|
116
|
Joan Miro (Spanish, 1893-1983) Le Chien aboyant à la lune Lithograph printed in colours, 1952, on Arches, signed and numbered 13/80 in white crayon, published by Teriade, Paris, the full sheet with the deckle edge along the right side, 365 x 545mm (14 3/8 x 21 1/2in)(SH) unframed
|
£9,374
10,954
US$ 14,685
|
|
117
|
Joan Miró (Spanish, 1893-1983) Untitled, from Cahiers d'art Pochoir printed in colours, 1934, signed, dated, and numbered 39/48 in black ink lower left, with a pencil inscription "Pour Henriette, Miro" in the image upper right, on wove, printed by Crété, Paris, published by Editions Cahiers d'Art, Paris, 327 x 252mm (12 7/8 x 9 7/8in)(I)
|
£7,499
8,763
US$ 11,748
|
|
118
|
Joan Miro (Spanish, 1893-1983) Le Dandy (Dupin 492) Etching with aquatint and carborundum printed in colours, 1969, on Madeure rag paper, signed and numbered 36/75 in pencil, printed and published by Maeght éditeur, Paris, with margins, 416 x 431mm (16 3/8 x 17in) (PL)
|
£6,249
7,303
US$ 9,790
|
|
119
|
Joan Miro (Spanish, 1893-1983) Le lézard aux plumes d'or Lithograph, 1967, printed in colours, plate 8 from the series, on wove, the full sheet, watermarked "Miro", signed and numbered 49/100 in pencil, with the Galerie Orangerie blindstamp lower left corner, 355 x 993mm (14 x 39 1/8in)(SH) unframed
|
£4,999
5,842
US$ 7,832
|
|
120
|
Joan Miro (Spanish, 1893-1983) Le Lezard aux Plumes d'or III (Cramer 148; Mourlot 793) Lithograph in colours, 1971, on wove, signed and numbered 1/100 in pencil, printed by Mourlot, Paris, published by Louis Broder, Paris, with full margins, 350 x 1000mm (13 3/4 x 39 3/8in) (SH)
|
£4,749
5,550
US$ 7,440
|
|
125
|
Joan Miró (Spanish, 1893-1983) Gaudi II (Dupin 1061) Etching with aquatint printed in colours, 1979, on wove, signed in white crayon, numbered 17/50 in pencil, printed by Joan Barbara, Barcelona, published by Maeght, Barcelona, with full margins, 570 x 385mm (22 1/2 x 15 1/4in) (SH)
|
£3,499
4,089
US$ 5,482
|
|
128
|
Salvador Dali (Spanish, 1904-1989) Romeo e Julia (Michler and Lopsinger 1601) The deluxe book containing 10 offset lithographs in colours, 1975, on watermarked wove, bound as issued, signed in red crayon on the title page, from the edition of 899, published by Rizzoli, Milan, in the original red silk portfolio, 420 x 350mm (16 1/2 x 13 3/4in) (overall size); together with a seperate folio of 10 offset lithographs in colours, each on thick wove, each signed in blue felt-tip pen, a special copy aside the total edition of 899, loose in the original red portfolio, each with full margins, 440 x 325mm (17 3/8 x 12 3/4in) (overall size) (20) (unframed)
|
£5,624
6,572
US$ 8,811
|
|
129
|
Salvador Dali (Spanish, 1904-1989) Torero Noir Lithograph, 1969, on BFK Rives, the full sheet, signed and inscribed "EA" in pencil, aside from the numbered edition, published by Jean Schneider, Basel, printed by Wolfensberger, Zurich, with the Orangerie / Cologne blindstamp lower left sheet corner, 750 x 553mm (29 1/2 x 20in)(SH) unframed
|
£4,374
5,112
US$ 6,853
|
|
130
|
Salvador Dali (Spanish, 1904-1989) Divine Comedy The complete set of of 100 woodcuts in colours, 1964, hors-texte, in six volumes, on Rives BFK, this copy stamp numbered 748, with title pages, text in French, tables of contents, and justifications, published by Editions D'Art Les Heures Claires, loose as issued, each volume with original folded paper wrapper, paper-covered boards with abstract design in gilt, with matching slipcases; overall 340 x 280mm (13 3/8 x 11in)(Vol) 6
