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1
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Albrecht Dürer (German, 1471-1528) Death of the Virgin Woodcut, 1510, a good impression with Latin text verso, on laid, trimmed close to the borderline, 297 x 205mm (11 7/8 x 8 1/8in)(B) unframed
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£1,500
€1,773
US$ 2,279
|
|
2
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Albrecht Dürer (German, 1471-1528) Virgin and child with angel Engraving, 1520, on laid, trimmed just inside the platemark, 136 x 94mm (5 3/8 x 3 3/4in)(SH) unframed
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£1,625
€1,921
US$ 2,469
|
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3
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Albrecht Dürer (German, 1471-1528) Virgin with the swaddled infant Engraving, 1520, a good impression, on laid, trimmed just inside the platemark, 143 x 96mm (5 1/2 x 3 7/8in)(PL) unframed
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£2,500
€2,956
US$ 3,799
|
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8
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A Collection of Old Master Prints Hans Sebald Beham engravings, five from The Labours of Hercules: Hercules overcoming the Hydra(B102), Hercules fighting the Trojans(B101), Hercules and the Columns of Gaza(103), Hercules and Anthaeus(B105), Hercules and the Centaur(B96), c.1545, 54 x 79mm(PL). The four Evangelists: St Matthew(B55), St Mark(B56), St Luke(B57), St John(B58), 44 x 30mm(PL). Four of the Seven Virtues: Prudence(B130), Charity(B131), Justice(B132), Hope(B134), 40 x 24mm (PL). A complete set of Jacques Callot engravings of Lux Claustri(L599-625), 1628, 60 x 80mm(PL), all pasted into a book, 190 x 130mm. Two Lucas van Leyden engravings The Creation of Eve(H1), 162 x 116mm and The Fall of Man(H3), 1529, 162 x 115mm, both first state of three. Two Durer woodcuts Christ on the Mount of Olives(B6), after 1511 and The Holy Family with three hares(102), 1496, probably a meder g impression, 390 x 280mm(PL), on laid. Collection
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£3,500
€4,139
US$ 5,319
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9
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Giovanni Battista Piranesi (Italian, 1720-1778) A Small Collection of Etchings of Rome The Temple of Portunus (The Round Temple near S.M. in Cosmedin)(H47), 1758, the second state of five, 400 x 595mm, The Waterall at Tivoli(H75), 1765, the second state of five, 475 x 703mm, Palazzo della Consulta(H22), 1729, the fourth state of six, 405 x 610mm, Grand'Urno di Porfido(F304), 395 x 600mm, Mausoleum of Augustus from Antichita Romane, 395 x 520mm, plus one by Francesco Piranesi, Hadrian's Villa: The So-Called Heliocaminus(H133), 1777, the first state of three, all on thick watermarked laid, the last two have the full sheets, the rest have trimmed margins 6 unframed
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£3,500
€4,139
US$ 5,319
|
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10
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Faust Etching, c.1652, a good impression of the second state of three, with burr on the cap, sleeve and fold of the cloak, on wove, with thread margins, 210 x 160mm (8 1/4 x 6 1/4in)(PL)
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£6,875
€8,130
US$ 10,449
|
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11
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The First Oriental Head Etching, 1635, a fine impression of the second state of three, on laid, trimmed to platemark, 151 x 125mm (6 x 4 7/8in)(PL)
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£6,000
€7,095
US$ 9,119
|
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12
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Man wearing a close cap: Bust (The Artist's Father?) Etching, 1630, the final fifth state, with the plate cut down to the head and shoulders and evened off along the left edge, with diagonal shading on the left shoulder, on laid, with thread margins, 75 x 60mm (2 7/8 x 2 3/8in)(PL)
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£2,125
€2,513
US$ 3,229
|
