching, 1934, on Rives, signed and numbered from the edition of 150 in pencil, printed by Lacourière, Paris, published by The Limited Editions Club, New York, with full margins, 215 x 150mm (8 1/2 x 5 7/8in)(PL)
|
£2,500
US$ 3,788
€2,944
|
|
82
|
Pablo Picasso (Spanish, 1881-1973) Le Repos du Sculpteur I, from La Suite Vollard Etching, 1933, signed in pencil, from the edition of 260, on Montval laid, with the "Vollard" watermark, printed by Lacourière, Paris, 1939, with small margins, 193 x 267mm (7 5/8 x 10 1/2in)(PL)
|
£8,125
US$ 12,311
€9,568
|
|
83
|
Pablo Picasso (Spanish, 1881-1973) Danaë Linocut printed in colours, 1962, on Arches, signed and inscribed 'Epreuve d'artiste' in pencil, a proof aside from the edition of 50, printed by Arnera, Vallauris, published by Louise Leiris, Paris, 270 x 349mm (10 5/8 x 13 3/4in)(B)
|
£27,500
US$ 41,669
€32,387
|
|
84
|
Pablo Picasso (Spanish, 1881-1973) Dans l'Atelier Aquatint and drypoint, 1965, on Auvergne Richard de Bas, signed and numbered 32/50 in pencil, printed by Crommelynck, Paris, published by Galerie Louise Leiris, Paris, 222 x 322mm (8 3/4 x 12 5/8in)(PL)
|
£3,750
US$ 5,682
€4,416
|
|
85
|
Pablo Picasso (Spanish, 1881-1973) The Painter and his Model The rare lithograph, 1962, on japan, a proof aside from an edition of 10, published by André Sauret, Paris, with full margins, 432 x 630mm (17 x 24 3/4in)(SH)
|
£2,500
US$ 3,788
€2,944
|
|
87
|
Pablo Picasso (Spanish, 1881-1973) Femme et Homme Drypoint and engraving, 1965, on Richard de Bas, signed and numbered 19/50 in pencil, printed by Crommelynck, Paris, published by Galerie Louise Leiris, Paris, 346 x 464mm (13 5/8 x 18 1/4in)(PL)
|
£1,875
US$ 2,841
€2,208
|
|
88
|
Pablo Picasso (Spanish, 1881-1973) Jacqueline au Bandeau de Face Linocut printed in colours, 1962, on Arches, signed and numbered 33/50 in pencil, published by Galerie Louise Leiris, Paris, with margins, 640 x 530mm (25 1/4 x 20 7/8in)(B)
|
£61,250
US$ 92,809
€72,135
|
|
89
|
Pablo Picasso (Spanish, 1881-1973) Au Cirque: Acrobates, Giraffe, Nageuses (from 347 series) (Bloch 1504: Baer 1520) Etching, 1968, on Rives, signed and numbered from the edition of 50 in pencil, printed and published by Galerie Louise Leiris, Paris, with full margins, 456 x 560mm (18 x 22in)(SH)(unframed)
|
£7,500
US$ 11,364
€8,832
|
|
91
|
After Pablo Picasso (Spanish, 1881-1973) Jacqueline Lithograph printed in colours, 1958, on wove, signed and numbered 11/100 in white crayon, published by Mourlot, Paris, with margins, 510 x 330mm (20 x 13in)(I)
|
£7,500
US$ 11,364
€8,832
|
|
92
|
Pablo Picasso (Spanish, 1881-1973) Maja et Célestine, from Series 347 Aquatint with drypoint, 1968, on Rives, signed in pencil, numbered 41/50, printed by Crommelynck, Paris, published by Galerie L. Leiris, Paris, 1969, 120 x 60mm (4 3/4 x 2 3/8in)(PL)
|
£2,250
US$ 3,409
€2,649
|
|
93
|
Pablo Picasso (Spanish, 1881-1973) Le Vieux Roi Lithograph, 1959, on Arches, signed in blue crayon and numbered 63/200 in pencil, 645 x 495mm (25 3/8 x 19 1/2in)(SH)
|
£4,375
US$ 6,629
€5,152
|
|
94
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Pablo Picasso (Spanish, 1881-1973) A Los Toros The book, containing the set of four lithographs, one printed in colours, 1961, hors-texte, with title page and text in French, on wove paper, from the edition of unknown size, the full sheets, bound as issued, grey cloth-covered boards with a reproduction after a drawing by Picasso on the front and lettering on the spine, red laid paper-covered slipcase with a reproduction after a drawing by Picasso on the front and back and lettering on the spine, 260 x 330mm (10 1/4 x 13in)(Vol)
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£2,000
US$ 3,030
€2,355
|
|
95
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After Pablo Picasso (Spanish, 1881-1973) Papiers Collés 1910-1914 The set of ten lithographic reproductions in colours, 1966, with title, text in French, justification and table of contents, on BFK Rives, copy number 21, from the deluxe edition of one hundred (the total edition was 300), lacking the signed aquatint, printed by Mourlot, published by Au Pont des Arts, Paris and Leon Amiel, New York, in the original paper-covered boards, with brown cloth border and spine; 640 x 480mm (25 1/8 x 18 7/8in)(SH); 660 x 510mm (26 x 20in)(Folio)
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£3,125
US$ 4,735
€3,680
|
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96