|
£3,749
4,381
US$ 5,874
|
|
131
|
Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Self-portrait with cat Jacomet print, 1926/27, with pochoir colouring, on wove, presented on a hand painted gilt mount, signed in English and Japanese, numbered 29/125 in pen and ink recto, inscribed and dedicated to "Mr Alfred Schwarzchild, 17 Jan 1927 à Paris..." verso, 235 x 220mm (9 1/4 x 8 5/8in)(SH)
|
£3,124
3,651
US$ 4,895
|
|
132
|
Georges Braque (French, 1882-1963) Cinq poésies en hommage à Georges Braque Lithograph, printed in colours, 1958, on japan nacree, signed and numbered from 35/75 in pencil, published by Edwin Engelberts, Geneva, printed by Mourlot, Paris, 555 x 705mm (21 5/8 x 27 3/4in)(SH) unframed
|
£3,124
3,651
US$ 4,895
|
|
133
|
Georges Braque (French, 1882-1963) Si je mourais là-bas (Vallier 181) Wood engraving, 1962, on wove, signed and numbered 43/70 in pencil, printed by Fequet and Baudier, Paris, published by Louis Broder, Paris, with margins, 445 x 685mm (17 1/2 x 27in)(I)
|
£2,249
2,629
US$ 3,524
|
|
134
|
Maurits Cornelis Escher (Dutch, 1898-1972) Sky and Water I Woodcut, 1938, on wove, signed in pencil, 435 x 439mm (17 1/8 x 17 1/4in)(B)
|
£17,499
20,448
US$ 27,413
|
|
137
|
Alberto Giacometti (Swiss, 1901-1966) L'Arbre from Feuilles éparses by René Crevel Etching, 1965, signed and numbered 14/50 in pencil, on BFK Rives, the full sheet, 165 x 120mm (6 1/2 x 4 3/4in)(PL) unframed
|
£2,249
2,629
US$ 3,524
|
|
139
|
Man Ray (American, 1890-1976) Le Sérieux Collage and mixed media on paper, 1972, signed and inscribed 'HC Le Sérieux a Albert' in pencil, a proof aside from an edition of 15, published by Il Fauno, Turin, 285 x 185mm (11 1/4 x 7 1/4in)(I)
|
£4,749
5,550
US$ 7,440
|
|
140
|
Various Artists Douze Lithographies The portfolio containing twelve lithographs by Calliyannis, Constant, Carrey, Dumitresco, Hilton, Poliakoff, Istrati, Gilbert, Sauer, Pons, Turan and Wendt, each signed and numbered 3/100 in pencil, in the original stiff paper folio, presented by R.V.Gindertael, Paris, 405 x 335mm (16 x 13 1/4in)(SH) (Folio)
|
£3,124
3,651
US$ 4,895
|
|
143
|
Rufino Tamayo (Mexican, 1899-1991) Tajadas de sandias Lithograph, printed in colours, on BFK Rives, the full sheet, signed and numbered 112/150 in pencil, 660 x 500mm (26 x 19 3/4in)(I) unframed
|
£1,499
1,752
US$ 2,349
|
|
144
|
Sonia Delaunay (French, 1885-1979) Totem Lithograph printed in colours, 1970, on wove, signed, dated and numbered 65/75, published La nouvelle gravure, Paris, with margins, 597 x 527mm (23 1/2 x 20 3/4in) (I)
|
£1,249
1,460
US$ 1,958
|
|
145
|
Pierre Soulages (French, born 1919) Eau-Forte XVI Etching, printed in colours, 1961, on wove, signed and dedicated in pencil, 750 x 560mm (29 1/2 x 22in)(SH) unframed
|
£2,249
2,629
US$ 3,524
|
|
146
|
Pierre Soulages (French, born 1919) Lithographie No.3 Lithograph, printed in colours, 1957, on , the full sheet, signed and dedicated in pencil, published by Berggruen, printed by Mourlot, 630 x 475mm (24 3/4 x 18 3/7in)(SH) unframed
|
£2,374
2,775
US$ 3,720
|
|
147
|
Edward Bawden R.A. (British, 1903-1989) Brighton Pier - Second Edition Linocut printed in colours, 1977, on wove, signed, titled and inscribed 'AP 19/50, 2nd Edition' in pencil, 716 x 1607mm (28 1/4 x 63 1/4in)(SH)
|
£7,499
8,763
US$ 11,748
|
|
148
|