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13
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Second Oriental head Etching, 1635, only state, on laid, with small margins, 151 x 125mm (6 x 4 7/8in)(PL)
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£10,000
€11,825
US$ 15,199
|
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14
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Bearded Man in a Furred Oriental Cap and Robe: The Artist's Father Etching, 1631, the final fourth state, with the right hand burnished out and the plate cut down, on laid, with thread margins, 145 x 123mm 5 3/4 x 4 7/8in)(PL)
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£2,750
€3,252
US$ 4,179
|
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16
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Uytenbogaert, Preacher of the Remonstrants Etching, 1635, on laid, the final sixth state, on laid, trimmed to the lower platemark and to the image elsewhere, with pen and ink additions to the face, 225 x 180mm (8 7/8 x 7 1/8in)(PL)
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£1,125
€1,330
US$ 1,709
|
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17
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Uytenbogaert, The Gold Weigher Etching, 1639, the final second state reworked by Captain Baillie, with retouching in the face and fur and additional vertical shading between the boy's left thigh and his right calf, on laid, trimmed to the lower platemark, with narrow margins elsewhere, 250 x 204mm (9 7/8 x 8in)(PL)
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£3,750
€4,434
US$ 5,699
|
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18
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Asselyn, Painter Etching, 1647, Nowell-Usticke's final sixth state, with cross-hatching under the right eye on laid and reworking on the cloak, trimmed just inside the platemark on three sides, with thread margin along right edge, 210 x 173mm (8 1/4 x 6 3/4)(SH)
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£1,625
€1,921
US$ 2,469
|
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19
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Old man with a divided fur cap Etching, 1640, an early impression of the final second state, with the slipt diagonal stroke running from the cap over his left eyebrow to the left cheek, on laid, with small margins, 150 x 140mm 5 3/4 x 5 1/2)(PL)
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£4,125
€4,878
US$ 6,269
|
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20
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Clement de Jonghe, Printseller Etching, 1651, the fifth state of six, with additional shading below the collar and above the right hand and the triangular area below the cross bar of the chair almost burnished out, on tissue thin laid, trimmed along upper platemark, with thread margins elsewhere, 207 x 161mm (8 1/8 x 6 3/8in)(PL)
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£2,125
€2,513
US$ 3,229
|
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21
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jan Antonides van der Linden Etching, 1665, the final fifth state, with additional shading to the trees below the collar, on wove, with the blank tablet below the subject, with narrow margins, 175 x 105mm (6 7/8 x 4 1/8in)(PL)
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£1,125
€1,330
US$ 1,709
|
|
22
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Old Woman Sleeping Etching, 1635, a good impression of the only state, on laid, trimmed just inside the platemark, 68 x 51mm (2 3/4 x 2 1/8in)(PL)
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£6,250
€7,391
US$ 9,499
|
|
23
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Samuel Manasseh Ben Israel Etching, 1636, the final third state with vertical shading on the right brow, on laid, trimmed inside platemark, 137 x 104mm ( 5 3/8 x 4 1/8in)(SH), together with two further etchings, 'Old Man with a beard fur cap and velvet cloak' (B262), c1632, the final third state, with strong diagonal shading lower left and on the right forehead and cheek, on laid, with thread margins, 149 x 130mm (5 7/8 x 5 1/8in)(PL), and 'Rembrandt's Mother in Widow's Dress and Black Gloves' (B344), c1632, with additional pen and ink, Nowell-Usticke's second state of three with the thumb just visible above the signature, on laid, trimmed just inside the platemark, 149 x 116mm (5 7/8 x 4 1/2in)(SH) 3
