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1
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Albrecht Dürer (German, 1471-1528) Death of the Virgin Woodcut, 1510, a good impression with Latin text verso, on laid, trimmed close to the borderline, 297 x 205mm (11 7/8 x 8 1/8in)(B) unframed
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£1,500
€1,766
US$ 2,272
|
|
2
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Albrecht Dürer (German, 1471-1528) Virgin and child with angel Engraving, 1520, on laid, trimmed just inside the platemark, 136 x 94mm (5 3/8 x 3 3/4in)(SH) unframed
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£1,625
€1,913
US$ 2,462
|
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3
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Albrecht Dürer (German, 1471-1528) Virgin with the swaddled infant Engraving, 1520, a good impression, on laid, trimmed just inside the platemark, 143 x 96mm (5 1/2 x 3 7/8in)(PL) unframed
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£2,500
€2,944
US$ 3,788
|
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8
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A Collection of Old Master Prints Hans Sebald Beham engravings, five from The Labours of Hercules: Hercules overcoming the Hydra(B102), Hercules fighting the Trojans(B101), Hercules and the Columns of Gaza(103), Hercules and Anthaeus(B105), Hercules and the Centaur(B96), c.1545, 54 x 79mm(PL). The four Evangelists: St Matthew(B55), St Mark(B56), St Luke(B57), St John(B58), 44 x 30mm(PL). Four of the Seven Virtues: Prudence(B130), Charity(B131), Justice(B132), Hope(B134), 40 x 24mm (PL). A complete set of Jacques Callot engravings of Lux Claustri(L599-625), 1628, 60 x 80mm(PL), all pasted into a book, 190 x 130mm. Two Lucas van Leyden engravings The Creation of Eve(H1), 162 x 116mm and The Fall of Man(H3), 1529, 162 x 115mm, both first state of three. Two Durer woodcuts Christ on the Mount of Olives(B6), after 1511 and The Holy Family with three hares(102), 1496, probably a meder g impression, 390 x 280mm(PL), on laid. Collection
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£3,500
€4,122
US$ 5,303
|
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9
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Giovanni Battista Piranesi (Italian, 1720-1778) A Small Collection of Etchings of Rome The Temple of Portunus (The Round Temple near S.M. in Cosmedin)(H47), 1758, the second state of five, 400 x 595mm, The Waterall at Tivoli(H75), 1765, the second state of five, 475 x 703mm, Palazzo della Consulta(H22), 1729, the fourth state of six, 405 x 610mm, Grand'Urno di Porfido(F304), 395 x 600mm, Mausoleum of Augustus from Antichita Romane, 395 x 520mm, plus one by Francesco Piranesi, Hadrian's Villa: The So-Called Heliocaminus(H133), 1777, the first state of three, all on thick watermarked laid, the last two have the full sheets, the rest have trimmed margins 6 unframed
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£3,500
€4,122
US$ 5,303
|
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10
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Faust Etching, c.1652, a good impression of the second state of three, with burr on the cap, sleeve and fold of the cloak, on wove, with thread margins, 210 x 160mm (8 1/4 x 6 1/4in)(PL)
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£6,875
€8,096
US$ 10,417
|
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11
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The First Oriental Head Etching, 1635, a fine impression of the second state of three, on laid, trimmed to platemark, 151 x 125mm (6 x 4 7/8in)(PL)
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£6,000
€7,066
US$ 9,091
|
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12
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Man wearing a close cap: Bust (The Artist's Father?) Etching, 1630, the final fifth state, with the plate cut down to the head and shoulders and evened off along the left edge, with diagonal shading on the left shoulder, on laid, with thread margins, 75 x 60mm (2 7/8 x 2 3/8in)(PL)
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£2,125
€2,502
US$ 3,219
|
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13
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Second Oriental head Etching, 1635, only state, on laid, with small margins, 151 x 125mm (6 x 4 7/8in)(PL)
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£10,000
€11,777
US$ 15,152
|
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14
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Bearded Man in a Furred Oriental Cap and Robe: The Artist's Father Etching, 1631, the final fourth state, with the right hand burnished out and the plate cut down, on laid, with thread margins, 145 x 123mm 5 3/4 x 4 7/8in)(PL)
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£2,750
€3,238
US$ 4,166
|
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16
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Uytenbogaert, Preacher of the Remonstrants Etching, 1635, on laid, the final sixth state, on laid, trimmed to the lower platemark and to the image elsewhere, with pen and ink additions to the face, 225 x 180mm (8 7/8 x 7 1/8in)(PL)
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£1,125
€1,324
US$ 1,704
|
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17
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Uytenbogaert, The Gold Weigher Etching, 1639, the final second state reworked by Captain Baillie, with retouching in the face and fur and additional vertical shading between the boy's left thigh and his right calf, on laid, trimmed to the lower platemark, with narrow margins elsewhere, 250 x 204mm (9 7/8 x 8in)(PL)
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£3,750
€4,416
US$ 5,682
|
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18
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Asselyn, Painter Etching, 1647, Nowell-Usticke's final sixth state, with cross-hatching under the right eye on laid and reworking on the cloak, trimmed just inside the platemark on three sides, with thread margin along right edge, 210 x 173mm (8 1/4 x 6 3/4)(SH)
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£1,625
€1,913
US$ 2,462
|
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19
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Old man with a divided fur cap Etching, 1640, an early impression of the final second state, with the slipt diagonal stroke running from the cap over his left eyebrow to the left cheek, on laid, with small margins, 150 x 140mm 5 3/4 x 5 1/2)(PL)
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£4,125
€4,858
US$ 6,250
|
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20
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Clement de Jonghe, Printseller Etching, 1651, the fifth state of six, with additional shading below the collar and above the right hand and the triangular area below the cross bar of the chair almost burnished out, on tissue thin laid, trimmed along upper platemark, with thread margins elsewhere, 207 x 161mm (8 1/8 x 6 3/8in)(PL)
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£2,125
€2,502
US$ 3,219
|
|