Edward Bawden R.A. (British, 1903-1989) Lindsell Church Linocut printed in colours, 1963, on wove, signed, titled and numbered 35/50 in pencil, with margins, 616 x 1560mm (24 1/4 x 61 3/8in) (B)
|
£4,999
5,842
US$ 7,832
|
|
149
|
Edward Bawden R.A. (British, 1903-1989) The Floral Hall, Covent Garden Linocut printed in colours, c.1967, on white cartridge, signed, titled and numbered and inscribed "Artist's proof out of series 11/25" in ballpoint pen, with wide margins, 660 x 810mm (26 x 32in) (SH) unframed
|
£2,249
2,629
US$ 3,524
|
|
150
|
John Piper C.H. (British, 1903-1992) Nursery Frieze II Autolithograph printed in colours, 1936, on machine made lithographic cartridge paper, signed in pencil, from an unspecified edition, printed by Waterlow & Sons, published by Contemporary Lithographs, 495 x 1255mm (19 1/2 x 49 1/2in)(I)
|
£3,999
4,673
US$ 6,265
|
|
151
|
John Piper (British, 1903-1992) The Royal Holloway College, from Victorian Dream Palaces Screenprint in colours, 1977, on Arches, signed and inscribed 'AP', an artist's proof aside from the edition of 75 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 529 x 700mm (20 3/4 x 27 1/2in)(I)
|
£1,874
2,190
US$ 2,937
|
|
153
|
Bryan Wynter (British, 1915-1975) Dead Crow Monotype with gouache, 1947, on wove, signed and dated in white pencil, 205 x 368mm (8 1/8 x 14 1/2in)(I)
|
£3,499
4,089
US$ 5,482
|
|
154
|
Ben Nicholson (British, 1894-1982) Urbino The rare etching with hand colouring in crayon and ink, 1965, on laid, signed and dated in pencil, from an unrecorded edition size, with margins, 210 x 150mm (8 1/4 x 5 7/8in)(PL)
|
£3,749
4,381
US$ 5,874
|
|
156
|
Dame Barbara Hepworth (British, 1903-1975) Delos, from the Aegean Suite Lithograph in colours, 1970-1971, on wove, signed and numbered 50/60 in pencil, printed by Curwen Press, Chilford, published by Marlborough Fine Art, London, with margins, 805 x 582mm (31 6/8 x 23in)(SH)
|
£3,749
4,381
US$ 5,874
|
|
157
|
Dame Elisabeth Frink R.A. (British, 1930-1993) On the road to Chartres Tapestry rug, 1983, wool, from the edition of 30, 2780 x 1860mm (109 1/2 x 73 1/4in)(Overall)
|
£4,374
5,112
US$ 6,853
|
|
158
|
Henry Moore (British, 1898-1986) Sketchbook 1928 The West Wind Relief The complete Edition B, 1980, comprising the etching and aquatint in colours, on Arches, with wide margins, signed and numbered 67/75 in pencil, with the accompanying catalogue and facsimile sketchbook signed in ink and numbered B 67/75 in pencil, published by Raymond Spencer Company Ltd., Much Hadham, contained in the original Solander box covered in green Richard de Bas paper, 223 x 298mm (8 3/4 x 11 5/8in)(PL), 415 x 330mm (Folio)
|
£1,374
1,606
US$ 2,153
|
|
160
|
William Scott R.A. (British, 1913-1989) Iona Lithograph printed in colours, 1961, on wove, signed, dated and numbered 13/300 in pencil, published in the Europaische Grafik, with full margins, 501 x 620mm (19 7/8 x 24 3/8in)(SH)(unframed)
|
£1,499
1,752
US$ 2,349
|
|
163
|
David Hockney R.A. (British, born 1937) Paper Pools (MCA Tokyo 234) Lithograph in colours, 1980, on Arches cover paper, signed and dated in pencil, numbered 678/1000, published by Tyler Graphics, Ltd., Mount Kisco, New York, 1980, with their blindstamp; with the accompanying book Paper Pools, with title, text and justification, signed by the artist on the justification in red ink, copy 678 of 1000, within the original blue canvas cloth binding and slipcase, 265 x 225mm (10 1/8 x 8 7/8in)(framed print & Vol)