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£2,375
€2,808
US$ 3,609
|
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25
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Raising of Lazarus: Small Plate Etching, 1642, a late impression of the second state, with fine lines shading the forehead of Lazarus, on laid, with thread margins, 150 x 114mm (5 7/8 x 4 1/2in)(PL) (unframed)
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£1,375
€1,626
US$ 2,089
|
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26
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Peasant Family on the tramp Etching, c.1652, a late impression of the first state, with the false biting visible, on laid, 111 x 90mm 4 3/8 x 3 1/2in)(SH). Together with "Old Man seated, with a beard, fur cap and velvet cloak" (B.262), a fair impression of the final state, on laid, 150 x 130mm (5 7/8 x 5 7/8in)(SH) 2 unframed
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£2,375
€2,808
US$ 3,609
|
|
29
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Francisco de Goya (Spanish, 1746-1828) Los Proverbios The complete set of eighteen etchings with aquatint and drypoint, 1864, good impressions from the Third Edition of 100 copies,(Harris' edition 'a' before the change to the title page), on strong wove paper, published by the Real Academia de Nobles Artes de San Fernando, Madrid, 1891, the full sheets, bound with the title page, but without the original covers; (this differs from Harris in the paper type and sheet size), 240 x 355mm (9 3/8 x 14in)(PL); (315 x 490mm (12 3/8 x 19 1/4in)(overall) Vol
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£4,000
€4,730
US$ 6,079
|
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30
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Jean-François Millet (French, 1814-1875) The Large Shepherdess Etching, 1862, on japan, with narrow margins, 315 x 233mm (12 3/8 x 9 1/8in)(PL). Together with a copy of Bresdin's "La Comedie de la Mort" (VG 84), trimmed to the image. 2 unframed
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£1,250
€1,478
US$ 1,899
|
|
32
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James Ensor (Belgian, 1860-1949) L'Ange Exterminator Etching and drypoint, 1889, on wove, signed, titled and dated in pencil, with margins, 115 x 155mm (4 1/2 x 6 1/8in)(PL)
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£2,750
€3,252
US$ 4,179
|
|
33
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Pierre-Auguste Renoir (French, 1841-1919) Le Chapeau Épinglé - 2e planche Lithograph printed in grey-green, c.1897, a rare proof aside from the published edition of 200, on chine volant, signed twice in the stone, 610 x 495mm (24 x 19 1/2in) (I)
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£7,500
€8,869
US$ 11,399
|
|
34
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Théophile Alexandre Steinlen (Swiss/French, 1859-1923) L'été, ou le chat sur une balustre Lithograph in colours, 1909, on wove, backed onto linen, from an edition of 250, printed by Engelmann, Paris, published by Sagot, Paris, 528 x 628mm (20 3/8 x 24 3/4in)(SH) (unframed)
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£1,125
€1,330
US$ 1,709
|
|
35
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Camille Pissarro (French, 1830-1903) Gardeuse d'Oies Etching, 1888, first state of three, on japan, 135 x 193mm (5 3/8 x 7 5/8in)(PL) unframed
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£1,500
€1,773
US$ 2,279
|
|
37
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James Abbott McNeill Whistler (American, 1834-1903) Fruit-Stall Etching printed in brown with tone, 1879-80, the seventh and final state, from "Twenty-six Etchings" (the Second Venice Set), on laid, trimmed with thread margins, with an unsigned paper tab, 225 x 149mm (8 7/8 x 5 7/8in)(SH)
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£3,125
€3,695
US$ 4,749
|
|
38