21
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Antonides van der Linden Etching, 1665, the final fifth state, with additional shading to the trees below the collar, on wove, with the blank tablet below the subject, with narrow margins, 175 x 105mm (6 7/8 x 4 1/8in)(PL)
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£1,125
€1,324
US$ 1,704
|
|
22
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Old Woman Sleeping Etching, 1635, a good impression of the only state, on laid, trimmed just inside the platemark, 68 x 51mm (2 3/4 x 2 1/8in)(PL)
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£6,250
€7,360
US$ 9,470
|
|
23
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Samuel Manasseh Ben Israel Etching, 1636, the final third state with vertical shading on the right brow, on laid, trimmed inside platemark, 137 x 104mm ( 5 3/8 x 4 1/8in)(SH), together with two further etchings, 'Old Man with a beard fur cap and velvet cloak' (B262), c1632, the final third state, with strong diagonal shading lower left and on the right forehead and cheek, on laid, with thread margins, 149 x 130mm (5 7/8 x 5 1/8in)(PL), and 'Rembrandt's Mother in Widow's Dress and Black Gloves' (B344), c1632, with additional pen and ink, Nowell-Usticke's second state of three with the thumb just visible above the signature, on laid, trimmed just inside the platemark, 149 x 116mm (5 7/8 x 4 1/2in)(SH) 3
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£2,375
€2,797
US$ 3,598
|
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25
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Raising of Lazarus: Small Plate Etching, 1642, a late impression of the second state, with fine lines shading the forehead of Lazarus, on laid, with thread margins, 150 x 114mm (5 7/8 x 4 1/2in)(PL) (unframed)
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£1,375
€1,619
US$ 2,083
|
|
26
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Peasant Family on the tramp Etching, c.1652, a late impression of the first state, with the false biting visible, on laid, 111 x 90mm 4 3/8 x 3 1/2in)(SH). Together with "Old Man seated, with a beard, fur cap and velvet cloak" (B.262), a fair impression of the final state, on laid, 150 x 130mm (5 7/8 x 5 7/8in)(SH) 2 unframed
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£2,375
€2,797
US$ 3,598
|
|
29
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Francisco de Goya (Spanish, 1746-1828) Los Proverbios The complete set of eighteen etchings with aquatint and drypoint, 1864, good impressions from the Third Edition of 100 copies,(Harris' edition 'a' before the change to the title page), on strong wove paper, published by the Real Academia de Nobles Artes de San Fernando, Madrid, 1891, the full sheets, bound with the title page, but without the original covers; (this differs from Harris in the paper type and sheet size), 240 x 355mm (9 3/8 x 14in)(PL); (315 x 490mm (12 3/8 x 19 1/4in)(overall) Vol
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£4,000
€4,710
US$ 6,061
|
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30
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Jean-François Millet (French, 1814-1875) The Large Shepherdess Etching, 1862, on japan, with narrow margins, 315 x 233mm (12 3/8 x 9 1/8in)(PL). Together with a copy of Bresdin's "La Comedie de la Mort" (VG 84), trimmed to the image. 2 unframed
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£1,250
€1,472
US$ 1,894
|
|
32
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James Ensor (Belgian, 1860-1949) L'Ange Exterminator Etching and drypoint, 1889, on wove, signed, titled and dated in pencil, with margins, 115 x 155mm (4 1/2 x 6 1/8in)(PL)
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£2,750
€3,238
US$ 4,166
|
|
33
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Pierre-Auguste Renoir (French, 1841-1919) Le Chapeau Épinglé - 2e planche Lithograph printed in grey-green, c.1897, a rare proof aside from the published edition of 200, on chine volant, signed twice in the stone, 610 x 495mm (24 x 19 1/2in) (I)
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£7,500
€8,832
US$ 11,364
|
|
34
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Théophile Alexandre Steinlen (Swiss/French, 1859-1923) L'été, ou le chat sur une balustre Lithograph in colours, 1909, on wove, backed onto linen, from an edition of 250, printed by Engelmann, Paris, published by Sagot, Paris, 528 x 628mm (20 3/8 x 24 3/4in)(SH) (unframed)
|
£1,125
€1,324
US$ 1,704
|
|
35
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Camille Pissarro (French, 1830-1903) Gardeuse d'Oies Etching, 1888, first state of three, on japan, 135 x 193mm (5 3/8 x 7 5/8in)(PL) unframed
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£1,500
€1,766
US$ 2,272
|
|
37
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James Abbott McNeill Whistler (American, 1834-1903) Fruit-Stall Etching printed in brown with tone, 1879-80, the seventh and final state, from "Twenty-six Etchings" (the Second Venice Set), on laid, trimmed with thread margins, with an unsigned paper tab, 225 x 149mm (8 7/8 x 5 7/8in)(SH)
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£3,125
€3,680
US$ 4,735
|
|
38
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James Abbott McNeill Whistler (American, 1834-1903) The Smith, Passage du Dragon Lithograph, 1894, the first state of three, on off white japan, signed with the butterfly monogram lower right, 302 x 189mm (11 7/8 x 7 3/8in)
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£1,750
€2,061
US$ 2,651
|
|
39
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James Abbott McNeill Whistler (American, 1834-1903) The Whitesmiths, Impasse des Carmélites Lithograph, 1894, on laid japan, signed with the butterfly in pencil lower right, 275 x 201mm (10 3/4 x 7 7/8in)(SH)
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£1,000
€1,177
US$ 1,515
|
|
40
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James Abbott McNeill Whistler (American, 1834-1903) La Fruitiere de la rue de Grenelle Lithograph, 1894, on laid, apparently one of only 33 impressions recorded by Way, 300 x 190mm (11 3/4 x 7 1/2in)(I)
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£1,000
€1,177
US$ 1,515
|
|
41
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James Abbott McNeill Whistler (American, 1834-1903) Little Dordrecht Etching, c1880, a good impression of the only state, on laid, 95 x 130mm (3 3/4 x 5 1/8in)(PL) unframed
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£4,375
€5,152
US$ 6,629
|
|
42
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James Abbott McNeill Whistler (American, 1834-1903) Old Battersea Bridge Lithograph, 1879-87, a good impression of the second and final state, on Van Gelder Zonen laid, the full sheet with deckle edges to three sides, signed with the butterfly monogramme in pencil lower right, 285 x 457mm (11 1/4 x 19in)(SH) unframed
|
£1,750
€2,061
US$ 2,651
|
|
43
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James Abbott McNeill Whistler (American, 1834-1903) Seats, Gray's Inn Etching, c.1886-88, a very fine impression, in brown, printed with tone, on antique laid, watermarked "IH", from the posthumous edition of 3 impressions, printed by Nathaniel Sparks, signed verso by Sparks in pencil, inscribed in lower margin recto in pencil "The 1st proof of an issue of 3 prints taken from the original plate by my authority. Rosalind Birnie Philip.", 80 x 175mm (3 1/8 x 6 7/8in)(PL) unframed