|
£6,874
8,033
US$ 10,769
|
|
164
|
David Hockney R.A. (British, born 1937) Cat Earthenware cat, circa 1955, with underglaze and sgraffito decoration, 380 x 280mm (15 x 11in)
|
£16,249
18,988
US$ 25,455
|
|
165
|
David Hockney R.A. (British, born 1937) Fires of Furious Desire Etching and aquatint, 1961, on wove, the full sheet, signed, dated and numbered 52/75 in pencil (there were also 16 artist's proofs), printed by Maurice Payne, published by Petersburg Press, 1969, 142 x 275mm (5 5/8 x 10 3/4in)(PL) unframed
|
£2,499
2,921
US$ 3,916
|
|
166
|
David Hockney (British, born 1937) Illustrations for Fourteen Poems by CP Cavafy The complete set of twelve etchings bound, with one loose etching 'Portrait of Cavafy II', 1966, together with text, title page, table of contents and justification, Edition A, on handmade Crisbrook, signed and numbered 50/500 in pencil (this is an error as Edition A comprises 250 copies), the etchings stamped 'Edition A ea 362-373' respectively on the reverse, with full margins, with the original purple cloth-covered boards and black cloth-covered slipcase, published by Editions Alecto, London, 483 x 340mm (19 x 13 3/8in)(Folio)
|
£2,499
2,921
US$ 3,916
|
|
167
|
David Hockney R.A. (British, born 1937) The Erotic Arts The deluxe volume, bound in green morocco by Peter Webb, 1975, with the original green slipcase, containing Hockney's "Erotic Etching" and "Navajo Jacket", a colour screenprint by Allen Jones, each work signed and numbered 17/100 in pencil, further numbered on the frontispiece, published by Secker & Waldung, overall size 263 x 187mm (10 3/8 x 7 3/8in) Vol
|
£2,749
3,213
US$ 4,307
|
|
168
|
David Hockney R.A. (British, born 1937) Gregory Evans (SAC 176) Lithograph, 1976, on Arches, signed, dated and numbered 58/90 in pencil, printed by Anthony Zapeda, Los Angeles, published by Gemini GEL, with full margins, 1050 x 740 mm (41 1/4 x 29in)(I)
|
£1,249
1,460
US$ 1,958
|
|
172
|
David Hockney R.A. (British, born 1937) Flowers, apple and pear on a table Handmade print in colours executed on an office copier, 1986, on four sheets of Arches laid paper, signed and numbered 26/59 in pencil, published by the artist and with his blindstamp, each sheet with full margins, 560 x 430mm (22 x 17in)(SH)
|
£4,999
5,842
US$ 7,832
|
|
173
|
David Hockney R.A. (British, born 1937) Red Flowers and Green Leaves, Seoarate May 1988 Handmade print in colours executed on an office copier, 1988, on two sheets of Arches, signed and numbered 42/70 in pencil, published by the Metropolitan Museum of Art, New York, the full sheets, 340 x 415mm (13 3/8 x 16 3/8in)(SH)
|
£3,749
4,381
US$ 5,874
|
|
174
|
Andy Warhol (American, 1928-1987) Flowers Screenprint in colours, 1970, on wove, signed in ball point pen and numbered 97/250 with a rubber stamp verso, printed by Aetna Silkscreen Products Inc, New York, published by Factory Additions, New York, 914 x 914mm (36 x 36in)(SH)
|
£11,874
13,875
US$ 18,602
|
|
175
|
Andy Warhol (American, 1928-1987) Marilyn Offset lithograph printed in colours, 1971, on thin wove, signed in black ink, from an edition of 500, published by Tate Gallery, London, with full margins, 750 x 500mm (29 1/2 x 19 5/8in)(SH)
|
£2,999
3,505
US$ 4,699
|
|
176
|