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James Abbott McNeill Whistler (American, 1834-1903) The Smith, Passage du Dragon Lithograph, 1894, the first state of three, on off white japan, signed with the butterfly monogram lower right, 302 x 189mm (11 7/8 x 7 3/8in)
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£1,750
€2,069
US$ 2,659
|
|
39
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James Abbott McNeill Whistler (American, 1834-1903) The Whitesmiths, Impasse des Carmélites Lithograph, 1894, on laid japan, signed with the butterfly in pencil lower right, 275 x 201mm (10 3/4 x 7 7/8in)(SH)
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£1,000
€1,182
US$ 1,519
|
|
40
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James Abbott McNeill Whistler (American, 1834-1903) La Fruitiere de la rue de Grenelle Lithograph, 1894, on laid, apparently one of only 33 impressions recorded by Way, 300 x 190mm (11 3/4 x 7 1/2in)(I)
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£1,000
€1,182
US$ 1,519
|
|
41
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James Abbott McNeill Whistler (American, 1834-1903) Little Dordrecht Etching, c1880, a good impression of the only state, on laid, 95 x 130mm (3 3/4 x 5 1/8in)(PL) unframed
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£4,375
€5,173
US$ 6,649
|
|
42
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James Abbott McNeill Whistler (American, 1834-1903) Old Battersea Bridge Lithograph, 1879-87, a good impression of the second and final state, on Van Gelder Zonen laid, the full sheet with deckle edges to three sides, signed with the butterfly monogramme in pencil lower right, 285 x 457mm (11 1/4 x 19in)(SH) unframed
|
£1,750
€2,069
US$ 2,659
|
|
43
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James Abbott McNeill Whistler (American, 1834-1903) Seats, Gray's Inn Etching, c.1886-88, a very fine impression, in brown, printed with tone, on antique laid, watermarked "IH", from the posthumous edition of 3 impressions, printed by Nathaniel Sparks, signed verso by Sparks in pencil, inscribed in lower margin recto in pencil "The 1st proof of an issue of 3 prints taken from the original plate by my authority. Rosalind Birnie Philip.", 80 x 175mm (3 1/8 x 6 7/8in)(PL) unframed
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£2,500
€2,956
US$ 3,799
|
|
44
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James Abbott McNeill Whistler (American, 1834-1903) The Beach, Ostend Etching, c.1886-88, a very fine impression printed with tone, in dark brown, on antique laid, watermarked "IH", from the posthumous edition of 3 impressions, printed by Nathaniel Sparks in 1931, signed by Sparks in pencil verso, inscribed in lower margin recto in pencil "The 1st proof of an issue of 3 prints taken from the original plate by my authority. Rosalind Birnie Philip.", 80 x 182mm (3 1/8 x 7 1/4in)(PL)
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£2,000
€2,365
US$ 3,039
|
|
45
|
Bauhaus Werkstattberichte (German) Meistermappe des Staatlichen Bauhauses Containing the title page and eight unbound works, three woodcuts: Lyonel Feininger 'Gelmeroda'(P.W237), on japan, signed in pencil, 332 x 240mm(B), Gerhard Marcks 'Am Ofen'(L.H87), on laid, intialled and dated in pencil, 277 x 164mm(B), Lothar Schreyer 'Untitled', on laid, signed and dated in pencil, 198 x 125mm(B); two etchings: Georg Muche 'Auf dem Tisch'(S20), on wove, signed in pencil, 145 x 148mm(PL), Oscar Schlemmer 'Abstrakte Figur'(G.R1), on wove, signed and dated in pencil, 315 x 237mm(PL); three lithographs: Wassily Kandinsky 'Fröhlicher Aufstieg'(R177), on wove, signed in pencil, 234 x 293mm(I), Paul Klee 'Der Verliebte'(K94), on wove, signed in pencil, 275 x 190mm(I), Ladislaus Moholy-Nagy 'Composition'(S.210-6), on wove, signed in pencil, 360 x 253mm(I), numbered 45/100 on the title page, printed and published by Staatliches Bauhaus, Weimar, 505 x 400mm (19 7/8 x 15 3/4in)(Volume)
|
£97,250
€115,007
US$ 147,818
|
|
46
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Wassily Kandinsky (Russian, 1866-1944) Kleine Welten IV Lithograph printed in yellow, green, violet and black, 1922, on wove, signed in pencil, from the edition of 200, published by Propyläen Verlag, Berlin, 355 x 290mm (14 x 11 3/8in)(SH)(unframed)