|
£2,500
€2,944
US$ 3,788
|
|
44
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James Abbott McNeill Whistler (American, 1834-1903) The Beach, Ostend Etching, c.1886-88, a very fine impression printed with tone, in dark brown, on antique laid, watermarked "IH", from the posthumous edition of 3 impressions, printed by Nathaniel Sparks in 1931, signed by Sparks in pencil verso, inscribed in lower margin recto in pencil "The 1st proof of an issue of 3 prints taken from the original plate by my authority. Rosalind Birnie Philip.", 80 x 182mm (3 1/8 x 7 1/4in)(PL)
|
£2,000
€2,355
US$ 3,030
|
|
45
|
Bauhaus Werkstattberichte (German) Meistermappe des Staatlichen Bauhauses Containing the title page and eight unbound works, three woodcuts: Lyonel Feininger 'Gelmeroda'(P.W237), on japan, signed in pencil, 332 x 240mm(B), Gerhard Marcks 'Am Ofen'(L.H87), on laid, intialled and dated in pencil, 277 x 164mm(B), Lothar Schreyer 'Untitled', on laid, signed and dated in pencil, 198 x 125mm(B); two etchings: Georg Muche 'Auf dem Tisch'(S20), on wove, signed in pencil, 145 x 148mm(PL), Oscar Schlemmer 'Abstrakte Figur'(G.R1), on wove, signed and dated in pencil, 315 x 237mm(PL); three lithographs: Wassily Kandinsky 'Fröhlicher Aufstieg'(R177), on wove, signed in pencil, 234 x 293mm(I), Paul Klee 'Der Verliebte'(K94), on wove, signed in pencil, 275 x 190mm(I), Ladislaus Moholy-Nagy 'Composition'(S.210-6), on wove, signed in pencil, 360 x 253mm(I), numbered 45/100 on the title page, printed and published by Staatliches Bauhaus, Weimar, 505 x 400mm (19 7/8 x 15 3/4in)(Volume)
|
£97,250
€114,533
US$ 147,358
|
|
46
|
Wassily Kandinsky (Russian, 1866-1944) Kleine Welten IV Lithograph printed in yellow, green, violet and black, 1922, on wove, signed in pencil, from the edition of 200, published by Propyläen Verlag, Berlin, 355 x 290mm (14 x 11 3/8in)(SH)(unframed)
|
£15,000
€17,665
US$ 22,728
|
|
47
|
Christian Rohlfs (German, 1849-1938) Austreibung aus dem Paradis (Small) Woodcut printed in black and yellow, c.1915-1916, on wove, signed in pencil under the image on the backing card, 125 x 323mm (4 7/8 x 12 3/4n)(SH) unframed
|
£1,187
€1,398
US$ 1,799
|
|
48
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Wassily Kandinsky (1866-1944) and Franz Marc (1880-1916) Der Blaue Reiter The book, 1912, containing a colour woodcut in black and blue with the monogram in black lower right, a woodcut in black, four colour reproductions with hand colour, musical scores, text in German, from the edition of 1200, published by R.Piper & Co.Verlag, Munich, 293 x 228mm (11 1/2 x 8 7/8in)(Vol)
|
£3,500
€4,122
US$ 5,303
|
|
48A
|
Bauhaus Werkstattberichte (German) Bauhausbücher, Schriftleitung Walter Gropius, Laszlo Moholy-Nagy A collection of 11 volumes: Walter Gropius 'Internationale Architecktur', 1927, Paul Klee 'Pädagogisches Skizzenbuch', 1925, Adolf Meyer 'Ein Versuchshaus des Bauhauses in Weimar', 1925, Oskar Schlemmer 'Die Bühne im Bauhaus', 1925, Piet Mondrian 'Neue Gestaltung', 1925, Theo van Doesburg 'Grundbegriffe der neuen Gestaltenden Kunst', 1925, W.Gropius 'Neue Arbeiten der Bauhauswerkstätten', 1925, Moholy-Nagy 'Malerei Photographie Film', 1927, W.Gropius 'Bauhausbauten Dessau', 1930, two copies of Kasimir Malewitsch 'Die Gegenstandslose Welt' 1927, six with their original dustjackets, published by Albert Langen Verlag, Munich, 235 x 185mm (9 1/4 x 7 1/4in)(Vol) 11
|
£3,750
€4,416
US$ 5,682
|
|
49
|
Käthe Kollwitz (German, 1867-1945) Zwei Schwatzende Frauen mit Zwei Kindern Lithograph, 1930, on wove, signed in pencil, from the edition of 150, 474 x 355mm (18 5/8 x 14in)(SH)
|
£1,875
€2,208
US$ 2,841
|
|
50
|
Karl Schmidt-Rottluff (German, 1884-1976) Karl Schmidt-Rottluff's Graphisches Werk bis 1923 The book by Rosa Schapire, containing a total of ten works: nine woodcuts and one etching, eight are signed in pencil, numbered 14 from an edition of 400 on the final page, published by Euphorion, Berlin, 300 x 225mm (11 3/4 x 8 7/8in)(Vol), together with a portfolio 'Karl Schmidt-Rottluff-Radierungen-Holzschnitte', containing nine proofs for the Graphisches Werk: eight woodcuts,(the 'SR' woodcut is missing), five on Van Gelder Zonen paper and three on japan, and three etchings, one on wove and two on japan, each signed and numbered XIV/XXX in pencil, plus two additional etchings not included in the book 'Moon and trees' and 'Women in the bushes', plus title page, 335 x 253mm(Folio) 2
|
£8,750
€10,305
US$ 13,258
|
|
51
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Max Pechstein (German, 1881-1955) Zweisprache Woodcut printed in colours, 1920, on wove, signed and dated in pencil, 400 x 318mm (15 3/4 x 12 1/2in)(I)
|
£9,375
€11,041
US$ 14,205
|
|
52
|
Karl Hartung (German, 1908-1967) Kleine Knospe Sculpture, 1946, bronze with gold patina, with inscribed signature on the base, height 480mm (18 7/8in)
|
£13,750
€16,193
US$ 20,834
|
|
53
|
Karl Hartung (German, 1908-1967) Vegetative Doppelform Sculpture, 1939, possibly a later cast, bronze with green patina, with inscribed signature on the base, height 310mm (12in)
|
£6,000
€7,066
US$ 9,091
|
|
55
|
Karl Hartung (German, 1908-1967) Katze Sculpture, 1939, bronze with muted gold patina, with inscribed signature on the base, height 95mm (3 3/4in)
|
£3,125
€3,680
US$ 4,735
|
|
56
|
Karl Hartung (German, 1908-1967) Mother and Child Sculpture, 1947, polished wood, with inscribed signature on the base, height 185mm (7 1/4in)
|
£6,875
€8,096
US$ 10,417
|
|
57
|
Max Beckmann (German, 1884-1950) Der Jahrmarkt - Der Ausrufer (Selbstbildnis)(Hofmaier 191); Schiessbude (H.194); Die Seiltanzer (H.198); Schlangendame (H.200) Drypoints, four from the series, 1921/22, from edition B.b; 125 impressions, on wove, printed by Franz Hanfstaengl, Munich, published by Verlag der Marées Gesellschaft, R.Piper & Co., Munich, with the original leather folder, various sizes, 4 1 unframed, plus portfolio
|
£15,000
€17,665
US$ 22,728
|
|
58
|
Lill Tschudi (Swiss, 1911-2001) Sticking up Posters Linocut printed in dark blue, brown and viridian, 1933, on off-white oriental laid paper, signed and numbered 39/50 in pencil, inscribed Palkataubeleber' in lower margin, with margins, 302 x 200mm (11 7/8 x 7 7/8in)(SH)
|
£12,500
€14,721
US$ 18,940
|
|
59
|
Claude Flight (British, 1881-1955) Swing-Boats Linocut printed in colbalt blue and crimson oil paint and black printing ink, 1921, on thin tracing paper, mounted to stiff black-brown paper backing, as issued, signed and numbered 33/50 in pencil lower left, with margins, 255 x 321mm (10 x 12 5/8in)(SH)
|
£18,750
€22,082
US$ 28,410
|
|
60
|
Claude Flight (British, 1881-1955) Paris Omnibus Linocut printed in blue and crimson oil paint and viridian and black ink, 1923, on oriental laid tissue, reverse mounted by pasting to stiff black/brown paper backing, signed and numbered 6/50 in pen and ink lower right, with margins, 250 x 297mm (9 7/8 x 11 5/8in)(SH)
|
£46,850
€55,176
US$ 70,989
|
|
61
|