Andy Warhol (American, 1928-1987) Electric Chair (Feldman & Schellmann II76) Screenprint in colours, 1971, on smooth wove, signed in ballpoint pen, additionally inscribed 'To Halton, Andy', stamp numbered 'A.P. XIX/L' verso, an artist's proof aside from the edition of 250, printed by Silkprint Kettner, Zurich, published by Bruno Bischofberger, the full sheet printed to the edges, 900 x 1215mm (35 3/8 x 47 7/8in) (SH) (unframed)
|
£4,749
5,550
US$ 7,440
|
|
177
|
Andy Warhol (American, 1928-1987) Cow Screenprint in colours, from a later edition printed in the 1980's for the Modern Museum of Art, New York, the same colourway as Feldman & Schellmann 11, on thick wallpaper, from an unknown edition size, the full sheet, 1105 x 755mm (45 1/4 x 29 3/4in)(SH)
|
£2,499
2,921
US$ 3,916
|
|
178
|
Andy Warhol (American, 1928-1987) Campbell's Soup I: Chicken Noodle Screenprint in colours, 1968, on wove, signed in ball point pen and numbered 246/250 with a rubber stamp verso, printed by Salvatore Silkscreen Co. Inc., New York, published by Factory Additions, New York, 880 x 580mm (34 5/8 x 22 7/8in)(SH)
|
£11,249
13,145
US$ 17,622
|
|
179
|
Andy Warhol (American, 1928-1987) Campbell's Soup I: Pepper Pot Screenprint in colours, 1968, on wove, signed in ball point pen and stamp numbered 144/250 verso, printed by Salvatore Silkscreen Co.Inc., New York, published by Factory Additions, New York, 880 x 580mm (34 5/8 x 22 7/8in)(SH)
|
£8,374
9,786
US$ 13,119
|
|
183
|
Andy Warhol (American, 1928-1987) Kimiko Screenprint in colours, 1981, on Stonehenge paper, signed and numbered 183/250 in pencil verso, printed by Licht Editions Ltd, Denver, Colorado, published by Colorado State University, Department of Art, Fort Collins, Colorado, with full margins, 914 x 914mm (36 x 36in)(SH)
|
£11,249
13,145
US$ 17,622
|
|
184
|
Sol LeWitt (American, 1928-2007) Bands of colour in four directions Woodcut printed in colours, 1995, on Japan, signed and numbered 'TP 13' in pencil, a trial proof aside from the edition of 50, printed by Watanabe Studio, Brooklyn, published by The Country School, Madison, with margins, 775 x 300mm (30 1/2 x 11 3/4in)(B)
|
£1,499
1,752
US$ 2,349
|
|
188
|
Bridget Riley (British, born 1931) Untitled (Fragment 1) (Schubert 5A) Screenprint on plexiglass, 1965, signed and dated, a proof aside from the edition of 75, printed by Kelpra Studio, London, published by Robert Fraser Gallery, London, the full sheet, 674 x 839mm (26 1/2 x 33in)(SH)(unframed)
|
£14,999
17,527
US$ 23,497
|
|
189
|
Jim Dine (American, born 1935) The Red, White and Blue Venus for Mondale Screenprint in colours, 1984, on wove, signed and numbered 63/150 in pencil, published by Pace Editions New York, paper, the full sheet printed to the edges, 762 x 457 mm (30 x 18 in)(SH)
|
£1,624
1,898
US$ 2,545
|
|
190
|
Sir Howard Hodgkin (British, born 1932) Strictly Personal Etching, aquatint and carborundum, 2000-2002, printed in colours, with hand colouring in scarlet and green gouache, on Two Rives paper, initialled and numbered 23/55 in pencil, printed at 107 Workshop, Wiltshire, published by Alan Cristea Gallery, London, the full sheet printed to the edges, 300 x 340mm 11 3/4 x 13 3/8in)(SH)
|
£2,749
3,213
US$ 4,307
|
|
193
|
Craigie Aitchison (British, 1926-2009) Crucifixion and Mountain Screenprint in colours, 2005, on wove, signed, dated and numbered 41/75 in pencil verso, published by Advanced Graphics, London, the full sheet printed to the edges, 1100 x 850mm (43 1/4 x 33 1/2in) (SH)
|
£2,749
3,213
US$ 4,307
|
|
196
|