|
£15,000
€17,738
US$ 22,799
|
|
47
|
Christian Rohlfs (German, 1849-1938) Austreibung aus dem Paradis (Small) Woodcut printed in black and yellow, c.1915-1916, on wove, signed in pencil under the image on the backing card, 125 x 323mm (4 7/8 x 12 3/4n)(SH) unframed
|
£1,187
€1,404
US$ 1,804
|
|
48
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Wassily Kandinsky (1866-1944) and Franz Marc (1880-1916) Der Blaue Reiter The book, 1912, containing a colour woodcut in black and blue with the monogram in black lower right, a woodcut in black, four colour reproductions with hand colour, musical scores, text in German, from the edition of 1200, published by R.Piper & Co.Verlag, Munich, 293 x 228mm (11 1/2 x 8 7/8in)(Vol)
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£3,500
€4,139
US$ 5,319
|
|
48A
|
Bauhaus Werkstattberichte (German) Bauhausbücher, Schriftleitung Walter Gropius, Laszlo Moholy-Nagy A collection of 11 volumes: Walter Gropius 'Internationale Architecktur', 1927, Paul Klee 'Pädagogisches Skizzenbuch', 1925, Adolf Meyer 'Ein Versuchshaus des Bauhauses in Weimar', 1925, Oskar Schlemmer 'Die Bühne im Bauhaus', 1925, Piet Mondrian 'Neue Gestaltung', 1925, Theo van Doesburg 'Grundbegriffe der neuen Gestaltenden Kunst', 1925, W.Gropius 'Neue Arbeiten der Bauhauswerkstätten', 1925, Moholy-Nagy 'Malerei Photographie Film', 1927, W.Gropius 'Bauhausbauten Dessau', 1930, two copies of Kasimir Malewitsch 'Die Gegenstandslose Welt' 1927, six with their original dustjackets, published by Albert Langen Verlag, Munich, 235 x 185mm (9 1/4 x 7 1/4in)(Vol) 11
|
£3,750
€4,434
US$ 5,699
|
|
49
|
Käthe Kollwitz (German, 1867-1945) Zwei Schwatzende Frauen mit Zwei Kindern Lithograph, 1930, on wove, signed in pencil, from the edition of 150, 474 x 355mm (18 5/8 x 14in)(SH)
|
£1,875
€2,217
US$ 2,849
|
|
50
|
Karl Schmidt-Rottluff (German, 1884-1976) Karl Schmidt-Rottluff's Graphisches Werk bis 1923 The book by Rosa Schapire, containing a total of ten works: nine woodcuts and one etching, eight are signed in pencil, numbered 14 from an edition of 400 on the final page, published by Euphorion, Berlin, 300 x 225mm (11 3/4 x 8 7/8in)(Vol), together with a portfolio 'Karl Schmidt-Rottluff-Radierungen-Holzschnitte', containing nine proofs for the Graphisches Werk: eight woodcuts,(the 'SR' woodcut is missing), five on Van Gelder Zonen paper and three on japan, and three etchings, one on wove and two on japan, each signed and numbered XIV/XXX in pencil, plus two additional etchings not included in the book 'Moon and trees' and 'Women in the bushes', plus title page, 335 x 253mm(Folio) 2
|
£8,750
€10,347
US$ 13,299
|
|
51
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Max Pechstein (German, 1881-1955) Zweisprache Woodcut printed in colours, 1920, on wove, signed and dated in pencil, 400 x 318mm (15 3/4 x 12 1/2in)(I)
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£9,375
€11,086
US$ 14,249
|
|
52
|
Karl Hartung (German, 1908-1967) Kleine Knospe Sculpture, 1946, bronze with gold patina, with inscribed signature on the base, height 480mm (18 7/8in)
|
£13,750
€16,260
US$ 20,899
|
|
53
|
Karl Hartung (German, 1908-1967) Vegetative Doppelform Sculpture, 1939, possibly a later cast, bronze with green patina, with inscribed signature on the base, height 310mm (12in)
|
£6,000
€7,095
US$ 9,119
|
|
55
|
Karl Hartung (German, 1908-1967) Katze Sculpture, 1939, bronze with muted gold patina, with inscribed signature on the base, height 95mm (3 3/4in)
|
£3,125
€3,695
US$ 4,749
|
|
56
|
Karl Hartung (German, 1908-1967) Mother and Child Sculpture, 1947, polished wood, with inscribed signature on the base, height 185mm (7 1/4in)
|
£6,875
€8,130
US$ 10,449
|
|
57
|
Max Beckmann (German, 1884-1950) Der Jahrmarkt - Der Ausrufer (Selbstbildnis)(Hofmaier 191); Schiessbude (H.194); Die Seiltanzer (H.198); Schlangendame (H.200) Drypoints, four from the series, 1921/22, from edition B.b; 125 impressions, on wove, printed by Franz Hanfstaengl, Munich, published by Verlag der Marées Gesellschaft, R.Piper & Co., Munich, with the original leather folder, various sizes, 4 1 unframed, plus portfolio
|
£15,000
€17,738
US$ 22,799
|
|
58
|