Claude Flight (British, 1881-1955) Spring (from the Four Seasons) Linocut printed in yellow ochre, vermilion, mauve, emerald green and cobalt blue, 1926, on cream oriental laid paper, signed and numbered 21/50 in pencil, with margins, 260 x 312mm (10 1/4 x 12 1/4in)(B)
|
£12,500
€14,721
US$ 18,940
|
|
62
|
Claude Flight (British, 1881-1955) Winter (Coppel CF19) Linocut printed in yellow ochre, red, mauve, cobalt blue and emerald green, c.1926, a strong and vibrant impression, on thin cream oriental laid paper, signed and numbered 6/50 in pencil, with margins, 246 x 297mm (9 7/8 x 11 6/8in)(B)
|
£18,750
€22,082
US$ 28,410
|
|
63
|
Cyril Edward Power (British, London 1872-1951) Runners Linocut printed in ventian red and viridian, c.1930, on buff oriental laid tissue, signed, titled and numbered 10/50 in pencil, with margins, 174 x 350mm (6 7/8 x 13 6/8in)(B)
|
£27,500
€32,387
US$ 41,669
|
|
64
|
Cyril Edward Power (British, London 1872-1951) Skaters Linocut printed in spectrum red, light cobalt blue and viridian, c.1932, on buff oriental laid tissue, signed, titled and numbered 51/60 in pencil, with margins, 198 x 316mm (7 3/4 x 12 3/8in)(B)
|
£16,250
€19,137
US$ 24,622
|
|
66
|
Sybil Andrews, CPE (British/Canadian, 1898-1993) The Mowers Linocut printed in raw sienna, red, viridian and Chinese blue, 1937, on buff oriental laid tissue, signed, titled and numbered 27/60 in pencil, with margins, 292 x 352mm (11 1/2 x 13 7/8in)(B)
|
£13,750
€16,193
US$ 20,834
|
|
69
|
Lill Tschudi (Swiss, 1911-2001) Sailor's Holiday Linocut printed in dark blue, light brown and light blue, 1932, on off-white oriental laid paper, signed, titled and numbered 8/50 in pencil, with margins, 200 x 260mm (7 7/8 x 10 1/4in)(B) (unframed)
|
£10,000
€11,777
US$ 15,152
|
|
70
|
William Greengrass (British, 1896-1970) Low tide - a muddy interlude Linocut printed in colours, 1937, the colours bright and fresh, on tissue thin Japan, signed, titled, dated and numbered 1/30 in pencil top left, with margins, 200 x 239mm (8 x 9 3/8in) (B) (unframed)
|
£3,125
€3,680
US$ 4,735
|
|
72
|
Paul Nash (British, 1889-1946) Rain, Lake Zillebeke Lithograph, 1918, on wove, signed, dated and numbered 15/25 in pencil, 255 x 362mm (10 x 14 1/4in)(I)
|
£39,650
€46,696
US$ 60,079
|
|
73
|
Paul Nash (British, 1889-1946) Promenade Woodcut, 1920, on wove, signed, titled, dated and inscribed 'from the edition of 25' in pencil, 115 x 145mm (4 1/2 x 5 3/4in)(I)
|
£11,875
€13,985
US$ 17,993
|
|
74
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Romney Marsh (Guichard 25) The rare etching, 1922, on wove, a rich impression, signed and dated in pencil, from the edition of 25, with margins, 289 x 452mm (11 3/8 x 17 3/4in)(PL)
|
£10,625
€12,513
US$ 16,099
|
|
75
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Marlow Etching, c.1930, on hand made laid, signed in pencil, 275 x 350 (10 3/4 x 13 3/4in)(PL)
|
£1,875
€2,208
US$ 2,841
|
|
76
|
Sir Augustus Edwin John (British, 1878-1961) Portrait of William Butler Yeats Etching, 1907, on laid, with wide margins, signed in pencil, from an edition of 50, with pen inscriptions in lower margin 'Portrait of WB Yeats' and 'Imp 19/50', 178 x 125mm (7 x 4 7/8in)(PL)
|
£1,875
€2,208
US$ 2,841
|
|
77
|
Graham Sutherland O.M. (British, 1903-1980) The Sluice Gate Etching, 1924, on japan, with wide margins, signed in pencil, from an edition of 69, published by Twenty-One Gallery, London, 135 x 130mm (5 1/4 x 5 1/8in)(PL)
|
£1,875
€2,208
US$ 2,841
|
|
78
|
Eric Gill (British, 1882-1940) Engravings The volume, 1929, numbered 66/80, special copies on handmade paper, signed by the artist and with an extra suite of the engravings on Japon, from an edition limited to 490, wood-engraved self-portrait and 103 plates, a few printed in red or red and black, additional plates loose as issued in pocket at end, original vellum-backed pictorial cloth, gilt, by Wood, t.e.g., others uncut, printed by Ernest Ingham at the Fanfare Press for Douglas Cleverdon, 350 x 275mm (13 3/4 x 10 7/8in)(Vol)
|
£6,000
€7,066
US$ 9,091
|
|
79
|
Paul Nash (British, 1889-1946) Empire Marketing Board Lithographic poster, printed in colours on thin wove, issued by the Empire Marketing Board, printed for H.M.Stationery Office by Waterlow & Sons Ltd, London, 505 x 765mm (21 1/2 x 30 1/8in)(SH)
|
£1,125
€1,324
US$ 1,704
|
|
80
|
Paul Nash (British, 1889-1946) Come out to Live; Come in to Play Lithographic posters, 1936, the pair, published by London Transport, printed by the Baynard Press, 1000 x 620mm (39 3/8 x 24 3/8in)(SH) 2
|
£2,500
€2,944
US$ 3,788
|
|
81
|
Eric William Ravilious (British, 1903-1942) Submarines - The Engine Room Colour lithograph, 1940-41, on thin wove, printed by W.S.Cowell, Ipswich, from an edition of approximately 50, published by the artist, 280 x 320mm (11 x 12 5/8in)(SH)
|
£6,000
€7,066
US$ 9,091
|
|
83
|
Henri Matisse (French, 1869-1954) Le repos du modèle Lithograph, 1922, the unsigned second state, one of 575 impressions on chine volant, from the album "Les peintres lithographes de Manet à Matisse", published by Frapier, with the blindstamp of Le Galerie des Peintres et Graveurs lower right, 220 x 298mm (8 5/8 x 11 3/4in)(I), 275 x 365mm (10 3/4 x 14 3/8in)(SH) unframed
|
£1,875
€2,208
US$ 2,841
|
|
84
|
Henri Matisse (French, 1869-1954) Vierge et Enfant sur fond de fleurs et d'étoiles Lithograph, 1950/51, a proof aside from the edition of 100, on chine appliqué laid onto wove, 500 x 378mm (19 5/8 x 14 78in)(SH) unframed
|
£1,625
€1,913
US$ 2,462
|
|
85
|
Henri Matisse (French, 1869-1954) Visage souriant Etching, 1946, on chine appliqué laid onto wove, signed and numbered 12/25 in pencil, 146 x 108mm (5 3/4 x 4 1/4in)(PL) unframed
|
£3,750
€4,416
US$ 5,682
|
|
89
|
Henri Matisse (French, 1869-1954) Trois Personnages, recherches sur les acides Etching, 1931, on chine appliqué laid onto Arches, signed and numbered 10/25 in pencil, 199 x 119mm (7 3/4 x 4 5/8in)(PL) unframed
|
£3,750
€4,416
US$ 5,682
|
|
90
|
Henri Matisse (French, 1869-1954) Figure voilée aux deux bracelets Lithograph, 1929, on japan, signed and numbered 10/25 in pencil, 645 x 500m (25 3/8 x 19 5/6in)(SH) unframed
|
£8,750
€10,305
US$ 13,258
|
|
91
|
Pablo Picasso (Spanish, 1881-1973) Paloma and Claude The pair of lithographs, 1950, on wove, from the edition of 2000, printed for the cover of Picasso Lithographs Volume II, published by Andre Sauret, 317 x 238mm (12 1/2 x 9 3/8in)(each sheet)(2 unframed)
|
£1,187
€1,398
US$ 1,799
|
|
92
|
After Pablo Picasso (Spanish, 1881-1973) Maternité Lithograph in colours, 1963, on Arches, a proof aside from the signed edition of 200, published by Editions Combat de la Paix, Paris, with margins, 890 x 630mm (35 x 24 3/4in)(SH)(unframed)
|
£2,250
€2,649
US$ 3,409
|
|
93
|
Pablo Picasso (Spanish, 1881-1973) Picasso Lithographs I-IV The four books, 1949-1964, with 7 original lithographs, one printed in colours, published by Andre Sauret, each 321 x 247mm (12 5/8 x 9 3/4in)(4 Volumes)
|
£2,750
€3,238
US$ 4,166
|
|
94
|
Pablo Picasso (Spanish, 1881-1973) Drawings, Gouaches, Watercolours, 1898-1957 (Czwiklitzer 117) Collotype in colours, 1957, a proof impression aside from the edition of 1000, on Arches, 290mm x 430mm (11 3/4in x 16 7/8in)(I)(unframed)
|
£1,000
€1,177
US$ 1,515
|
|
96
|
