With heavy round barrels flat at the top and profusely inlaid in gold throughout their length with swags, scrollwork, sunbursts, stars, trophies, and an urn, and each signed on a gold scroll, at the rear of each breech a gold-inlaid band of engraved foliage between a pair of engraved gold lines, gold fore-sights, gold-inlaid touch-holes, shaped tangs inlaid with gold trophies, flat bevelled locks each signed on a gold-inlaid scroll issuing from a trophy of arms and with gold-inlaid steel, cock, safety-catch, and stepped tail, the border of the lock-plates and steels all inlaid with a running wheat-ear design in gold, rollers, and gold-lined semi-rainproof pans, later full stocks (one butt repaired), cast and chased mounts decorated in high relief with trophies of arms and including spurred pommels, pierced side-plates, and vacant escutcheons, engraved silver-gilt ramrod-pipes, the rear ones decorated in relief with swags and a pair of crossed pennants, gold-inlaid barrel-bolts (one expertly replaced), ornate engraved silver barrel-bolt escutcheons, and later ramrods (some scattered minor surface pitting on the barrels, locks, and barrel-bolts, some screws replaced): in relined and refitted mahogany case with some accessories including rare four-way powder-flask covered with red leather, the interior of the lid with trade label of J.J. Vaughan Late Charles Vaughan, 39 & 40 Strand for circa 1845, the exterior with flush-fitting brass carrying handle, Tower private proof marks