Joaquín Sorolla (Spanish 1863-1923), "La Bella Raquel" - Portrait of Raquel Meller (1888-1962), Signed "J Sorolla" (lower right) Oil on canvas, 77cm x 64cm, painted in 1919
Lot 59
Joaquin Sorolla y Bastida (Spanish, 1863-1923) Portrait of a young lady in a hat, believed to be Raquel Meller - 'La bella Raquel'
Sold for £180,000 (US$ 302,260) inc. premium
Auction Details
Joaquin Sorolla y Bastida (Spanish, 1863-1923) Portrait of Raquel Meller,  La bella Raquel
Lot Details
Joaquin Sorolla y Bastida (Spanish, 1863-1923)
Portrait of a young lady in a hat, believed to be Raquel Meller - 'La bella Raquel'
signed 'J Sorolla' (lower right)
oil on canvas
77 x 64cm (30 5/16 x 25 3/16in).

Footnotes

  • To be offered with a photo certificate from Blanca Pons-Sorolla who has dated the work to c. 1912.

    Acclaimed as a 'genius' by Sarah Bernhardt, Raquel Meller was a highly popular singer who started life singing cuplés (couplets) to earn a living. These were considered risqué and an undignified choice for a serious singer, but with her charm and charisma Meller managed to raise the genre and make it an acceptable art form. She went on to make her debut as a film actress in 1919. As well as performing all over Spain and France, she was the first Spanish popular singer to succeed in the USA where her live concerts broke box office records. On April 26th 1926 she appeared on the cover of Time Magazine. By 1930 she had attracted the attention and admiration of Charlie Chaplin, who negotiated unsuccessfully for her to have a role in his film 'City Lights' (1931). However he did incorporate her hit song 'The violetera' as the film's major theme.

    Meller continued to live the life of a star in France after the Spanish Civil War, enjoying friendships with characters such as Maurice Chevalier and Sarah Bernhardt. After a brief spell in Argentina, she moved back to Barcelona where she remained until her death following a fall in 1962. There is a statue of the Spanish diva in Plaça de Raquel Meller, Barcelona, not far from the Montjuic cemetery where she is buried.

    Meller led a wild and controversial life at times, and it has even been suggested that she was responsible for betraying Mata Hari to the French authorities, in revenge for her having an affair with one of Meller's lovers. This action resulted in the execution of the infamous spy-dancer.

    Sorolla was infatuated with Meller and his feelings are clearly reflected in the quality and appeal of this painting which Blanca Pons-Sorolla has dated to 1912. The artist was to paint her portrait again in 1918, however this work is a more joyful expression of their relationship, beautifully displaying her captivating character and stunning looks. The bravura of the brush strokes show the artist at his most fluid and confident.

    We are grateful to Blanca Pons-Sorolla for her assistance in cataloguing this lot. The work will be included in her forthcoming Joaquín Sorolla catalogue raisonné.
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