Pablo Picasso (Spanish, 1881-1973) Vallauris 1953 exposition (Czwiklitzer 68) Linocut with lithograph in colours, mounted on linen, 1953, signed in red crayon, from an edition of 2000, printed by Vallauris Arnera, Paris, with margins, 890 x 570mm (35 x 22 1/2in)(SH)(unframed)
|
£2,000
€2,355
US$ 3,030
|
|
97
|
Pablo Picasso (Spanish, 1881-1973) Picador (from A Los Toros avec Picasso) (Bloch 1014-1017)) Lithograph in colours, 1961, on wove, printed by Mourlot Freres, Paris, published by Andre Sauret, Paris, with margins, 245 x 318mm (9 6/8 x 12 1/2in) (SH) (unframed); together with three other lithographs, 1961, from A los toros, each 245 x 318mm (9 6/8 x 12 1/2in)(SH)(4)(unframed)
|
£1,625
€1,913
US$ 2,462
|
|
98
|
After Pablo Picasso (Spanish, 1881-1973) Femme Nue (Nusche Eluard) Offset lithograph in colours, c.1950, on Arches, a proof aside from the signed edition of 200, with margins, 844 x 670mm (33 1/8 x 26 3/8in)(SH)
|
£1,250
€1,472
US$ 1,894
|
|
99
|
After Picasso by Jacques Villon (French, 1875-1963) Les Saltimbanques Etching and aquatint printed in colours, 1922, on Arches, signed by Picasso and numbered 131/200 in pencil, published by Bernheim-Jeune, Paris, 600 x 425mm (23 5/8 x 16 3/4in)(PL)
|
£7,500
€8,832
US$ 11,364
|
|
100
|
Pablo Picasso (Spanish, 1881-1973) La Danse Barbare from La Suite des Saltimbanques Dry-point, 1905-1913, on wove, from the unnumbered, unsigned edition of 250, 185 x 230mm (7 1/4 x 9 1/8in)(PL)
|
£1,875
€2,208
US$ 2,841
|
|
101
|
Pablo Picasso (Spanish, 1881-1973) Le Viol II from La Suite Vollard Drypoint, 1933, on Montval laid, the full sheet, with the Picasso watermark, signed in pencil, from the edition of 250, printed by Lacourière, Paris, published by Vollard, Paris, 297 x 366mm (11 3/4 x 14 3/8in)(PL), 340 x 445mm (13 3/8 x 17 1/2in)(SH)
|
£4,000
€4,710
US$ 6,061
|
|
102
|
Pablo Picasso (Spanish, 1881-1973) Marie Thérèse agenouillée contemplant un groupe sculpté from La Suite Vollard Etching, 1933, on Montval laid, the full sheet, with the Vollard watermark, from the edition of 260, signed in pencil, printed by Lacourière, Paris, published by Vollard, Paris, 300 x 367mm (11 7/8x14 1/2in)(PL)
|
£6,875
€8,096
US$ 10,417
|
|
103
|
Pablo Picasso (Spanish, 1881-1973) Femme nue devant une Statue Etching, 1931, on Montval laid, the full sheet, with the Vollard watermark, from the edition of 260, signed in pencil, printed by Lacourière, Paris, published by A.Vollard, 312 x 221mm (12 1/4 x 8 5/8in) (PL)
|
£9,375
€11,041
US$ 14,205
|
|
104
|
Pablo Picasso (Spanish, 1881-1973) Modèle nu et Sculptures, from La Suite Vollard Etching, 1933, on Montval laid, with the Picasso watermark, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by A.Vollard, Paris, 278 x 297mm (10 7/8 x 11 3/4in)(PL)
|
£6,875
€8,096
US$ 10,417
|
|
105
|
Pablo Picasso (Spanish, 1881-1973) Minotaure, Buveur et Femmes, from La Suite Vollard Etching, 1933, on Montval laid, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by A.Vollard, Paris, with margins, 298 x 365mm (11 3/4 x 14 3/8in)(PL)
|
£13,125
€15,457
US$ 19,887
|
|
107
|
Pablo Picasso (Spanish, 1881-1973) Tête or Sculpture. Profil de Marie-Thérèse Etching, 1933, on laid, signed and numbered 40/50 in pencil, published 1961 by Galerie Louise Leiris, Paris, with margins, 175 x 152mm (6 7/8 x 6in)(PL)
|
£5,625
€6,624
US$ 8,523
|
|
108
|
Pablo Picasso (Spanish, 1881-1973) Beau Gentilhomme Espagnol et Femme à Barbe, from Series 347 Etching, 1968, on Rives, signed in pencil, one of seventeen proofs aside from the edition of 50, published 1969 by Galerie Louise Leiris, Paris, 325 x 195mm (12 3/4 x 7 5/8in)(PL)
|
£3,125
€3,680
US$ 4,735
|
|
110
|
Pablo Picasso (Spanish, 1881-1973) Sueno y Mentira de Franco The two etchings with aquatint, 1937, on chine collé on imperial japan, each signed and numbered 30/150 in pencil, with title page in Spanish and text page in French and Spanish, loose within the wove paper covers, the etchings printed by Lacourière, Paris, 315 x 420mm (12 3/8 x 16 1/2in)(PL), 590 x 400mm (23 1/4 x 15 3/4in)(Overall)
|
£22,500
€26,498
US$ 34,093
|
|
113
|
Marc Chagall (Russian/French, 1887-1985) Fables - Jean de La Fontaine Etchings, 1952, five from the series, each hand coloured by the artist, unsigned impressions, on wove, the full sheets, from the total edition of 200 of which 85 sets were hand coloured, published by Tériade, Paris 5 unframed
|
£1,250
€1,472
US$ 1,894
|
|
116
|
Joan Miro (Spanish, 1893-1983) Le Chien aboyant à la lune Lithograph printed in colours, 1952, on Arches, signed and numbered 13/80 in white crayon, published by Teriade, Paris, the full sheet with the deckle edge along the right side, 365 x 545mm (14 3/8 x 21 1/2in)(SH) unframed
|
£9,375
€11,041
US$ 14,205
|
|
117
|
Joan Miró (Spanish, 1893-1983) Untitled, from Cahiers d'art Pochoir printed in colours, 1934, signed, dated, and numbered 39/48 in black ink lower left, with a pencil inscription "Pour Henriette, Miro" in the image upper right, on wove, printed by Crété, Paris, published by Editions Cahiers d'Art, Paris, 327 x 252mm (12 7/8 x 9 7/8in)(I)
|
£7,500
€8,832
US$ 11,364
|
|
118
|
Joan Miro (Spanish, 1893-1983) Le Dandy (Dupin 492) Etching with aquatint and carborundum printed in colours, 1969, on Madeure rag paper, signed and numbered 36/75 in pencil, printed and published by Maeght éditeur, Paris, with margins, 416 x 431mm (16 3/8 x 17in) (PL)
|
£6,250
€7,360
US$ 9,470
|
|
119
|
Joan Miro (Spanish, 1893-1983) Le lézard aux plumes d'or Lithograph, 1967, printed in colours, plate 8 from the series, on wove, the full sheet, watermarked "Miro", signed and numbered 49/100 in pencil, with the Galerie Orangerie blindstamp lower left corner, 355 x 993mm (14 x 39 1/8in)(SH) unframed
|
£5,000
€5,888
US$ 7,576
|
|
120
|
Joan Miro (Spanish, 1893-1983) Le Lezard aux Plumes d'or III (Cramer 148; Mourlot 793) Lithograph in colours, 1971, on wove, signed and numbered 1/100 in pencil, printed by Mourlot, Paris, published by Louis Broder, Paris, with full margins, 350 x 1000mm (13 3/4 x 39 3/8in) (SH)
|
£4,750
€5,594
US$ 7,197
|
|
125
|
Joan Miró (Spanish, 1893-1983) Gaudi II (Dupin 1061) Etching with aquatint printed in colours, 1979, on wove, signed in white crayon, numbered 17/50 in pencil, printed by Joan Barbara, Barcelona, published by Maeght, Barcelona, with full margins, 570 x 385mm (22 1/2 x 15 1/4in) (SH)
|
£3,500
€4,122
US$ 5,303
|
|
128
|
Salvador Dali (Spanish, 1904-1989) Romeo e Julia (Michler and Lopsinger 1601) The deluxe book containing 10 offset lithographs in colours, 1975, on watermarked wove, bound as issued, signed in red crayon on the title page, from the edition of 899, published by Rizzoli, Milan, in the original red silk portfolio, 420 x 350mm (16 1/2 x 13 3/4in) (overall size); together with a seperate folio of 10 offset lithographs in colours, each on thick wove, each signed in blue felt-tip pen, a special copy aside the total edition of 899, loose in the original red portfolio, each with full margins, 440 x 325mm (17 3/8 x 12 3/4in) (overall size) (20) (unframed)
|
£5,625
€6,624
US$ 8,523
|
|
129
|
Salvador Dali (Spanish, 1904-1989) Torero Noir Lithograph, 1969, on BFK Rives, the full sheet, signed and inscribed "EA" in pencil, aside from the numbered edition, published by Jean Schneider, Basel, printed by Wolfensberger, Zurich, with the Orangerie / Cologne blindstamp lower left sheet corner, 750 x 553mm (29 1/2 x 20in)(SH) unframed