Victor Pasmore R.A. (British, 1908-1998) Untitled 7 Etching with aquatint in colours, 1990, on Fabriano, initialled, dated and numbered 64/70 in pencil, printed by Kelpra Grahpics, London, co-published by Marlborough Graphics Ltd. and 2RC Edizioni d'arte, London and Rome, with full margins, 732 x 1380mm (28 3/4 x 54 3/8in)(SH)(unframed)
|
£1,249
1,460
US$ 1,958
|
|
197
|
Various Artists Artists Choice Portfolio The complete set of 48 prints, 1987, each on wove, all signed and inscribed 'AP' in pencil, each an artist's proof aside from the edtion of 48, published by the Royal College of Art, London, 325 x 326 mm (12 3/4 x 12 3/4in)(Portfolio)(48)
|
£10,624
12,415
US$ 16,643
|
|
198
|
Gerhard Richter (German, born 1932) Victoria I; Victoria II (Butin p.283) Two offset lithographs printed in colours, 2003, each on wove paper, each signed and dated in pencil, published by Achenbach Art Edition, Dusseldorf, each 799 x 600mm (31 1/2 x 23 5/8in) (SH)(unframed)(2)
|
£2,749
3,213
US$ 4,307
|
|
200
|
Sean Scully (Irish, born 1946) Coloured Wall Lithograph printed in colours, 2003, on Zerkal Copperplate deluxe paper, signed, titled, dated and numbered 52/150 in pencil, printed at Atelier 28 with their stamp verso, 290 x 245mm (11 58 x 9 5/8in)(SH); together with the accompanying hardback book by David Carrier, in the original red slipcase, 310 x 258mm (Vol) 2
|
£1,749
2,044
US$ 2,741
|
|
201
|
Various Artists Hope and Optimism portfolio The complete set of ninety prints, 1990, each on various papers, each signed and numbered 86/200 in pencil, published by Orde Levinson, in the original blue portfolio, 855 x 650mm (33 6/8 x 25 1/2in) (overall size) (unframed) (90)
|
£6,249
7,303
US$ 9,790
|
|
202
|
Tracey Emin (British, born 1963) A Quite Meal Woodcut, 1985, a unique impression, on japan, signed 'Miss T.K.Emin', titled, dated and inscribed 'AP' in pencil, 252 x 272mm (9 7/8 x 10 3/4in)(B)
|
£1,749
2,044
US$ 2,741
|
|
204
|
Damien Hirst (British, born 1965) In a Spin, The Action of the World on Things: Volume 1 The complete portfolio of 23 etchings printed in colours, 2002, each on Hanhemuhle paper, each signed and numbered 18/60 in pencil, complete within the original spin painted portfolio box, printed by Hope (Sufferance) Press, London, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, 975 x 760mm (38 3/8 x 30in)(Overall)(23) Folio
|
£31,249
36,515
US$ 48,952
|
|
205
|
Damien Hirst (British, born 1965) In a Spin, The Action of the World on Things: Volume 2 The complete portfolio of 14 etchings and one c-print printed in colours, 2002, 13 on Hanhemuhle paper and 1 on photographic paper, each signed and numbered 20/60 in pencil, complete within the original spin painted portfolio box, printed by Hope (Sufferance) Press, London, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, (overall)(15) Folio
|
£34,849
40,722
US$ 54,592
|
|
207
|
Damien Hirst (British, born 1965) Xlyene Cyanol Dye Solution Etching printed in colours, 2005, on Hahnemuhle paper, signed and numbered from the edition of 65 verso in pencil, published by Charles Booth Clibborn under his imprint the Paragon Press, London, with full margins, 963 x 733mm (37 7/8 x 28 7/8in)(SH)
|
£5,999
7,010
US$ 9,398
|
|
211
|
Damien Hirst (British, born 1965) Untitled Screenprint in colours with bronze glitter, 2008, on wove, signed and numbered 34/100, inscribed 'for Mark Wey-hey love Damien XXX', published by Other Criteria, London, with full margins, 758 x 953mm (29 3/4 x 37 1/2in) (SH)