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Georges Braque (French, 1882-1963) Une Aventure Méthodique The complete set of thirteen lithographs printed in colours, and twenty-six lithographs in black, 1949, on Arches, in- and hors-texte, title page, text in French, table of contents, and justification, with a dedication and drawing in blue ink on the flyleaf, signed in pencil by the author Pierre Reverdy and the artist on the justification, copy 102 of 250, printed by Mourlot, Paris, published by Maeght, Paris, each the full sheet, bound, 450 x 335mm (17 3/4 x 13 1/4in)(Vol)
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£2,250
US$ 3,409
€2,649
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|
98
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Georges Braque (French, 1882-1963) La Théière aux Raisins Aquatint printed in colours, c.1950, on wove, signed and numbered 109/200 in pencil, printed by Lacourière, Paris, published by Maeght, Paris, 340 x 595mm (13 3/8 x 23 3/8in)(PL)
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£3,500
US$ 5,303
€4,122
|
|
99
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Georges Braque (French, 1882-1963) Still Life with Lemons and Pipe Collotype printed in colours, c.1950, on Arches, signed and numbered 257/300 in pencil, published by Guy Spitzer, Paris, with his blindstamp, 463 x 575mm (18 1/4 x 22 5/8in)(SH) unframed
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£5,250
US$ 7,955
€6,183
|
|
100
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Joan Miró (Spanish, 1893-1983) Le Bleu de la Cible Etching with aquatint and carborundum printed in colours, 1974, on Arches, signed and inscribed 'HC XVII/XXIV' in pencil, an hors commerce proof aside from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, with margins, 630 x 460mm (24 3/4 x 18in)(I)
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£8,750
US$ 13,258
€10,305
|
|
102
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Joan Miro (Spanish, 1893-1983) Les Hirondelles Etching with aquatint printed in colours, 1973, on Arches, signed and numbered 45/75 in pencil, printed by Morsang, Paris, published by Editions Galilée, Paris, 435 x 690mm (17 1/8 x 27 3/8in)(PL)
|
£1,625
US$ 2,462
€1,913
|
|
103
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Joan Miró (Spanish, 1893-1983) The Foreign Woman (L'Etrangère) Lithograph printed in colours, 1958, on Arches, signed and numbered 57/75 in pencil, printed by Mourlot, Paris, published by Maeght, Paris, with margins, 605 x 435mm (34 3/4 x 17 1/8in)(I)
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£3,750
US$ 5,682
€4,416
|
|
104
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Joan Miró (Spanish, 1893-1983) Gaudi IX (Dupin 1068) Etching with aquatint printed in colours, 1979, on Arches, signed and numbered 45/50 in pencil, printed by Joan Barbara, Barcelona, published by Maeght, Paris, with margins, 565 x 455mm (22 1/4 x 18in) (I)
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£3,500
US$ 5,303
€4,122
|
|
105
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Joan Miró (Spanish, 1893-1983) Barcelona, Plate 10 Etching with aquatint printed in colours, 1972-1973, on Guarro paper, signed and numbered 45/50 in pencil, printed by J.J. Torralba, Barcelona, published by Sala Gaspar, Barcelona, with full margins, 695 x 1040mm (21 3/8 X 29 1/2in)(SH)
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£3,125
US$ 4,735
€3,680
|
|
106
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Joan Miro (Spanish, 1893-1983) L'Eskimo Fièvreux (Mourlot 637) Lithograph printed in colours, 1969, on fabric mounted to Mandeure (as issued), signed and numbered 74/75, published by Maeght Editeur, Paris, the full sheet, 880 x 600mm (34 5/8 x 23 5/8in) (SH) (unframed)
|
£2,500
US$ 3,788
€2,944
|
|
107
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Joan Miró (Spanish, 1893-1983) Derrière le Miroir - Nos 128, 139-140, 151-152, 164-165, 186, 203 & 231 Seven portfolios, 1961-1978, on Rives, Arches and Lana, containing more than 26 lithographs and lithographic reproductions, text and justification pages, 6 volumes signed in pencil on the justification, each variously numbered from the deluxe edition of 150, published by Maeght Editeur, Paris, loose as issued in original boards and slipcase, each 380 x 280mm (15 x 11in) 7 vol
|
£3,750
US$ 5,682
€4,416
|
|
109
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Joan Miró (Spanish, 1893-1983) l'Enfance d'Ubu (Cramer 204) Lithograph printed in colours, 1975, on wove, signed and inscribed 'EA', an artist's proof aside from the edition of 120, printed and published by Mourlot, Paris, 285 x 379mm (11 1/4 x 15in) (SH) (unframed)