|
£4,375
€5,152
US$ 6,629
|
|
130
|
Salvador Dali (Spanish, 1904-1989) Divine Comedy The complete set of of 100 woodcuts in colours, 1964, hors-texte, in six volumes, on Rives BFK, this copy stamp numbered 748, with title pages, text in French, tables of contents, and justifications, published by Editions D'Art Les Heures Claires, loose as issued, each volume with original folded paper wrapper, paper-covered boards with abstract design in gilt, with matching slipcases; overall 340 x 280mm (13 3/8 x 11in)(Vol) 6
|
£3,750
€4,416
US$ 5,682
|
|
131
|
Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Self-portrait with cat Jacomet print, 1926/27, with pochoir colouring, on wove, presented on a hand painted gilt mount, signed in English and Japanese, numbered 29/125 in pen and ink recto, inscribed and dedicated to "Mr Alfred Schwarzchild, 17 Jan 1927 à Paris..." verso, 235 x 220mm (9 1/4 x 8 5/8in)(SH)
|
£3,125
€3,680
US$ 4,735
|
|
132
|
Georges Braque (French, 1882-1963) Cinq poésies en hommage à Georges Braque Lithograph, printed in colours, 1958, on japan nacree, signed and numbered from 35/75 in pencil, published by Edwin Engelberts, Geneva, printed by Mourlot, Paris, 555 x 705mm (21 5/8 x 27 3/4in)(SH) unframed
|
£3,125
€3,680
US$ 4,735
|
|
133
|
Georges Braque (French, 1882-1963) Si je mourais là-bas (Vallier 181) Wood engraving, 1962, on wove, signed and numbered 43/70 in pencil, printed by Fequet and Baudier, Paris, published by Louis Broder, Paris, with margins, 445 x 685mm (17 1/2 x 27in)(I)
|
£2,250
€2,649
US$ 3,409
|
|
134
|
Maurits Cornelis Escher (Dutch, 1898-1972) Sky and Water I Woodcut, 1938, on wove, signed in pencil, 435 x 439mm (17 1/8 x 17 1/4in)(B)
|
£17,500
€20,610
US$ 26,516
|
|
137
|
Alberto Giacometti (Swiss, 1901-1966) L'Arbre from Feuilles éparses by René Crevel Etching, 1965, signed and numbered 14/50 in pencil, on BFK Rives, the full sheet, 165 x 120mm (6 1/2 x 4 3/4in)(PL) unframed
|
£2,250
€2,649
US$ 3,409
|
|
139
|
Man Ray (American, 1890-1976) Le Sérieux Collage and mixed media on paper, 1972, signed and inscribed 'HC Le Sérieux a Albert' in pencil, a proof aside from an edition of 15, published by Il Fauno, Turin, 285 x 185mm (11 1/4 x 7 1/4in)(I)
|
£4,750
€5,594
US$ 7,197
|
|
140
|
Various Artists Douze Lithographies The portfolio containing twelve lithographs by Calliyannis, Constant, Carrey, Dumitresco, Hilton, Poliakoff, Istrati, Gilbert, Sauer, Pons, Turan and Wendt, each signed and numbered 3/100 in pencil, in the original stiff paper folio, presented by R.V.Gindertael, Paris, 405 x 335mm (16 x 13 1/4in)(SH) (Folio)
|
£3,125
€3,680
US$ 4,735
|
|
143
|
Rufino Tamayo (Mexican, 1899-1991) Tajadas de sandias Lithograph, printed in colours, on BFK Rives, the full sheet, signed and numbered 112/150 in pencil, 660 x 500mm (26 x 19 3/4in)(I) unframed
|
£1,500
€1,766
US$ 2,272
|
|
144
|
Sonia Delaunay (French, 1885-1979) Totem Lithograph printed in colours, 1970, on wove, signed, dated and numbered 65/75, published La nouvelle gravure, Paris, with margins, 597 x 527mm (23 1/2 x 20 3/4in) (I)
|
£1,250
€1,472
US$ 1,894
|
|
145
|
Pierre Soulages (French, born 1919) Eau-Forte XVI Etching, printed in colours, 1961, on wove, signed and dedicated in pencil, 750 x 560mm (29 1/2 x 22in)(SH) unframed
|
£2,250
€2,649
US$ 3,409
|
|
146
|
Pierre Soulages (French, born 1919) Lithographie No.3 Lithograph, printed in colours, 1957, on , the full sheet, signed and dedicated in pencil, published by Berggruen, printed by Mourlot, 630 x 475mm (24 3/4 x 18 3/7in)(SH) unframed
|
£2,375
€2,797
US$ 3,598
|
|
147
|
Edward Bawden R.A. (British, 1903-1989) Brighton Pier - Second Edition Linocut printed in colours, 1977, on wove, signed, titled and inscribed 'AP 19/50, 2nd Edition' in pencil, 716 x 1607mm (28 1/4 x 63 1/4in)(SH)
|
£7,500
€8,832
US$ 11,364
|
|
148
|
Edward Bawden R.A. (British, 1903-1989) Lindsell Church Linocut printed in colours, 1963, on wove, signed, titled and numbered 35/50 in pencil, with margins, 616 x 1560mm (24 1/4 x 61 3/8in) (B)
|
£5,000
€5,888
US$ 7,576
|
|
149
|
Edward Bawden R.A. (British, 1903-1989) The Floral Hall, Covent Garden Linocut printed in colours, c.1967, on white cartridge, signed, titled and numbered and inscribed "Artist's proof out of series 11/25" in ballpoint pen, with wide margins, 660 x 810mm (26 x 32in) (SH) unframed
|
£2,250
€2,649
US$ 3,409
|
|
150
|
John Piper C.H. (British, 1903-1992) Nursery Frieze II Autolithograph printed in colours, 1936, on machine made lithographic cartridge paper, signed in pencil, from an unspecified edition, printed by Waterlow & Sons, published by Contemporary Lithographs, 495 x 1255mm (19 1/2 x 49 1/2in)(I)
|
£4,000
€4,710
US$ 6,061
|
|
151
|
John Piper (British, 1903-1992) The Royal Holloway College, from Victorian Dream Palaces Screenprint in colours, 1977, on Arches, signed and inscribed 'AP', an artist's proof aside from the edition of 75 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 529 x 700mm (20 3/4 x 27 1/2in)(I)
|
£1,875
€2,208
US$ 2,841
|
|
153
|
Bryan Wynter (British, 1915-1975) Dead Crow Monotype with gouache, 1947, on wove, signed and dated in white pencil, 205 x 368mm (8 1/8 x 14 1/2in)(I)
|
£3,500
€4,122
US$ 5,303
|
|
154
|
Ben Nicholson (British, 1894-1982) Urbino The rare etching with hand colouring in crayon and ink, 1965, on laid, signed and dated in pencil, from an unrecorded edition size, with margins, 210 x 150mm (8 1/4 x 5 7/8in)(PL)
|
£3,750
€4,416
US$ 5,682
|
|
156
|
Dame Barbara Hepworth (British, 1903-1975) Delos, from the Aegean Suite Lithograph in colours, 1970-1971, on wove, signed and numbered 50/60 in pencil, printed by Curwen Press, Chilford, published by Marlborough Fine Art, London, with margins, 805 x 582mm (31 6/8 x 23in)(SH)
|
£3,750
€4,416
US$ 5,682
|
|
157
|
Dame Elisabeth Frink R.A. (British, 1930-1993) On the road to Chartres Tapestry rug, 1983, wool, from the edition of 30, 2780 x 1860mm (109 1/2 x 73 1/4in)(Overall)
|
£4,375
€5,152
US$ 6,629
|
|
158
|
Henry Moore (British, 1898-1986) Sketchbook 1928 The West Wind Relief The complete Edition B, 1980, comprising the etching and aquatint in colours, on Arches, with wide margins, signed and numbered 67/75 in pencil, with the accompanying catalogue and facsimile sketchbook signed in ink and numbered B 67/75 in pencil, published by Raymond Spencer Company Ltd., Much Hadham, contained in the original Solander box covered in green Richard de Bas paper, 223 x 298mm (8 3/4 x 11 5/8in)(PL), 415 x 330mm (Folio)
|
£1,375
€1,619
US$ 2,083
|
|
160
|
William Scott R.A. (British, 1913-1989) Iona Lithograph printed in colours, 1961, on wove, signed, dated and numbered 13/300 in pencil, published in the Europaische Grafik, with full margins, 501 x 620mm (19 7/8 x 24 3/8in)(SH)(unframed)
|
£1,500
€1,766
US$ 2,272
|
|
163
|
David Hockney R.A. (British, born 1937) Paper Pools (MCA Tokyo 234) Lithograph in colours, 1980, on Arches cover paper, signed and dated in pencil, numbered 678/1000, published by Tyler Graphics, Ltd., Mount Kisco, New York, 1980, with their blindstamp; with the accompanying book Paper Pools, with title, text and justification, signed by the artist on the justification in red ink, copy 678 of 1000, within the original blue canvas cloth binding and slipcase, 265 x 225mm (10 1/8 x 8 7/8in)(framed print & Vol)