Lill Tschudi (Swiss, 1911-2001) Sticking up Posters Linocut printed in dark blue, brown and viridian, 1933, on off-white oriental laid paper, signed and numbered 39/50 in pencil, inscribed Palkataubeleber' in lower margin, with margins, 302 x 200mm (11 7/8 x 7 7/8in)(SH)
|
£12,500
€14,782
US$ 18,999
|
|
59
|
Claude Flight (British, 1881-1955) Swing-Boats Linocut printed in colbalt blue and crimson oil paint and black printing ink, 1921, on thin tracing paper, mounted to stiff black-brown paper backing, as issued, signed and numbered 33/50 in pencil lower left, with margins, 255 x 321mm (10 x 12 5/8in)(SH)
|
£18,750
€22,173
US$ 28,499
|
|
60
|
Claude Flight (British, 1881-1955) Paris Omnibus Linocut printed in blue and crimson oil paint and viridian and black ink, 1923, on oriental laid tissue, reverse mounted by pasting to stiff black/brown paper backing, signed and numbered 6/50 in pen and ink lower right, with margins, 250 x 297mm (9 7/8 x 11 5/8in)(SH)
|
£46,850
€55,404
US$ 71,211
|
|
61
|
Claude Flight (British, 1881-1955) Spring (from the Four Seasons) Linocut printed in yellow ochre, vermilion, mauve, emerald green and cobalt blue, 1926, on cream oriental laid paper, signed and numbered 21/50 in pencil, with margins, 260 x 312mm (10 1/4 x 12 1/4in)(B)
|
£12,500
€14,782
US$ 18,999
|
|
62
|
Claude Flight (British, 1881-1955) Winter (Coppel CF19) Linocut printed in yellow ochre, red, mauve, cobalt blue and emerald green, c.1926, a strong and vibrant impression, on thin cream oriental laid paper, signed and numbered 6/50 in pencil, with margins, 246 x 297mm (9 7/8 x 11 6/8in)(B)
|
£18,750
€22,173
US$ 28,499
|
|
63
|
Cyril Edward Power (British, London 1872-1951) Runners Linocut printed in ventian red and viridian, c.1930, on buff oriental laid tissue, signed, titled and numbered 10/50 in pencil, with margins, 174 x 350mm (6 7/8 x 13 6/8in)(B)
|
£27,500
€32,521
US$ 41,799
|
|
64
|
Cyril Edward Power (British, London 1872-1951) Skaters Linocut printed in spectrum red, light cobalt blue and viridian, c.1932, on buff oriental laid tissue, signed, titled and numbered 51/60 in pencil, with margins, 198 x 316mm (7 3/4 x 12 3/8in)(B)
|
£16,250
€19,217
US$ 24,699
|
|
66
|
Sybil Andrews, CPE (British/Canadian, 1898-1993) The Mowers Linocut printed in raw sienna, red, viridian and Chinese blue, 1937, on buff oriental laid tissue, signed, titled and numbered 27/60 in pencil, with margins, 292 x 352mm (11 1/2 x 13 7/8in)(B)
|
£13,750
€16,260
US$ 20,899
|
|
69
|
Lill Tschudi (Swiss, 1911-2001) Sailor's Holiday Linocut printed in dark blue, light brown and light blue, 1932, on off-white oriental laid paper, signed, titled and numbered 8/50 in pencil, with margins, 200 x 260mm (7 7/8 x 10 1/4in)(B) (unframed)
|
£10,000
€11,825
US$ 15,199
|
|
70
|
William Greengrass (British, 1896-1970) Low tide - a muddy interlude Linocut printed in colours, 1937, the colours bright and fresh, on tissue thin Japan, signed, titled, dated and numbered 1/30 in pencil top left, with margins, 200 x 239mm (8 x 9 3/8in) (B) (unframed)
|
£3,125
€3,695
US$ 4,749
|
|
72
|
Paul Nash (British, 1889-1946) Rain, Lake Zillebeke Lithograph, 1918, on wove, signed, dated and numbered 15/25 in pencil, 255 x 362mm (10 x 14 1/4in)(I)
|
£39,650
€46,889
US$ 60,267
|
|
73
|
Paul Nash (British, 1889-1946) Promenade Woodcut, 1920, on wove, signed, titled, dated and inscribed 'from the edition of 25' in pencil, 115 x 145mm (4 1/2 x 5 3/4in)(I)
|
£11,875
€14,043
US$ 18,049
|
|
74
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Romney Marsh (Guichard 25) The rare etching, 1922, on wove, a rich impression, signed and dated in pencil, from the edition of 25, with margins, 289 x 452mm (11 3/8 x 17 3/4in)(PL)
|
£10,625
€12,565
US$ 16,149
|
|
75
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Marlow Etching, c.1930, on hand made laid, signed in pencil, 275 x 350 (10 3/4 x 13 3/4in)(PL)
|
£1,875
€2,217
US$ 2,849
|
|
76
|
Sir Augustus Edwin John (British, 1878-1961) Portrait of William Butler Yeats Etching, 1907, on laid, with wide margins, signed in pencil, from an edition of 50, with pen inscriptions in lower margin 'Portrait of WB Yeats' and 'Imp 19/50', 178 x 125mm (7 x 4 7/8in)(PL)
|
£1,875
€2,217
US$ 2,849
|
|