|
£1,375
US$ 2,083
€1,619
|
|
111
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Max Ernst (German, 1891-1976) Tout en Un Plus Deux Softground etching, 1971, on chine appliqué, laid onto wove, signed and numbered 30/100 in pencil, published by Georges Visat, Paris, 360 x 260mm (14 1/8 x 10 1/4in)(PL)
|
£1,375
US$ 2,083
€1,619
|
|
114
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Salvador Dali (Spanish, 1904-1989) Hippies (Michler and Lopsinger 377-387) The complete set of 11 etchings with drypoint and hand-colouring, 1969-70, on japan, each signed and inscribed 'XXV/C', each an artist's proof aside from the edition of 145, printed by Robbe, Paris, published by P. Argillet, Paris, each with the Dali blindstamp at lower right, each with full margins, 654 x 506mm (25 3/4 x 19 7/8in)(SH)(11)(unframed)
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£18,750
US$ 28,410
€22,082
|
|
116
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Salvador Dali (Spanish, 1904-1989) Group of Dali Prints Five lithographs printed in colours: 'A Miserable Flat' from the series 'Three Plays by the Marquis de Sade', 1969, numbered XII/XC, a proof aside from the edition of 160, 'La Femme Cheval' from the series 'Les Chevaux Daliniens', 1970-72, inscribed 'EA', a proof aside from the edition of 250, three from the Carmen series, 1970, 'Harpist, Symbol of Carmen's Love', numbered X/CXXV, 'Lillas Pastia's Tavern', numbered X/CXXV, 'Smugglers' Meeting', numbered X/CXXV, proofs aside from the edition of 125, all on Arches, each signed and numbered in pencil, 650 x 530mm (25 5/8 x 20 7/8in)(SH) 5 unframed
|
£3,125
US$ 4,735
€3,680
|
|
117
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Various Artists XXe Siècle. Chroniques du Jour. Vol 1: Nos.1-6; Vol 2: No.1 The complete set of seven issues, 1938-1939, from the first series of the art review, comprising 6 woodcuts by Kandinsky, engravings by Matisse, Arp, de Chirico, Miro, Severini and lithographs by Duchamp and Ernst among others, each 320 x 247mm (12 1/2 x 9 3/4in) 6 vol
|
£5,250
US$ 7,955
€6,183
|
|
118
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Various Artists Derrière le Miroir- Nos 133-4, 154, 158-159 & 162 Four portfolios, 1963-1967, on Rives and Lana, containing lithographic reproductions after Bacon, Kandinsky, Toulouse-Lautrec, Vuillard, Bonnard, Seurat and others, text and justification pages, each variously numbered from the deluxe edition of 150, volume 158-159 from the deluxe edition of 250, published by Maeght Editeur, Paris, loose as issued in original boards and slipcase, each 380 x 280mm (15 x 11in)(vol)
|
£1,875
US$ 2,841
€2,208
|
|
120
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Various Artists A Small Collection of Modern Prints Gustave Singier 'Point du Jour', 1955, 25/200, 385 x 498mm, two works by Hans Emi 'Three Wild Horses', numbered 118/200, 485 x 593mm, and 'Charioteer', 49/175, 475 x 580mm, Ossip Zadkine 'Abstact Composition, 27/175, 598 x 435mm, Zoran Music 'Horses', 93/95, 430 x 560mm, all on wove, each signed and numbered in pencil 5)(4 unframed
|
£1,625
US$ 2,462
€1,913
|
|
121
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Alexander Calder (American, 1898-1976) Derrière le Miroir- Nos 141, 156, 173, 201 & 221 Five portfolios, 1963-1976, on various wove papers, containing 30 lithographs and lithographic reproductions, text and justification pages, four volumes signed in pencil on the justification, each variously numbered from the deluxe edition of 150, published by Maeght Editeur, Paris, loose as issued in original boards and slipcase, each 380 x 280mm (15 x 11in) 5 vol
|
£4,375
US$ 6,629
€5,152
|
|
122
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Serge Poliakoff (Russian, 1900-1969) Composition in Carmine-Red, Brown, Yellow and Grey Lithograph printed in colours, 1956, on BFK Rives, signed and numbered 9/125 in pencil, printed by Pons, Paris, published by Nesto Jacometti, L'Oeuvre Gravée, Zurich, with margins, 476 x 690mm (18 3/4 x 27 11/64in)(I)
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£2,250
US$ 3,409
€2,649
|
|
123
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Serge Poliakoff (Russian, 1900-1969) Composition Jaune, Orange et Verte (Riviere 14) Lithograph printed in colours, 1957, on BFK Rives, signed and numbered 108/150 in pencil, printed by Pons, Paris, published by Nesto Jacometti, l'Oeuvre Gravée, Zurich, with margins, 395 x 550mm (15 1/2 x 21 5/8in)(I)
|
£2,500
US$ 3,788
€2,944
|