|
£6,875
€8,096
US$ 10,417
|
|
164
|
David Hockney R.A. (British, born 1937) Cat Earthenware cat, circa 1955, with underglaze and sgraffito decoration, 380 x 280mm (15 x 11in)
|
£16,250
€19,137
US$ 24,622
|
|
165
|
David Hockney R.A. (British, born 1937) Fires of Furious Desire Etching and aquatint, 1961, on wove, the full sheet, signed, dated and numbered 52/75 in pencil (there were also 16 artist's proofs), printed by Maurice Payne, published by Petersburg Press, 1969, 142 x 275mm (5 5/8 x 10 3/4in)(PL) unframed
|
£2,500
€2,944
US$ 3,788
|
|
166
|
David Hockney (British, born 1937) Illustrations for Fourteen Poems by CP Cavafy The complete set of twelve etchings bound, with one loose etching 'Portrait of Cavafy II', 1966, together with text, title page, table of contents and justification, Edition A, on handmade Crisbrook, signed and numbered 50/500 in pencil (this is an error as Edition A comprises 250 copies), the etchings stamped 'Edition A ea 362-373' respectively on the reverse, with full margins, with the original purple cloth-covered boards and black cloth-covered slipcase, published by Editions Alecto, London, 483 x 340mm (19 x 13 3/8in)(Folio)
|
£2,500
€2,944
US$ 3,788
|
|
167
|
David Hockney R.A. (British, born 1937) The Erotic Arts The deluxe volume, bound in green morocco by Peter Webb, 1975, with the original green slipcase, containing Hockney's "Erotic Etching" and "Navajo Jacket", a colour screenprint by Allen Jones, each work signed and numbered 17/100 in pencil, further numbered on the frontispiece, published by Secker & Waldung, overall size 263 x 187mm (10 3/8 x 7 3/8in) Vol
|
£2,750
€3,238
US$ 4,166
|
|
168
|
David Hockney R.A. (British, born 1937) Gregory Evans (SAC 176) Lithograph, 1976, on Arches, signed, dated and numbered 58/90 in pencil, printed by Anthony Zapeda, Los Angeles, published by Gemini GEL, with full margins, 1050 x 740 mm (41 1/4 x 29in)(I)
|
£1,250
€1,472
US$ 1,894
|
|
172
|
David Hockney R.A. (British, born 1937) Flowers, apple and pear on a table Handmade print in colours executed on an office copier, 1986, on four sheets of Arches laid paper, signed and numbered 26/59 in pencil, published by the artist and with his blindstamp, each sheet with full margins, 560 x 430mm (22 x 17in)(SH)
|
£5,000
€5,888
US$ 7,576
|
|
173
|
David Hockney R.A. (British, born 1937) Red Flowers and Green Leaves, Seoarate May 1988 Handmade print in colours executed on an office copier, 1988, on two sheets of Arches, signed and numbered 42/70 in pencil, published by the Metropolitan Museum of Art, New York, the full sheets, 340 x 415mm (13 3/8 x 16 3/8in)(SH)
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£3,750
€4,416
US$ 5,682
|
|
174
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Andy Warhol (American, 1928-1987) Flowers Screenprint in colours, 1970, on wove, signed in ball point pen and numbered 97/250 with a rubber stamp verso, printed by Aetna Silkscreen Products Inc, New York, published by Factory Additions, New York, 914 x 914mm (36 x 36in)(SH)
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£11,875
€13,985
US$ 17,993
|
|
175
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Andy Warhol (American, 1928-1987) Marilyn Offset lithograph printed in colours, 1971, on thin wove, signed in black ink, from an edition of 500, published by Tate Gallery, London, with full margins, 750 x 500mm (29 1/2 x 19 5/8in)(SH)
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£3,000
€3,533
US$ 4,545
|
|
176
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Andy Warhol (American, 1928-1987) Electric Chair (Feldman & Schellmann II76) Screenprint in colours, 1971, on smooth wove, signed in ballpoint pen, additionally inscribed 'To Halton, Andy', stamp numbered 'A.P. XIX/L' verso, an artist's proof aside from the edition of 250, printed by Silkprint Kettner, Zurich, published by Bruno Bischofberger, the full sheet printed to the edges, 900 x 1215mm (35 3/8 x 47 7/8in) (SH) (unframed)
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£4,750
€5,594
US$ 7,197
|
|
177
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Andy Warhol (American, 1928-1987) Cow Screenprint in colours, from a later edition printed in the 1980's for the Modern Museum of Art, New York, the same colourway as Feldman & Schellmann 11, on thick wallpaper, from an unknown edition size, the full sheet, 1105 x 755mm (45 1/4 x 29 3/4in)(SH)
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£2,500
€2,944
US$ 3,788
|
|
178
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Andy Warhol (American, 1928-1987) Campbell's Soup I: Chicken Noodle Screenprint in colours, 1968, on wove, signed in ball point pen and numbered 246/250 with a rubber stamp verso, printed by Salvatore Silkscreen Co. Inc., New York, published by Factory Additions, New York, 880 x 580mm (34 5/8 x 22 7/8in)(SH)
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£11,250
€13,249
US$ 17,046
|
|
179
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Andy Warhol (American, 1928-1987) Campbell's Soup I: Pepper Pot Screenprint in colours, 1968, on wove, signed in ball point pen and stamp numbered 144/250 verso, printed by Salvatore Silkscreen Co.Inc., New York, published by Factory Additions, New York, 880 x 580mm (34 5/8 x 22 7/8in)(SH)
|
£8,375
€9,863
US$ 12,690
|
|
183
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Andy Warhol (American, 1928-1987) Kimiko Screenprint in colours, 1981, on Stonehenge paper, signed and numbered 183/250 in pencil verso, printed by Licht Editions Ltd, Denver, Colorado, published by Colorado State University, Department of Art, Fort Collins, Colorado, with full margins, 914 x 914mm (36 x 36in)(SH)
|
£11,250
€13,249
US$ 17,046
|
|
184
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Sol LeWitt (American, 1928-2007) Bands of colour in four directions Woodcut printed in colours, 1995, on Japan, signed and numbered 'TP 13' in pencil, a trial proof aside from the edition of 50, printed by Watanabe Studio, Brooklyn, published by The Country School, Madison, with margins, 775 x 300mm (30 1/2 x 11 3/4in)(B)
|
£1,500
€1,766
US$ 2,272
|
|
188
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Bridget Riley (British, born 1931) Untitled (Fragment 1) (Schubert 5A) Screenprint on plexiglass, 1965, signed and dated, a proof aside from the edition of 75, printed by Kelpra Studio, London, published by Robert Fraser Gallery, London, the full sheet, 674 x 839mm (26 1/2 x 33in)(SH)(unframed)
|
£15,000
€17,665
US$ 22,728
|
|
189
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Jim Dine (American, born 1935) The Red, White and Blue Venus for Mondale Screenprint in colours, 1984, on wove, signed and numbered 63/150 in pencil, published by Pace Editions New York, paper, the full sheet printed to the edges, 762 x 457 mm (30 x 18 in)(SH)
|
£1,625
€1,913
US$ 2,462
|
|
190
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Sir Howard Hodgkin (British, born 1932) Strictly Personal Etching, aquatint and carborundum, 2000-2002, printed in colours, with hand colouring in scarlet and green gouache, on Two Rives paper, initialled and numbered 23/55 in pencil, printed at 107 Workshop, Wiltshire, published by Alan Cristea Gallery, London, the full sheet printed to the edges, 300 x 340mm 11 3/4 x 13 3/8in)(SH)