77
|
Graham Sutherland O.M. (British, 1903-1980) The Sluice Gate Etching, 1924, on japan, with wide margins, signed in pencil, from an edition of 69, published by Twenty-One Gallery, London, 135 x 130mm (5 1/4 x 5 1/8in)(PL)
|
£1,875
€2,217
US$ 2,849
|
|
78
|
Eric Gill (British, 1882-1940) Engravings The volume, 1929, numbered 66/80, special copies on handmade paper, signed by the artist and with an extra suite of the engravings on Japon, from an edition limited to 490, wood-engraved self-portrait and 103 plates, a few printed in red or red and black, additional plates loose as issued in pocket at end, original vellum-backed pictorial cloth, gilt, by Wood, t.e.g., others uncut, printed by Ernest Ingham at the Fanfare Press for Douglas Cleverdon, 350 x 275mm (13 3/4 x 10 7/8in)(Vol)
|
£6,000
€7,095
US$ 9,119
|
|
79
|
Paul Nash (British, 1889-1946) Empire Marketing Board Lithographic poster, printed in colours on thin wove, issued by the Empire Marketing Board, printed for H.M.Stationery Office by Waterlow & Sons Ltd, London, 505 x 765mm (21 1/2 x 30 1/8in)(SH)
|
£1,125
€1,330
US$ 1,709
|
|
80
|
Paul Nash (British, 1889-1946) Come out to Live; Come in to Play Lithographic posters, 1936, the pair, published by London Transport, printed by the Baynard Press, 1000 x 620mm (39 3/8 x 24 3/8in)(SH) 2
|
£2,500
€2,956
US$ 3,799
|
|
81
|
Eric William Ravilious (British, 1903-1942) Submarines - The Engine Room Colour lithograph, 1940-41, on thin wove, printed by W.S.Cowell, Ipswich, from an edition of approximately 50, published by the artist, 280 x 320mm (11 x 12 5/8in)(SH)
|
£6,000
€7,095
US$ 9,119
|
|
83
|
Henri Matisse (French, 1869-1954) Le repos du modèle Lithograph, 1922, the unsigned second state, one of 575 impressions on chine volant, from the album "Les peintres lithographes de Manet à Matisse", published by Frapier, with the blindstamp of Le Galerie des Peintres et Graveurs lower right, 220 x 298mm (8 5/8 x 11 3/4in)(I), 275 x 365mm (10 3/4 x 14 3/8in)(SH) unframed
|
£1,875
€2,217
US$ 2,849
|
|
84
|
Henri Matisse (French, 1869-1954) Vierge et Enfant sur fond de fleurs et d'étoiles Lithograph, 1950/51, a proof aside from the edition of 100, on chine appliqué laid onto wove, 500 x 378mm (19 5/8 x 14 78in)(SH) unframed
|
£1,625
€1,921
US$ 2,469
|
|
85
|
Henri Matisse (French, 1869-1954) Visage souriant Etching, 1946, on chine appliqué laid onto wove, signed and numbered 12/25 in pencil, 146 x 108mm (5 3/4 x 4 1/4in)(PL) unframed
|
£3,750
€4,434
US$ 5,699
|
|
89
|
Henri Matisse (French, 1869-1954) Trois Personnages, recherches sur les acides Etching, 1931, on chine appliqué laid onto Arches, signed and numbered 10/25 in pencil, 199 x 119mm (7 3/4 x 4 5/8in)(PL) unframed
|
£3,750
€4,434
US$ 5,699
|
|
90
|
Henri Matisse (French, 1869-1954) Figure voilée aux deux bracelets Lithograph, 1929, on japan, signed and numbered 10/25 in pencil, 645 x 500m (25 3/8 x 19 5/6in)(SH) unframed
|
£8,750
€10,347
US$ 13,299
|
|
91
|
Pablo Picasso (Spanish, 1881-1973) Paloma and Claude The pair of lithographs, 1950, on wove, from the edition of 2000, printed for the cover of Picasso Lithographs Volume II, published by Andre Sauret, 317 x 238mm (12 1/2 x 9 3/8in)(each sheet)(2 unframed)
|
£1,187
€1,404
US$ 1,804
|
|
92
|
After Pablo Picasso (Spanish, 1881-1973) Maternité Lithograph in colours, 1963, on Arches, a proof aside from the signed edition of 200, published by Editions Combat de la Paix, Paris, with margins, 890 x 630mm (35 x 24 3/4in)(SH)(unframed)
|
£2,250
€2,660
US$ 3,419
|
|
93
|
Pablo Picasso (Spanish, 1881-1973) Picasso Lithographs I-IV The four books, 1949-1964, with 7 original lithographs, one printed in colours, published by Andre Sauret, each 321 x 247mm (12 5/8 x 9 3/4in)(4 Volumes)
|
£2,750
€3,252
US$ 4,179
|
|
94
|
Pablo Picasso (Spanish, 1881-1973) Drawings, Gouaches, Watercolours, 1898-1957 (Czwiklitzer 117) Collotype in colours, 1957, a proof impression aside from the edition of 1000, on Arches, 290mm x 430mm (11 3/4in x 16 7/8in)(I)(unframed)
|
£1,000
€1,182
US$ 1,519
|
|
96
|
Pablo Picasso (Spanish, 1881-1973) Vallauris 1953 exposition (Czwiklitzer 68) Linocut with lithograph in colours, mounted on linen, 1953, signed in red crayon, from an edition of 2000, printed by Vallauris Arnera, Paris, with margins, 890 x 570mm (35 x 22 1/2in)(SH)(unframed)