|
£3,999
4,673
US$ 6,265
|
|
212
|
Damien Hirst (British, born 1965) Butterfly Foil block print in colours, 2010, on wove, signed and inscribed 'For Mark love Damien', in pencil, numbered 88/150, stamped 'Happy Christmas 2010', published by Other Criteria, London, with full margins, 725 x 505mm (28 1/2 x 20in) (SH)
|
£3,499
4,089
US$ 5,482
|
|
213
|
Damien Hirst (British, born 1965) For the Love of God; Beyond Belief Two etchings with aquatint, 2007, each on wove, the right etching signed and inscribed 'for Jack love Damien XXX' in pencil, the left etching inscribed 'J.T' in pencil, each etching numbered 116/300 in pencil, 250 x 173mm (9 3/4 x 6 7/8in)(each plate)(2)
|
£1,624
1,898
US$ 2,545
|
|
214
|
Damien Hirst (British, born 1965) Carvacrol Screenprint in colours, 2008, on wove, signed and inscribed 'For Tim Thanks Damien XXX' in pencil, an artist's proof aside from the edition of 150, published by other Criteria, London, with full margins, 980 x 760mm (37 1/2 x 30in)(SH)
|
£3,124
3,651
US$ 4,895
|
|
215
|
Damien Hirst (British, born 1965) Untitled 06 (New Beginnings) Polymer gravure printed in colours, 2011, on Zerkall paper, signed and inscribed ' for Jack love Damien XXX' in pencil, an artist's proof aside from the edition of 55, published by Charles Booth Clibborn under his imprint the Paragon Press, London, the full sheet printed to the edges, 995 x 665mm (39 1/4 x 26 1/4in) (SH)
|
£3,124
3,651
US$ 4,895
|
|
216
|
Marc Quinn (British, born 1964) Garden 2 The complete set of eight pigment prints in colours, 2004, on Somerset velvet enhanced paper, each signed and numbered 16/45 in pencil verso, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, each 806 x 1245mm (31 3/4 x 49in)(SH)(unframed)(8)
|
£9,374
10,954
US$ 14,685
|
|
218
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Michael Landy (British, born 1963) Nourishment The complete portfolio containing twelve etchings, 2002, each on Hahnemuhle paper, each signed, titled, dated and numbered 14/37 in pencil verso, printed by Hope (Sufferance) Studio, London, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, contained in the original white portfolio box, each with full margins, 950 x 830mm (37 3/8 x 32 5/8in) Folio
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£7,749
9,055
US$ 12,140
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219
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Gary Hume (British, born 1962) Spring Angels (Paragon II 276-285) The complete portfolio of 8 screenprints in colours, 2000, each on Somerset Tub-Sized Satin paper, each signed and numbered 29/45 in pencil, with the colophon page, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, each 1070 x 1013mm (50 x 40in)(SH)(unframed)(8)
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£6,249
7,303
US$ 9,790
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220
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Julian Opie (British, born 1958) Ruth Smoking I-V (Cristea 90-94) The complete set of five screenprints in colours, 2006, on Somerset Satin, each signed and numbered 16/50 in pencil verso, printed by Advanced Graphics, London, published by Alan Cristea Gallery, London, various sizes (5)
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£51,649
60,352
US$ 80,909
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