|
£2,750
€3,238
US$ 4,166
|
|
193
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Craigie Aitchison (British, 1926-2009) Crucifixion and Mountain Screenprint in colours, 2005, on wove, signed, dated and numbered 41/75 in pencil verso, published by Advanced Graphics, London, the full sheet printed to the edges, 1100 x 850mm (43 1/4 x 33 1/2in) (SH)
|
£2,750
€3,238
US$ 4,166
|
|
196
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Victor Pasmore R.A. (British, 1908-1998) Untitled 7 Etching with aquatint in colours, 1990, on Fabriano, initialled, dated and numbered 64/70 in pencil, printed by Kelpra Grahpics, London, co-published by Marlborough Graphics Ltd. and 2RC Edizioni d'arte, London and Rome, with full margins, 732 x 1380mm (28 3/4 x 54 3/8in)(SH)(unframed)
|
£1,250
€1,472
US$ 1,894
|
|
197
|
Various Artists Artists Choice Portfolio The complete set of 48 prints, 1987, each on wove, all signed and inscribed 'AP' in pencil, each an artist's proof aside from the edtion of 48, published by the Royal College of Art, London, 325 x 326 mm (12 3/4 x 12 3/4in)(Portfolio)(48)
|
£10,625
€12,513
US$ 16,099
|
|
198
|
Gerhard Richter (German, born 1932) Victoria I; Victoria II (Butin p.283) Two offset lithographs printed in colours, 2003, each on wove paper, each signed and dated in pencil, published by Achenbach Art Edition, Dusseldorf, each 799 x 600mm (31 1/2 x 23 5/8in) (SH)(unframed)(2)
|
£2,750
€3,238
US$ 4,166
|
|
200
|
Sean Scully (Irish, born 1946) Coloured Wall Lithograph printed in colours, 2003, on Zerkal Copperplate deluxe paper, signed, titled, dated and numbered 52/150 in pencil, printed at Atelier 28 with their stamp verso, 290 x 245mm (11 58 x 9 5/8in)(SH); together with the accompanying hardback book by David Carrier, in the original red slipcase, 310 x 258mm (Vol) 2
|
£1,750
€2,061
US$ 2,651
|
|
201
|
Various Artists Hope and Optimism portfolio The complete set of ninety prints, 1990, each on various papers, each signed and numbered 86/200 in pencil, published by Orde Levinson, in the original blue portfolio, 855 x 650mm (33 6/8 x 25 1/2in) (overall size) (unframed) (90)
|
£6,250
€7,360
US$ 9,470
|
|
202
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Tracey Emin (British, born 1963) A Quite Meal Woodcut, 1985, a unique impression, on japan, signed 'Miss T.K.Emin', titled, dated and inscribed 'AP' in pencil, 252 x 272mm (9 7/8 x 10 3/4in)(B)
|
£1,750
€2,061
US$ 2,651
|
|
204
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Damien Hirst (British, born 1965) In a Spin, The Action of the World on Things: Volume 1 The complete portfolio of 23 etchings printed in colours, 2002, each on Hanhemuhle paper, each signed and numbered 18/60 in pencil, complete within the original spin painted portfolio box, printed by Hope (Sufferance) Press, London, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, 975 x 760mm (38 3/8 x 30in)(Overall)(23) Folio
|
£31,250
€36,803
US$ 47,351
|
|
205
|
Damien Hirst (British, born 1965) In a Spin, The Action of the World on Things: Volume 2 The complete portfolio of 14 etchings and one c-print printed in colours, 2002, 13 on Hanhemuhle paper and 1 on photographic paper, each signed and numbered 20/60 in pencil, complete within the original spin painted portfolio box, printed by Hope (Sufferance) Press, London, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, (overall)(15) Folio
|
£34,850
€41,043
US$ 52,806
|
|
207
|
Damien Hirst (British, born 1965) Xlyene Cyanol Dye Solution Etching printed in colours, 2005, on Hahnemuhle paper, signed and numbered from the edition of 65 verso in pencil, published by Charles Booth Clibborn under his imprint the Paragon Press, London, with full margins, 963 x 733mm (37 7/8 x 28 7/8in)(SH)
|
£6,000
€7,066
US$ 9,091
|
|
211
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Damien Hirst (British, born 1965) Untitled Screenprint in colours with bronze glitter, 2008, on wove, signed and numbered 34/100, inscribed 'for Mark Wey-hey love Damien XXX', published by Other Criteria, London, with full margins, 758 x 953mm (29 3/4 x 37 1/2in) (SH)
|
£4,000
€4,710
US$ 6,061
|
|
212
|
Damien Hirst (British, born 1965) Butterfly Foil block print in colours, 2010, on wove, signed and inscribed 'For Mark love Damien', in pencil, numbered 88/150, stamped 'Happy Christmas 2010', published by Other Criteria, London, with full margins, 725 x 505mm (28 1/2 x 20in) (SH)
|
£3,500
€4,122
US$ 5,303
|
|
213
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Damien Hirst (British, born 1965) For the Love of God; Beyond Belief Two etchings with aquatint, 2007, each on wove, the right etching signed and inscribed 'for Jack love Damien XXX' in pencil, the left etching inscribed 'J.T' in pencil, each etching numbered 116/300 in pencil, 250 x 173mm (9 3/4 x 6 7/8in)(each plate)(2)
|
£1,625
€1,913
US$ 2,462
|
|
214
|
Damien Hirst (British, born 1965) Carvacrol Screenprint in colours, 2008, on wove, signed and inscribed 'For Tim Thanks Damien XXX' in pencil, an artist's proof aside from the edition of 150, published by other Criteria, London, with full margins, 980 x 760mm (37 1/2 x 30in)(SH)
|
£3,125
€3,680
US$ 4,735
|
|
215
|
Damien Hirst (British, born 1965) Untitled 06 (New Beginnings) Polymer gravure printed in colours, 2011, on Zerkall paper, signed and inscribed ' for Jack love Damien XXX' in pencil, an artist's proof aside from the edition of 55, published by Charles Booth Clibborn under his imprint the Paragon Press, London, the full sheet printed to the edges, 995 x 665mm (39 1/4 x 26 1/4in) (SH)
|
£3,125
€3,680
US$ 4,735
|
|
216
|
Marc Quinn (British, born 1964) Garden 2 The complete set of eight pigment prints in colours, 2004, on Somerset velvet enhanced paper, each signed and numbered 16/45 in pencil verso, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, each 806 x 1245mm (31 3/4 x 49in)(SH)(unframed)(8)
|
£9,375
€11,041
US$ 14,205
|
|
218
|
Michael Landy (British, born 1963) Nourishment The complete portfolio containing twelve etchings, 2002, each on Hahnemuhle paper, each signed, titled, dated and numbered 14/37 in pencil verso, printed by Hope (Sufferance) Studio, London, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, contained in the original white portfolio box, each with full margins, 950 x 830mm (37 3/8 x 32 5/8in) Folio
|
£7,750
€9,127
US$ 11,743
|
|
219
|
Gary Hume (British, born 1962) Spring Angels (Paragon II 276-285) The complete portfolio of 8 screenprints in colours, 2000, each on Somerset Tub-Sized Satin paper, each signed and numbered 29/45 in pencil, with the colophon page, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, each 1070 x 1013mm (50 x 40in)(SH)(unframed)(8)
|
£6,250
€7,360
US$ 9,470
|
|
220
|
Julian Opie (British, born 1958) Ruth Smoking I-V (Cristea 90-94) The complete set of five screenprints in colours, 2006, on Somerset Satin, each signed and numbered 16/50 in pencil verso, printed by Advanced Graphics, London, published by Alan Cristea Gallery, London, various sizes (5)
|
£51,650
€60,829
US$ 78,262
|