|
£2,000
€2,365
US$ 3,039
|
|
97
|
Pablo Picasso (Spanish, 1881-1973) Picador (from A Los Toros avec Picasso) (Bloch 1014-1017)) Lithograph in colours, 1961, on wove, printed by Mourlot Freres, Paris, published by Andre Sauret, Paris, with margins, 245 x 318mm (9 6/8 x 12 1/2in) (SH) (unframed); together with three other lithographs, 1961, from A los toros, each 245 x 318mm (9 6/8 x 12 1/2in)(SH)(4)(unframed)
|
£1,625
€1,921
US$ 2,469
|
|
98
|
After Pablo Picasso (Spanish, 1881-1973) Femme Nue (Nusche Eluard) Offset lithograph in colours, c.1950, on Arches, a proof aside from the signed edition of 200, with margins, 844 x 670mm (33 1/8 x 26 3/8in)(SH)
|
£1,250
€1,478
US$ 1,899
|
|
99
|
After Picasso by Jacques Villon (French, 1875-1963) Les Saltimbanques Etching and aquatint printed in colours, 1922, on Arches, signed by Picasso and numbered 131/200 in pencil, published by Bernheim-Jeune, Paris, 600 x 425mm (23 5/8 x 16 3/4in)(PL)
|
£7,500
€8,869
US$ 11,399
|
|
100
|
Pablo Picasso (Spanish, 1881-1973) La Danse Barbare from La Suite des Saltimbanques Dry-point, 1905-1913, on wove, from the unnumbered, unsigned edition of 250, 185 x 230mm (7 1/4 x 9 1/8in)(PL)
|
£1,875
€2,217
US$ 2,849
|
|
101
|
Pablo Picasso (Spanish, 1881-1973) Le Viol II from La Suite Vollard Drypoint, 1933, on Montval laid, the full sheet, with the Picasso watermark, signed in pencil, from the edition of 250, printed by Lacourière, Paris, published by Vollard, Paris, 297 x 366mm (11 3/4 x 14 3/8in)(PL), 340 x 445mm (13 3/8 x 17 1/2in)(SH)
|
£4,000
€4,730
US$ 6,079
|
|
102
|
Pablo Picasso (Spanish, 1881-1973) Marie Thérèse agenouillée contemplant un groupe sculpté from La Suite Vollard Etching, 1933, on Montval laid, the full sheet, with the Vollard watermark, from the edition of 260, signed in pencil, printed by Lacourière, Paris, published by Vollard, Paris, 300 x 367mm (11 7/8x14 1/2in)(PL)
|
£6,875
€8,130
US$ 10,449
|
|
103
|
Pablo Picasso (Spanish, 1881-1973) Femme nue devant une Statue Etching, 1931, on Montval laid, the full sheet, with the Vollard watermark, from the edition of 260, signed in pencil, printed by Lacourière, Paris, published by A.Vollard, 312 x 221mm (12 1/4 x 8 5/8in) (PL)
|
£9,375
€11,086
US$ 14,249
|
|
104
|
Pablo Picasso (Spanish, 1881-1973) Modèle nu et Sculptures, from La Suite Vollard Etching, 1933, on Montval laid, with the Picasso watermark, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by A.Vollard, Paris, 278 x 297mm (10 7/8 x 11 3/4in)(PL)
|
£6,875
€8,130
US$ 10,449
|
|
105
|
Pablo Picasso (Spanish, 1881-1973) Minotaure, Buveur et Femmes, from La Suite Vollard Etching, 1933, on Montval laid, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by A.Vollard, Paris, with margins, 298 x 365mm (11 3/4 x 14 3/8in)(PL)
|
£13,125
€15,521
US$ 19,949
|
|
107
|
Pablo Picasso (Spanish, 1881-1973) Tête or Sculpture. Profil de Marie-Thérèse Etching, 1933, on laid, signed and numbered 40/50 in pencil, published 1961 by Galerie Louise Leiris, Paris, with margins, 175 x 152mm (6 7/8 x 6in)(PL)
|
£5,625
€6,652
US$ 8,549
|
|
108
|
Pablo Picasso (Spanish, 1881-1973) Beau Gentilhomme Espagnol et Femme à Barbe, from Series 347 Etching, 1968, on Rives, signed in pencil, one of seventeen proofs aside from the edition of 50, published 1969 by Galerie Louise Leiris, Paris, 325 x 195mm (12 3/4 x 7 5/8in)(PL)
|
£3,125
€3,695
US$ 4,749
|
|
110
|
Pablo Picasso (Spanish, 1881-1973) Sueno y Mentira de Franco The two etchings with aquatint, 1937, on chine collé on imperial japan, each signed and numbered 30/150 in pencil, with title page in Spanish and text page in French and Spanish, loose within the wove paper covers, the etchings printed by Lacourière, Paris, 315 x 420mm (12 3/8 x 16 1/2in)(PL), 590 x 400mm (23 1/4 x 15 3/4in)(Overall)
|
£22,500
€26,608
US$ 34,199
|
|
113
|
Marc Chagall (Russian/French, 1887-1985) Fables - Jean de La Fontaine Etchings, 1952, five from the series, each hand coloured by the artist, unsigned impressions, on wove, the full sheets, from the total edition of 200 of which 85 sets were hand coloured, published by Tériade, Paris 5 unframed
|
£1,250
€1,478
US$ 1,899
|
